Charles Marville. Photographer of Paris

Iconic Photographs of 19th-Century Paris, at Metropolitan Museum, by Charles Marville is widely acknowledged as one of the most talented photographers of the 19th century. The installation focuses primarily on architectural views, street scenes, and interiors. It explores the physical shape and texture of Paris and how artists have found poetic ways to record through the camera its essential qualities.

Charles Marville (French, 1813-1879) was commissioned by the city of Paris to document both the picturesque, medieval streets of old Paris and the broad boulevards and grand public structures that Baron Georges-Eugène Haussmann built in their place for Emperor Napoleon III. Charles Marville: Photographer of Paris at The Metropolitan Museum of Art presents a selection of around 100 of his photographs.

Marville achieved moderate success as an illustrator of books and magazines early in his career. It was not until 1850 that he shifted course and took up photography—a medium that had been introduced just 11 years earlier. His poetic urban views, detailed architectural studies, and picturesque landscapes quickly garnered praise. Although he made photographs throughout France, Germany, and Italy, it was his native city— especially its monuments, churches, bridges, and gardens—that provided the artist with his greatest and most enduring source of inspiration.

By the end of the 1850s, Marville had established a reputation as an accomplished and versatile photographer. From 1862, as official photographer for the city of Paris, he documented aspects of the radical modernization program that had been launched by Emperor Napoleon III and his chief urban planner, Baron Georges-Eugène Haussmann. In this capacity, Marville photographed the city’s oldest quarters, and especially the narrow, winding streets slated for demolition. Even as he recorded the disappearance of Old Paris, Marville turned his camera on the new city that had begun to emerge. Many of his photographs celebrate its glamour and comforts, while other views of the city’s desolate outskirts attest to the unsettling social and physical changes wrought by rapid modernization.

Haussmann not only redrew the map of Paris, he transformed the urban experience by commissioning and installing tens of thousands of pieces of street furniture, kiosks, Morris columns for posting advertisements, pissoirs, garden gates, and, above all, some twenty thousand gas lamps. By the time he stepped down as prefect in 1870, Paris was no longer a place where residents dared to go out at night only if accompanied by armed men carrying lanterns. Taken as a whole, Marville’s photographs of Paris stand as one of the earliest and most powerful explorations of urban transformation on a grand scale.

Charles Marville: Photographer of Paris is curated by Sarah Kennel, Associate Curator of Photographs at the National Gallery of Art.

Venue.- The Metropolitan Museum of Art, 1000 Fifth Avenue at 82nd Street, New York, NY 10028. USA.
Dates.- January 29–May 4, 2014.

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