Located in the city of Barcelona, the TEST + Guillermo Santomà architecture studios have designed a unique space that transforms a semi-basement, giving rise to the new commercial space of the “Gimaguas” clothing brand.

The result is a space with a lot of character and personality that is modeled with folds and wrinkles designed by the architects themselves, who thought of the space as something deep and directional wrapped in a fabric. The project has been selected for the FAD 2024 awards.
The project developed by TEST + Guillermo Santomà is arranged linearly thanks to a lighting rail hanging over the clothing exhibition, which in turn accentuates the depth of the room, and directs visitors through the space.

Access through a stone porch introduces you to a room that with great technical and execution precision manages to dilute the concrete into different folds that simulate a fabric that makes its way through the building. The project ensures that visitors' eyes focus on the exhibition of colorful garments thanks to the contrast with the neutral gray of the concrete that surrounds the room.

Gimaguas Barcelona by TEST + Guillermo Santomà. Photograph by Gregori Civera.

This unique location is the first establishment of the Guimaguas brand, founded in 2016 by two twin sisters from Barcelona. The brand reflects its love for travelling and the beauty of local cultures, manifesting in its collections a mix of artisan products and its own designs in collaboration with artisans and artists from different parts of the world.

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Architects
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Project team
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Jesus Carmona, Katia Llabata, Lluis Tantiña, Adriana Cela, Carles
Pinyol.
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Developer
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Gimaguas.
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Area
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100 sqm.
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Dates
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2023.
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Location
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C/Rosselló 230, Barcelona, Spain.
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Photography
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TEST is an architecture studio founded by architect Albert Guerra, Adrián Jurado, Julia Tarnawski based in Barcelona.
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Guillermo Santomá is an architect/designer living and working in Barcelona. Born in 1984, after get a MA in design from Elisava Barcelona, Santomà attracted attention to his work after his total transformation of Casa Horta – an architectonic, artistic intervention in a traditional horta-house from the beginning of the 20th century. Santomà places himself somewhere in-between architecture and design and creates complete environments for his work to act in.

Since construction, Santomà works in different formats that move between design, architecture, sculpture and scenography. It uses simple mechanisms to alter familiar objects in a constant process of deformation creating complete environments. His work denotes an interest in the systematic transformation of the ways of objectifying, organizing, analyzing and, therefore, of transmitting. He could be described as being interested in how a space is affected by the production of elements vaguely similar to furniture as well as by chromatic interventions.

It seems that the force that motivates his interest in the architecture is driven by the question: how does the social space of a reactionary mind look? The question is a sensitive one because we tend to ascribe the practice of art to liberal values, even though there are plenty of historical examples of artists who by no means share such principles. Yet Santomà adds another twist: the artist is not only interested in how politics shapes character and how character shapes taste, but also how, then, taste shapes the body. Do ultra-conservatives sit in chairs similar to the liberals?
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Published on: May 25, 2024
Cite: "A space woven into the building. Gimaguas by TEST + Guillermo Santomà" METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-space-woven-building-gimaguas-test-guillermo-santoma> ISSN 1139-6415
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