Issey Miyake debuted his first collection in New York in 1971 and began participating in Paris Fashion Week from 1973. His concept of clothing as “A Piece Of Cloth” was widely acclaimed throughout the world from the very beginning.

This new proposal by Issey Miyake, Baked Stretch, is a new type of pleats that have been created from a new and innovative process. With this technique, A Piece Of Cloth is imprinted with special glue, placed in a baking machine, and baked. Similar to bread rising in the oven as it bakes, the glue expands with high heat, transforming the moulds of the pleats to complete the clothing. While the recipe is simple, it provides the possibility for a myriad of arrangements. This season they add prints of colourful curves as a compliment to the fabric to evoke the essence of the tropical flora.

An inexhaustible explorer, Issey Miyake has continued to open up new horizons for making clothes through research, experimentation and development while reimagining the relationship between the human body and clothing, from 1971.

With a clear idea of moving ever forward, Miyake has brought forth several epoch-making outcomes, including original pleated pieces from 1989, which would later develop into Pleats Please Issey Miyake, and the basic idea and process of A-POC in 1997, this time in collaboration with Dai Fujiwara, which would soon evolve into a design solution called A-POC INSIDE which was incorporated into the Issey Miyake collections as well as in all other brands owned by the Issey Miyake Group.

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Issey Miyake (Born 22 April 1938 in Hiroshima, Japan - death 5 August 2022, Tokyo, Japan). As a seven-year-old, he witnessed and survived the nuclear bomb dropped on Hiroshima on August 6, 1945. He studied graphic design at the Tama Art University in Tokyo, graduating in 1964. After graduation, he worked in Paris and New York City. Returning to Tokyo in 1970, he found the Miyake Design Studio.

In the late '80s, he began to experiment with new methods of pleating that would allow both flexibilities of movement for the wearer as well as ease of care and production. This eventually resulted in a new technique called garment pleating and in 1993's Pleats Please in which the garments are cut and sewn first, then sandwiched between layers of paper and fed into a heat press, where they are pleated. The fabric's 'memory' holds the pleats and when the garments are liberated from their paper cocoon, they are ready to wear. He did the costume for Ballett Frankfurt with pleats in a piece named "the Loss of Small Detail" by William Forsythe and also work on the ballet "Garden in the setting".

He had a long friendship with Austrian-born pottery artist Dame Lucie Rie. She bequeathed to him her substantial collection of ceramic and porcelain buttons, which he integrated into his designs and presented in new collections.

In 1994 and 1999, Miyake turned over the design of the men's and women's collections respectively, to his associate, Naoki Takizawa, so that he could return to research full-time. In 2007, Naoki Takizawa opened his own brand, supported by the Issey Miyake Group and was replaced, as a Creative Director of the House of Issey Miyake, by Dai Fujiwara.

http://www.isseymiyake.com/

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Published on: January 9, 2016
Cite: "Clothing by baking it in an oven, by Issey Miyake" METALOCUS. Accessed
<http://www.metalocus.es/en/news/clothing-baking-it-oven-issey-miyake> ISSN 1139-6415
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