Today we see one of those people that is now known by the general public because of the Olympic stadium of the last Olympic games designed by the Swiss architects Herzog & de Meuron, ‘the bird’s nest’. Well, as you will all know a few days ago the Chinese government, whose justifications are as ‘serious and sensible’ as those of the Moroccan government, decided to demolish Ai Weiwei’s workshop.

These days it seems to be in fashion to restrict freedom of speech. With regards to what belongs to Spain, Morocco censors, vetoes and impedes journalists from entering Aaiún showing a lot of impudence towards a European Community that remains impassive and mute, as it has done so many times now that it doesn’t surprise us anymore.

When an act of protest against the demolition was proposed for November 7, Ai Weiwei was put under house arrest. The act was a massive crab party where they planned to serve 10,000 crabs. Ten thousand is a very common number is Maoist slogans and the Chinese word for crab is similar to ‘harmony’, one of the key concepts of the propaganda of the Chinese Communist Party.

The Chinese authorities ordered the demolition of Ai Weiwei’s Shanghai studio claiming it was illegal. The artist, who maintains that he was invited by the local government to put up the building, thinks that the real reason for the order is his support of dissents and their criticisms of Beijing.

It’s easy to talk about governments, especially those with reactions as clumsy as those mentioned, but more surprising still is the impassivity of the majority, who don’t protest against everyday acts of covered-up censorship.

The sunflower seeds of the TATE Modern as an example of diversity as one of protest against those who encourage the deafness of the opposition. 

"Sunflower Seeds" Modern TATE. October,12. 2010  –  May, 2. 2011. Juliet Bingham, Courator, Tate Modern. London.

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Ai Weiwei is a chinese conceptual artist, also works as an architect, photographer, curator and globally recognised human rights activist. Born in 1957 in Beijing, he began his training at Beijing Film Academy and later continued at the Parsons School of Design in New York City.

His work has been exhibited around the world with solo exhibitions at Stiftung DKM, Duisburg (2010); Mori Art Museum, Tokyo (2009); Haus der Kunst, Munich (2009); Sherman Contemporary Art Foundation, Cambelltown Arts Center, Sydney (2008); and the Groninger Museum, Groningen (2008), and participation in the 48th Venice Biennale in Italy (1999, 2008, 2010); Guangzhou Triennale in China (2002, 2005), Busan Biennial in Korea (2006), Documenta 12 in Germany (2007), and the 29th Sao Paulo Biennial in Brazil (2010). In October 2010, Ai Weiwei's "Sunflower Seeds" was installed in the Tate Modern Turbine Hall, London. Ai Weiwei participated in the Serpentine Gallery's China Power Station exhibition in 2006, and the Serpentine Gallery Map Marathon in 2010.

The last solo exhibitions included Ai Weiwei in the Chapel, on view at Yorkshire Sculpture Park through November 2, 2014; Evidence at the Martin-Gropius-Bau, Berlin, 2014; and Ai Weiwei: According to What?, which was organized by the Mori Art Museum, Tokyo, in 2009, and traveled to North American venues in 2013–14. Ai collaborated with architects Herzog & de Meuron on the “bird’s nest” stadium for the 2008 Beijing Olympics and on the Serpentine Gallery, 2012 London. He has been the recipient of numerous awards and honors, including the Václav Havel Prize for Creative Dissent from the Human Rights Foundation in 2012.


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Published on: November 14, 2010
Cite: "AI WEIWEI. "Sunflower Seeds" " METALOCUS. Accessed
<http://www.metalocus.es/en/news/ai-weiwei-sunflower-seeds> ISSN 1139-6415
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