Inspired by the Las Vegas aestetic, the jazz-clubs night in Chicago and how not, the famous strip-club of one of the most well-know series of HBO, The Sopranos, the Bada Bing strip-club, Bureau A brings us the revision of the boardwalk of Montreux, the city which houses the important jazz festival. The aestetic of the neon signs over the arch frames characterize a number of decks that, over the lake, creates different spaces for representation along the boardwalk.

Memory of project

Bada Bing.

James Gandolfini died on the 19th of June 2013, a few weeks before the 47th Montreux Jazz Festival. He was the leading character of one of HBO’s best series: The Sopranos. He embodied the complete range of clichés of the Italian American mafia developed beforehand by great film directors such as Martin Scorsese or Francis Ford Coppola (The Godfellas in 1990 for the first, The Godfather in 1972 for the second). The Sopranos was a mixture of the characters specific bad taste, filmed with an incredible amount of precision and aesthetic rigueur. The Bada Bing is Tony Soprano’s strip-club; his hide out and location from where he conducts his business. Bada Bing is an expression used by Sonny Corleone in The Godfather.

Montreux is a peculiar spot on the east end of the Lake of Geneva. It has its own marine west coast microclimate, palm trees and a peculiar wealthy population.  The views on the lake are breath-taking, directly hitting the base of the high French Alps. It’s a scene of natural beauty. The boardwalk provides a feeling of an everlasting vacation. The Montreux Jazz Festival has existed since 1967 and has been the place of many legendary jazz and rock concerts. During the festival the town merges with the music and festivities of the festival.

Web open source from The TV series The Sopranos.

The natural and simple thing to do when commissioned to revise the boardwalk for the Jazz Festival was to “go with the flow” of Montreux, to work with this ambience of shiny lights and glamour. The Bada Bing sign came to mind as a logotype for 1980’s aesthetic. Working with neon lights seemed quite straightforward. Neon signs represented not only the aesthetic of the Las Vegas strip and of the nightlife of Chicago’s  jazz clubs but also the work of a number of important conceptual artists working from the 1960’s onwards. Artists like Dan Flavin, Lucio Fontana, Bruce Nauman, Joeph Kosuth or Mario Merz took the light tubes out of the jazz clubs and hang them on the walls of art galleries and museums. Neon writings have this magical power to turn words into signs, opening thus possibilities of interpretation. The impossible ambition was probably to bridge these two cultures: the sharpness and diagrammatic design of conceptual art neon signs with the culture of the strip

The boardwalk has been reorganised entirely for the festival with a series of new decks, temporarily installed over the water, taking advantage of the great scenery. Neon signs have been placed at the entrance of every deck. They have obsessively occupied the boardwalk through two series of generic words: one designating generic food (pizza, paella, kebab) for the catering area and another series of jazz-history based styles (be-bob, latin-jazz, jazz-rock, boogie-woogie, etc) for the lake decks. The neon writing was supported by a freestanding structure, using the classical figure of the arch as a framing device capable of capturing romantic scenery of the lake and the Alps. The main deck, 40 meters long by 10 meters wide “dives” into the lake providing a large public and romantic space. 12 arches and neon signs, placed randomly, illuminate the platform filled with deckchairs.

Text.- Bureau A.

 
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BUREAU A. Founded in 2012 by the association of Leopold Banchini and Daniel Zamarbide. Architects by training BUREAU A is a multidisciplinary platform aiming to blur the boundaries of research and project making on architectural related subjects, whichever their nature and status.

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Leopold Banchini was born in Geneva in 1981 and is an architect graduated from the EPFL (Ecole Polytechinique Fédérale de Lausanne). He is also Master in Architecture from the University of Lausanne (2007) and graduate of the Glasgow School of Art (2004).

Is a visiting professor in the HEAD (Haute Ecole de Design et) in Geneva since 2010 and Assistant Professor at the EPFL since 2009. He has also been Archozoom project designer in 2009.

Has been placed in Lot / ek Architects (New York) between the years 2004/2005, as an assistant project Art Basel (Basel) in 2005, and as a project partner of the collective Atelier Van Lieshout (AVL) that same year in Rotterdam.

He has developed his work as an architect in b720 Arquitectos (Barcelona) during the years 2007 and 2008, and Group8 Architects (Geneva) in 2009.

In addition, since 2008 part of 1to100 Architects, and architectural collective based in Geneva. Its members have been active and decisive parts in projects such as the winning participation of Bahrain at the last Venice Biennale - RECLAIM Golden Lion 2011, exhibitions such as The Gulf - OMA-AMO's participation at the Venice Biennale 2007 and publications such as AMO-Rem Koolhaas's Al Manakh. Parallel to that, they conduce many different operations ranging from architecture, to journalism, until urban design. They have teaching positions at the EPFL and the University of Arts and Design in Geneva.

Its aim is to take position and initiate reflexions upon our contemporary environment.

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BUREAU, is the new project by Daniel Zamarbide. The practice hides under its generic name a variety of research activities. BUREAU makes things as an urge to react to the surrounding physical, cultural and social environment with a critical standpoint and with an immersive attitude. BUREAU is (in 2017) a furniture series, an editorial project, a design team, they are architects.

Daniel Zamarbide obtains his master degree at the Institut d’Architecture de l’Université de Genève (IAUG) in 1999. During his studies he followed the workshops of Christian Marclay, Philippe Parreno and Catherine Queloz at the École Supérieure des Beaux Arts in Geneva.

In the year 2000 he becomes one of the founding members of group8, an architectural practice that has acquired an important national and international recognition.


Daniel Zamarbide has developed through the years a particular interest in the protean aspects of his discipline and nourishes his work and research through other domains like philosophy, applied and visual arts as well as cinema.

As a guest lecturer and jury he has been invited at a diversity of international schools and institutions to present and discuss his work and research.

Since 2003 his interest in research and education has led him to be invited as an assistant in the École Polytechnique Fédérale de Lausanne (EPFL) and as a professor (2000-14) at the Haute École d’Art et de Design (HEAD) in Geneva. In 2014, he integrates the team of ALICE Lab (Dieter Dietz) at the École Polytechnique Fédérale de Lausanne (EPFL) as a guest professor and research director.

In 2012, Daniel leaves group8 to start a new practice with Leopold Banchini, architect. Their practice, BUREAU A has explored during 5 years the possibilities of architectural making in a great variety of formats, opening the practice to work in the fields of art, garden and landscape architecture, exhibition design, temporary architecture and object making.

In 2017, following the dissolution of BUREAU A, Daniel Zamarbide pursues his more personal research interests under the name of BUREAU. This new entity produces architecture in the continuity of BUREAU A and incorporates to his already prolific activities furniture design (with a design brand of the same name) and an editorial project, which launches the first publication in June 2017.

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Published on: September 10, 2013
Cite: "Bada Bing boardwalk for Montreux Jazz Festival 2013 By Bureau A" METALOCUS. Accessed
<http://www.metalocus.es/en/news/bada-bing-boardwalk-montreux-jazz-festival-2013-bureau-a> ISSN 1139-6415
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