Serpentine has announced that Bangladeshi architect and educator Marina Tabassum and her firm, Marina Tabassum Architects (MTA), have been selected to design the 2025 Pavilion, titled A Capsule of Time. Marina Tabassum’s Pavilion will be unveiled to the public at Serpentine South on 6 June 2025 with Goldman Sachs supporting the annual project for the 11th consecutive year.

Celebrated for their work that seeks to establish an architectural language that is contemporary whilst rooted and engaging with place, climate, context, culture and history; Tabassum’s design will resonate with Serpentine South and aims to prompt a dialogue between the permanent and the ephemeral nature of the commission.

Elongated in the north-south direction, the 2025 Pavilion features a central court that aligns with Serpentine South’s bell tower. Inspired by the tradition of park-going and arched garden canopies that filter soft daylight through green foliage, the sculptural quality of the Pavilion is comprised of four wooden capsule forms with a translucent façade that diffuses and dapples light when infiltrating the space. Central to Tabassum’s design is a kinetic element where one of the capsule forms is able to move and connect, transforming the Pavilion into a new space.

“We are thrilled to be selected as the architect of this year’s Serpentine Pavilion. When conceiving our design, we reflected on the transient nature of the commission which appears to us as a capsule of memory and time. 

The relationship between time and architecture is intriguing: between permanence and impermanence, of birth, age and ruin; architecture aspires to outlive time. Architecture is a tool to live behind legacies, fulfilling the inherent human desire for continuity beyond life. In the Bengal delta, architecture is ephemeral as dwellings change locations with the rivers shifting courses. Architecture becomes memories of the lived spaces continued through tales. 

The archaic volume of a half capsule, generated by geometry and wrapped in light semi-transparent material will create a play of filtered light that will pierce through the structure as if under a Shamiyana at a Bengali wedding. The Serpentine Pavilion offers a unique platform under the summer sun to unite as people rich in diversity. The stage is set, the seats are placed. We envision various events and encounters taking place in this versatile space that unifies people through conversations and connections.” 

Marina Tabassum, Architect, Marina Tabassum Architects (MTA).

Tabassum’s Pavilion which celebrates its 25th anniversary, emphasizes the sensorial and spiritual possibilities of architecture through scale and the play of light and shadow, and also draws inspiration from the history and architectural language of South Asian Shamiyana tents or canopies. Equally kinetic in function, these structures are made up of an external fabric supported by bamboo poles and are typically erected for outdoor gatherings and celebrations. The opening of the Tabassum Pavilion welcomes the possibilities of unifying visitors through conversations and connections, live programs and public gatherings.

In her words: ‘There should be no end to experimentation’, and Tabassum’s Pavilion will exemplify this credo. This year, Serpentine will host a programme of events to reflect on the commission, its history and its future.

More information

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Architects
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Dates
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6 June – 26 October 2025. 

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Venue / Localitation
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Serpentine Gallery. Kensington Gardens. London W2 3XA, UK.

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Rendering
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Marina Tabassum Architects (MTA).

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Photography
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Asif Salman.

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Marina Tabassum (b. 1969, Dhaka, Bangladesh) is an acclaimed architect and educator who has received numerous international recognitions in the field of architecture. She graduated in 1995 from Bangladesh University of Engineering and Technology. Prior to founding Marina Tabassum Architects (MTA) in 2005, Tabassum was a founding partner of the Dhaka-based firm URBANA between 1995 and 2005 with Kashef Chowdhury. In 1997, URBANA won the national competition to design the Independence Monument of Bangladesh and the Museum of Independence under the Public Works Department and the Ministry of Liberation War Affairs. In her work, Tabassum seeks to establish a language of architecture that is contemporary yet reflectively rooted to place and prioritising climate, context, culture and history. Tabassum’s practice remains consciously contained in size, undertaking a limited number of projects per year.  

