A team made up of New York-based architecture firm, SO–IL and Parisian studio FREAKS had completed the renovation and extension of Site Verrier cultural centre in Meisenthal, in north-eastern France, very near with German border. The site has been home to the Meisenthal Glass Museum since 1978 and the International Glass Art Centre since 1992.

The 18th-century former glass factory, transformed into a new cultural centre,  is a publicly funded project stands, hidden among the postcard landscapes of Northern Vosges Natural Park. It was commissioned as a result of an international competition in 2015.
The new proposal by SO-IL teamed with FREAKS addresses three elements of the site’s industrial past while providing a dynamic cultural space hosting three independent institutions. The glass museum (Musée du Verre et du Cristal) stands as a living memory tracing the history of glass at the site. The CIAV (Centre International d’Art Verrier) introduces an international glass art centre where traditional craftsmanship meets contemporary practices. The Cadhame (Halle Verrière) is a multidisciplinary cultural space hosting art installations, happenings, and concerts.

The new intervention, named Site Verrier de Meisenthal, by SO–IL unifies the three programs with a plaza that is formed by a central space and by a folded flat ring, that connects existing buildings and the visitors centre, giving them new entrances, and defining a contemporary identity that celebrates its industrial heritage.


Site Verrier cultural center by SO – IL and FREAKS. Photograph by Iwan Baan


Site Verrier cultural center by SO – IL and FREAKS. Photograph by David Foessel
 

Project description by SO – IL

Hidden in the bucolic landscape of Northern Vosges Natural Park, Site Verrier de Meisenthal is a publicly funded active cultural centre in a historic glass factory dating back to the 18th century.

Three independent yet interrelated institutions: the glass museum (Musée du Verre et du cristal) – a living memory tracing the history of glass at the site; the CIAV (Centre International d’Art Verrier) – an international glass art centre where traditional craftsmanship meets contemporary practices; and the Cadhame (Halle verrière) – a multidisciplinary cultural space hosting art installations, happenings and concerts are sited at varying floor levels. Our intervention unifies them to define a contemporary institutional identity in dialogue with an industrial heritage.

An undulating poured-in-place concrete surface alludes to glass production as it unites the buildings. The surface functions as a roof, ceiling, and wall, connecting the buildings’ ground floors to frame a public plaza. New functions are sensitively introduced under and over this surface, including offices, workshop areas, a cafe, and a restaurant.

Existing building functions are reimaged and extended: the factory hall is given a new entrance on a previously unused basement floor and a 500-seat black box theatre that can be reconfigured as a theatre with standing room for 700 or opened into a concert hall for 3,000.

The new public space heightens civic awareness of the historical site and also introduces a highly flexible venue for outdoor theatre, concerts, and seasonal festivities.

More information

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Architects
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SO-IL. Associated architects.- FREAKSPILA & LFA.
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Design Team
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Florian Idenburg, Jing Liu, Ilias Papageorgiou, Lucie Rebeyrol, Ian Ollivier, Seunghyun Kang, Pietro Pagliaro, Danny Duong, Antoine Vacheron.
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Collaborators
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Structural / MEP Engineer.- MHI.
Scenography.- dUCKS.
Cost Estimator.- MDETC. / VPEAS.
Acoustic.- Peutz.
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Area
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6,500 square meter / 70,000 sqf.
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Dates
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Completion.- 2022.
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Location
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Meisenthal, France.
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Program
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Cultural center, visitor center, black box theater, art storage, offices, workshop areas, classrooms, cafe, restaurant.
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Photography
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Iwan Baan, David Foessel, Jean-Claude Kanny, Laurian Ghinitoiu.
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Solid Objectives – Idenburg Liu (SO – IL) is an internationally recognized architecture and design firm established in New York in 2008 by Florian Idenburg and Jing Liu. Diverse in origin, their team of collaborators speaks a dozen languages. They are informed by global narratives and perspectives while deeply grounding our research and design in the specificities of local social and cultural contexts. In addition to innumerable awards and publications, their work has been acquired by institutions like the MoMA in New York, the Carnegie Museum of Art in Pittsburgh, and the Art Institute of Chicago.

With their progressive and ambitious private, public, and institutional clients, they explore how built environments inspire lasting positive intellectual and societal engagement. Holding universal participation and ethical construction practices as core standards within their office and projects, they are a proudly certified M/WBE and certified B-Corporation.

In a digitized world that increasingly draws one inward, their architecture is outward-looking, engendering meaningful dialogue with that which is materially and psychologically outside of theirselves. Their work incorporates innovative physical materials that follow each project’s unique scale and specificity, from stretched chainmail enveloping an entire gallery building to an elegant array of glass tubes forming a museum facade. Independent of budget and location, they infuse their projects with craft and material tactility.

With the firm now in its second decade, their work has spread onto four continents. From a collection of industrial heritage buildings housing three cultural institutions in northern France, to a contemporary art center inserted into an office tower in Shanghai, their scope is international. Current projects include a new gateway museum for Williams College in Massachusetts, aiming to be the most sustainable museum in the country.

In 2022, practice leaders Jing Liu and Florian Idenburg were awarded the American Academy for Arts and Letters Award in Architecture and were named United States Artist Fellows.

