The housing bubble and speculation have led to oblivion of public space in those neighborhoods that are completely and all at once planned. In this brilliant exhibition directly related to the Eixample district of Vallecas - one of the great urban failures of our time in Spain - the appropriation of this space is claimed by the neighbors through a simple but clear symbol: the sunflower seed.
Agostamiento is a site-specific intervention made by the Madrid-based art collective Basurama for Abierto x Obras program. It takes place in the old walk-in freezer which was the slaughterhouse of Legazpi. Basurama proposes an interior landscape extracted from the 7000 sunflowers field which has grown along with the residents of Gran Via del Sureste, in the Eixample district of Vallecas. An impossible public space that - in the words of Basurama - "invites to chat and eat pipes, looking ahead from darkness".

The abandoned"central boulevard" of this avenue - an open field of 350 meters long and 30 wide- is one of the many remains that the housing bubble's explosion has left in our city. A bleak and disturbing urban landscape, which proposed and reinvented itself as an agricultural landscape, to become a productive and meeting space. Among the remains of the new city lives people who have decided to take charge of their lives and their neighborhoods, managing their public spaces. In time of withering, the circle of life and inflorescence opens a huge living space to build and share.

Basurama is a group dedicated to research, creation and cultural and environmental production founded in 2001. Their area of ​​study focuses on performance and production processes, waste generation and these involve the creative possibilities raised by these contemporary situations.
They also aims to establish a platform for coming into contact and work together characters of the social framework that occupy very different places and yet they are not far apart, also considered as a creative node - meeting space. They have completed more than 100 projects on five continents, based in Madrid and with a permanent office in Milan and Bilbao.
  
Abierto x Obras, in Matadero Madrid, is a program of site specific interventions which invites artists to make a piece of new production stimulating the experimental nature of the contemporary creation through approaches that explore the relationship between art and the place which houses it, the old Slaughterhouse's walk-in freezer. An over 800 square meters room that still retains its original appearance and traces of the fire happened in the 90s. A characteristic space for its diaphanous structure of frilly arches and columns. Since 2007, Abierto x Obras has welcomed the interventions by artists such as Daniel Canogar, Jannis Kounnellis, Roman Signer, Carlos Garaicoa, Fernando Sanchez Castillo, Jordi Colomer, The Carpenters, Cristina Lucas, Eugenio Ampudia or Darya von Berner among others.
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From September 16th 2016 to January 8th 2017.

Tuesday to Friday from 16:00 to 21:00.
Saturday, Sunday and holydays from 11:00 to 21:00.
Monday closed.
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Abierto X Obras, Matadero Madrid, Legazpi sq. 8 , Madrid, Spain.
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Basurama is a forum for discussion and reflection on trash, waste and reuse in all its formats and possible meanings. It was born in Madrid School of Architecture (ETSAM) in the year 2001 and, since then, it has evolved and acquired new shapes.

Their aim is to study those phenomena inherent in the massive production of real and virtual trash in the consumer society, providing points of view on the subject that might generate new thoughts and attitudes. They find gaps in these processes of production and consume that not only raise questions about the way they manage their resources but also about the way they think, they work, they perceive reality.

Far from trying to offer a single manifest to be used as a manual, Basurama has compiled a series of multiform opinions and projects, not necessarily resembling each other, which explore different areas. We try to establish subtle connections between them so that they may give rise to unexpected reactions. We are not worried about its lack of unity; moreover, we believe it to be evocative and potentially subversive.

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Published on: October 4, 2016
Cite: "AGOSTAMIENTO in Matadero, by Basurama" METALOCUS. Accessed
<http://www.metalocus.es/en/news/agostamiento-matadero-basurama> ISSN 1139-6415
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