On April 9, the Arena do Morro gymnasium was opened for the Dinarte Mariz school and the Mãe Luiza community, in Natal, Brazil. A project by Herzog & de Meuron.

This simple and open structure is the first realised project within the wider urban proposal “A vision for Mãe Luiza”, which Herzog & de Meuron developed with the Centro Sócio Pastoral Nossa Senhora de Conceição in 2009.

Built locally with available materials and construction methods, the gymnasium responds to the local conditions. Its identity and character are formed by the unique natural setting and the creativity of Mãe Luiza’s strong community. It will provide upgraded sports facilities for the students and will become a gathering space for the neighbourhood.

Below, a project description by Herzog & de Meuron

Mãe Luiza is nestled between the protected natural zone of the dunes of Natal and the commercially developed oceanfront. Our urban study identifies the missing and underdeveloped urban activities in the neighbourhood, traces available space within the densely built fabric, and distributes new activities within the areas potentially available for development. The proposal includes a spine (passarela) of new buildings and interventions that will form a sequence of public activities perpendicular to the main street of Mãe Luiza and extending all the way to the ocean. The pioneering architectural project within this proposal is the gymnasium, containing a sports field with tiered seating for 420 people, multipurpose rooms for dance and education, a terrace with ocean views, as well as changing rooms and public restrooms.

The existing structure of the old gymnasium - a concrete field framed by columns and trusses without a roof or walls - defines the starting point for our project. Its geometry is extruded over the entire building area, creating a single large roof whose shape is limited and defined by the site boundaries. The roof introduces a new scale in Mãe Luiza and at the same time establishes a relationship to the widespread traditional approach of using a generous roof to create large public spaces in the North East of Brazil. It becomes a symbol of the community.

Under the roof, the ground forms a landscape made of local terrazzo that follows the existing topography. The seating tiers trace the contour lines of the open field, and the multipurpose room, the dance studios, and support spaces are nestled in between. An undulating independent wall defines the interior perimeter, following the outline of the seating steps around the sports field and the circular shape of the freestanding and more private rooms. The circular volumes underline the communal character of these spaces and the activities within.

The sheer dimension and the uniform white colour of the roof anchor the building in the otherwise coarse and colourful urban fabric of Mãe Luiza. Like the missing piece of a puzzle, it occupies a large vacant lot at the edge of the quarter, completes it, and defines a new and generous civic place visible from afar. The two ends of the elongated pitched roof open up towards the neighbourhood and invite people in. Once you come closer to the volume of the building, its scale visually disintegrates through its materiality and architectural detailing.

The structure is simple and open, reflecting and responding to the local and available materials and construction methods. The roof is assembled of standard corrugated and insulated aluminium panels. Instead of being tightly joined, the panels are installed with open yet overlapping gaps that allow light and air in but keep water out.

The curvilinear wall beneath is made of specifically developed and locally manufactured concrete blocks. Each block has diagonally positioned vertical fins with rounded edges. By rotating the blocks, different orientations of the fins create various levels of transparency as well as privacy. Both the roof and the wall become permeable and translucent membranes that allow the cooling breeze from the ocean to flow through the building and the hot air to escape, filtering the bright natural daylight and animating the entire building in a play of various degrees of light and shadow.

At night, the effect is inversed and the building reveals the activities from within as a giant glowing lantern. The gymnasium is a permeable, fully naturally conditioned building, which transforms and translates the impact of its natural and urban environment into a public destination and focal point for sports, leisure, and cultural activities. Its ultimate success will depend on its day and night programming and its acceptance by the people of Mãe Luiza.

CREDITS. DATA SHEET.-

Architects.- Herzog & de Meuron.

Team.- Partners.- Jacques Herzog, Pierre de Meuron, Ascan Mergenthaler (Partner in Charge). Project Team.- Tomislav Dushanov (Associate, Project Architect) Caesar Zumthor, Mariana Vilela, Stephen Hodgson.
Planning.- Architect Planning: Herzog & de Meuron, Basel, Switzerland.
Architect Consultants.- Assessoria Técnica da Universidade Federal do Rio Grande do Norte.

Client.- Ameropa Foundation, Binningen, Switzerland. Centro Sócio Pastoral Nossa Senhora de Conceição, Natal, Brazil.
Program.- Workshops, School, Shops, Plaza at the Dunes, Park, Sports and Dance Facilities, Amphitheater, Green Canopy, Sea Walkway and New Link.
Dates.- Project 2011-2012, realization 2012-2014.

Photography.- Iwan Baan.

Building Data.-

Site Area.- 56'1146sqf / 5'207sqm.
Gross Floor Area.- 21'142sqft / 1'964sqm.
Number of levels.- 2.
Footprint.- 20'027sqft / 1'861sqm.
Building Dimensions.- Length 303ft / 92m; Width 106ft / 32m; Height 37ft / 11m.

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Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.

Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.

Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988).  The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987).  Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.

Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.

In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.

Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”

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Published on: May 19, 2014
Cite: "Arena do Morro Gymnasium by Herzog & de Meuron" METALOCUS. Accessed
<http://www.metalocus.es/en/news/arena-do-morro-gymnasium-herzog-de-meuron> ISSN 1139-6415
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