China is becoming more fashionable for different reasons, because a Pritzker Wang Shu tries to do architecture without destroying or because there is a new exhibition about Ai Weiwei. The exhibition, already presented in METALOCUS the May 30, 2011, now travels to the Jeu de Paume in Paris, from Zurich, coinciding with various news and collaborations of this Chinese artist (see links below). As you know, Weiwei is one of our favorite artists and now that there is the possibility of visiting the exhibition is closer, seems a good time to remember along with the rest of the news about his works.

"Ai Weiwei – Interlacing" is the first major exhibition of photographs and videos by Ai Weiwei. It foregrounds Ai Weiwei the communicator – the documenting, analyzing, interweaving artist who communicates via many channels. Ai Weiwei already used photography in his New York years, but especially since his return to Beijing, he has incessantly documented the everyday urban and social realities in China, discussing it over blogs and Twitter. Photographs of radical urban transformation, of the search for earthquake victims, and the destruction of his Shanghai studio are presented together with his art photography projects, the Documenta project Fairytale, the countless blog and cell phone photographs. A comprehensive book accompanies this exhibition.

Ai Weiwei. August 12, 2009. From Blog Photographs, c. 2005-2009.

Ai Weiwei is a generalist, a conceptual, socially critical artist dedicated to creating friction with, and forming reality. As an architect, conceptual artist, sculptor, photographer, blogger, Twitterer, interview artist, and cultural critic, he is a sensitive observer of current topics and social problems: a great communicator and networker who brings life into art and art into life.

Ai Weiwei deliberately confronts social conditions in China and in the world: Through photographically documenting the architectonic clear-cutting of Beijing in the name of progress, with provocative measurements of the world, his personal positionings in the Study of Perspective, with radical cuts in the past (made to found pieces of furniture) in order to create possibilities for the present and the future, and with his tens of thousands of blog entries, blog photographs, and cell phone photographs (along with many other artistic declarations). This first, large exhibition and book project of his photography and videos focuses on Ai Weiwei’s diversity, complexity, and connectedness, his “interlacing” and “networking” with hundreds of photographs, blogs, and explanatory essays.

Imprisoned on April 3rd 2011 by the Chinese authorities because of his political activities, released on bail June 22nd 2011, Ai Weiwei is still, today, banned from leaving the country.

> Curator : Urs Stahel

> Exhibition coproduced by Fotomuseum Winterthur and Jeu de Paume, Paris.

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Ai Weiwei is a chinese conceptual artist, also works as an architect, photographer, curator and globally recognised human rights activist. Born in 1957 in Beijing, he began his training at Beijing Film Academy and later continued at the Parsons School of Design in New York City.

His work has been exhibited around the world with solo exhibitions at Stiftung DKM, Duisburg (2010); Mori Art Museum, Tokyo (2009); Haus der Kunst, Munich (2009); Sherman Contemporary Art Foundation, Cambelltown Arts Center, Sydney (2008); and the Groninger Museum, Groningen (2008), and participation in the 48th Venice Biennale in Italy (1999, 2008, 2010); Guangzhou Triennale in China (2002, 2005), Busan Biennial in Korea (2006), Documenta 12 in Germany (2007), and the 29th Sao Paulo Biennial in Brazil (2010). In October 2010, Ai Weiwei's "Sunflower Seeds" was installed in the Tate Modern Turbine Hall, London. Ai Weiwei participated in the Serpentine Gallery's China Power Station exhibition in 2006, and the Serpentine Gallery Map Marathon in 2010.

The last solo exhibitions included Ai Weiwei in the Chapel, on view at Yorkshire Sculpture Park through November 2, 2014; Evidence at the Martin-Gropius-Bau, Berlin, 2014; and Ai Weiwei: According to What?, which was organized by the Mori Art Museum, Tokyo, in 2009, and traveled to North American venues in 2013–14. Ai collaborated with architects Herzog & de Meuron on the “bird’s nest” stadium for the 2008 Beijing Olympics and on the Serpentine Gallery, 2012 London. He has been the recipient of numerous awards and honors, including the Václav Havel Prize for Creative Dissent from the Human Rights Foundation in 2012.


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Published on: February 29, 2012
Cite: "Ai Weiwei : Entrelacs. The artist who make​ tremble to China." METALOCUS. Accessed
<http://www.metalocus.es/en/news/ai-weiwei-entrelacs-artist-who-make-tremble-china> ISSN 1139-6415
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