Tabassum is a Professor at Delft University of Technology in the Netherlands. She held the Norman Foster Chair at Yale University in 2023 and has taught as a visiting professor at numerous universities including the Harvard University Graduate School of Design, USA; the University of Toronto, Canada; and BRAC University, Bangladesh. She received an Honorary Doctorate from the Technical University of Munich, Germany, and served as academic director at the Bengal Institute for Architecture, Landscapes and Settlements between 2015 and 2021.

Tabassum’s pursuit for the ‘architecture of relevance’ has won her numerous awards including the Soane Medal from the United Kingdom; Arnold Brunner Memorial Prize from the American Academy of Arts and Letters; the Gold Medal of the French Academy of Architecture; and the Jameel Prize from the Victoria and Albert Museum, London. She won the Aga Khan Award for Architecture in 2016 for the Bait ur Rouf Mosque and has served as a member of the Steering Committee of the Aga Khan Awards for Architecture from 2017 to 2022 and is a fellow of the Royal Society of Arts (RSA). In 2024, Tabassum was included in TIME Magazine’s ‘100 Most Influential People’.  

Tabassum chairs the Executive Board of Prokritee, a fair-trade organisation that promotes crafts and provides livelihood to thousands of women artisans of Bangladesh. She is the founding chairperson of the Foundation for Architecture and Community Equity (F.A.C.E), a non-forprofit organisation that focuses on climate adaption and architecture’s agency and responsibility in providing dignified living conditions for marginalised populations. F.A.C.E is currently working with communities to build mobile modular housing (known as Khudi Bari) in various geographically and climatically challenged locations in Bangladesh.

Tabassum’s work is currently the subject of a travelling exhibition organised by Architektur Museum der TUM, Munich, showing in Lisbon and Delft. She has previously presented work at Whitechapel Gallery, London (with Rana Begum, 2019); Sharjah Architecture Triennale (2019); and Venice Architecture Biennale (2018). Her work has been published by ArchiTangle; Harvard Graduate School of Design; ORO Editions; and Lars Müller Publishers among others. 

Marina Tabassum Architects (MTA). Founded in 2005, Marina Tabassum Architects (MTA) is an internationally recognised architecture and studio-based practice located in Dhaka, Bangladesh. MTA began its journey in the quest of establishing a language of architecture that is contemporary to the world yet rooted to a specific place. Standing against the global pressure of consumer architecture – a fast breed of buildings that are out of place and context – MTA is committed to rooting architecture to a place and is informed by climate and geography. Their work is well regarded as environmentally conscious, socially responsible and historically and culturally appropriate. Every project undertaken is a sensitive and relevant response to the uniqueness of individual sites, contexts, cultures and people.  

With a focus on combining research and teaching, MTA invests in extensive research work on the impacts of climate change in Bangladesh working closely with geographers, landscape architects, planners and other allied professionals. Their focus of work also extends to the marginalised low to ultra-low income population of the country with a goal to elevate the environmental and living conditions of people.

Headed by principle architect Marina Tabassum, the studio engages talented architects and professionals with an interest in self-built projects, who are willing to push the boundaries of the conventional norms of practice. The associate architects who are responsible for research, design and management of individual projects work directly under the principal architect. The practice is consciously kept and retained in an optimum size and projects undertaken are carefully chosen and are limited by number per year.

MTA's process-based practice model is well regarded in the international scene of architecture as a Twenty First Century model. As such, MTA has presented works and research to numerous institutions across Bangladesh and internationally. In 2016, MTA received the Aga Khan Award for Architecture for the Bait Ur Rouf Mosque – a building distinguished by its lack of popular mosque iconography, an emphasis on space and light and its capacity to function not only as a place of worship but also as a refuge for a dense neighbourhood on Dhaka’s periphery. The project was also listed among the top 25 postwar buildings of the world by New York Times. 

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Published on: January 28, 2025
Cite: "A Capsule of Time. Marina Tabassum Selected for the Serpentine Pavilion 2025" METALOCUS. Accessed
<http://www.metalocus.es/en/news/capsule-time-marina-tabassum-selected-serpentine-pavilion-2025> ISSN 1139-6415
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