Florian Idenburg is an internationally renowned architect with over two decades of professional experience. After learning the ropes in Amsterdam and Tokyo, he founded SO – IL in New York in 2008 together with Jing Liu. His years of working in cross-cultural settings make Florian a thoughtful, enthusiastic partner. With a joyous demeanor, he pursues innovation through collaboration. His particularly strong background in institutional spaces has seen him lead the office on such projects as Kukje Gallery in Seoul, the Manetti Shrem Museum of Art at UC Davis, and Amant Arts Campus in Brooklyn. His strength lies in generating imaginative ideas and transforming them into real-world spaces.

Idenburg has a strong intuition for the orchestration of form, material, and light. He is passionate about developing projects to a level where these elements converge into superbly crafted physical space. He combines a hands-on approach with a theoretical drive, sharing this creative spirit with clients, collaborators, and students.

A frequent speaker at institutions around the world, he has taught at Harvard, MIT, Columbia, and Princeton University and is currently Professor of the Practice at Cornell University. In 2010, Idenburg received the Charlotte Köhler Prize of the Prince Bernhard Culture Fund. He is a registered architect in the Netherlands and an International Associate of the American Institute of Architects.

Jing Liu co-founded SO – IL with Florian Idenburg in 2008 in New York City after receiving her education in China, Japan, the United Kingdom, and the United States. Over 20 years of practice, Jing has brought an intellectually open, globally aware, and locally embedded sensibility to her work spanning a wide range of mission-driven cultural projects.

Through building practice and interdisciplinary collaborations, Jing has led SO – IL to explore new fabrication techniques, such as in Kukje Gallery, Las Americas Housing project, and K11 Museum — and to engage with the socio political conditions of contemporary cities — in projects like Martin Luther King Library in Cleveland, Neighborhoods Now initiative in New York, and the Melbourne Arts Precinct Transformation.

In each case, Jing carefully considers the feedback loop between the cultural, social, economic, and political systems unique to the place and its material practices and seeks to make positive contributions toward transformation. As a past and present board member of several non-profit institutions, including the Van Alen Institute and the Urban Design  Forum, Jing furthers these endeavors in the broader public sphere.

Jing has written on a number of topics, including housing, design culture, and female practices. She has contributed to Solid Objectives: Order, Edge, Aura published by Lars Müller, The Fabricated Landscape published by Carnegie Museum of Art and Inventory Press, Home Futures: Living in Yesterday’s Tomorrow published by the Design Museum, and the Avery Review by the Office of Publications at the Columbia University Graduate School of Architecture, Planning, and Preservation.

In previous years, the studio has included partners such as lias Papageorgiou and associates such as Sooran Kim and Ted Baab on its team.


metalocus_so-ill_02

> 2013.          > 2022.

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FREAKS, freearchitects, is a Paris-based architecture firm led by three architects (Yves Pasquet, Cyril Gauthier, and Guillaume Aubry) favouring prospection, research and experimentation through projects and building process practices from small scale art installations to large scale architecture competitions. FREAKS freearchitects has been awarded the AJAP price from the French Ministry of Culture and Communication in 2010 and the 40under40 European price in 2016. Although nowadays their built projects are mostly located in France, FREAKS's partners have lived and experienced a wide range of abroad working contexts such as San Francisco, Tokyo, Beijing, Berlin, Mumbai, Singapore, and Istanbul.

Those sometimes chaotic urban surroundings drove them to integrate into their practice a rich and confident vocabulary of urban scenarios and architectural aesthetics.

The office is deeply involved in reacting toward the image of architecture/architect and their representations in a cynical and playful way. Less is more, more is more, less is not enough.

Yves Pasquet (1977) graduated in 2007 from ENSAPLV-Paris and studied at ENSA-Rennes, University of Tokyo and ENSAPLV-Paris. He worked at Sauerbruch-Hutton in Berlin, at Groupe 6, in Paris and at Log Architectes in Paris. He founded FREAKS freearchitects in 2007 and taught at ENSAP-Versailles.

Cyril Gauthier (1978) graduated in 2006 from ENSAPLV-Paris, studied at ENSA-Montpellier, CCA in San Francisco, TU in Berlin and ENSAPLV-Paris. He worked at Atela Architectes in Paris and at Atelier Seraji Architectes & Associés in Paris. He founded FREAKS freearchitects in 2007 and teached at ENSA-Lyon and ENSA-Marseille.

Guillaume Aubry (1982) graduated in 2007 from ENSAPLV-Paris and studied at ENSA-Lille, University of Tokyo, ENSAPLV-Paris, la Seine art post-diploma ENSBA-Paris, IHEAP post-diploma Paris. He worked at Tiantian Xu DNA in Beijing and uapS Anne Mie Depuydt & Erik Van Daele in Paris. He founded FREAKS freearchitects in 2007 and teaches at EBA-StBrieuc.
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Published on: May 11, 2022
Cite: "A unifying fold. Site Verrier cultural center by SO – IL and FREAKS " METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-unifying-fold-site-verrier-cultural-center-so-il-and-freaks> ISSN 1139-6415
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