The Japanese practice SANAA - an architecture office run by Kazuyo Sejima and Ryue Nishizawa - completed a port terminal in 2006, which is also a place for visitors to park their rented bike while they visit the Art House Projects.

Naoshima Port terminal is a small terminal for passenger ships in Honmura, Naoshima. Honmura is a village where many islanders from Naoshima reside. It is also popular with visitors who come to visit the art house projects that are scattered in the area. A new terminal with a waiting place, bicycle parking, and restrooms was needed to replace the old existing facilities.

The new SANAA’s pavilion has height of 8 meters (26 feet),  and comprises a seemingly random formation of translucent spherical forms, which each measure 4 meters (13 feet) in diameter.
 
"We wanted to create something like a landmark for islanders as well as for visitors who visit the island for the first time, so they can easily find the boarding point for the ship. We made an 8m tall three-dimensional form, like a cumulonimbus cloud, atop a wooden grid beam-column frame, by randomly piling up FRP spheres which are 4 meters in diameter.

With this unique shape, people who are heading to the terminal or people approaching the terminal by ship can easily find the port, even from a distance. With these semi-transparent three-dimensional spherical objects with 5mm thickness, we tried to make a space where people can feel comfortable with airy light from outside filling the space inside. We hope that this place will become a new symbol for the village where both islanders and visitors can come together."
Kazuyo Sejima and Ryue Nishizawa
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Kazuyo Sejima (Ibaraki, Japan, 1956) and Ryue Nishizawa (Kanagawa, Japan, 1966) worked independently from each other before founding the SANAA Ltd. studio in 1995. Having studied architecture at the Japan Women’s University, Sejima went on to work for the renowned architect Toyo Ito. She set up her own studio in 1987 and in 1992 was proclaimed Young Architect of the Year in Japan. Nishizawa studied architecture at the Yokohama National University. In addition to his work with Sejima, he has had his own practice since 1997.

The studio has built several extraordinarily successful commercial and institutional buildings, civic centres, homes and museums both in Japan and elsewhere. These include the O Museum in Nagano (1999) and the N Museum in Wakayama (1997), the Day-Care Center in Yokohama (2000), the Prada Beauty Store in Tokyo and Hong Kong (2001), the Issey Miyake and Christian Dior Building in Tokyo (2003) and the 21st Century Museum of Contemporary Art in Kanazawa (2004). Sejima also designed the famous Small House in Tokyo (2000), the Toledo Museum of Art Glass Pavilion, Toledo, Ohio (2001-2006), the extension to the Institut Valencia d’Art Modern, Valencia, Spain (2002 – ), the Zollverein School, Essen, Germany (2003-2006), the New Museum of Contemporary Art, New York (2003-2007) and the Novartis Campus WSJ-157 Office Building, Basle, Switzerland (2003 – ).

In 2004 Sejima and Nishizawa were awarded the Golden Lion at the 9th Venice Architecture Biennale for their distinguished work on the Metamorph exhibition.

Kazuyo Sejima and Ryue Nishizawa have won the 2010 Pritzker Prize.

The 12th International Architecture Exhibition, was directed by Kazuyo Sejima, the first woman to direct the venice architecture biennale, since its inception in 1980.

   

Ryue Nishizawa and Kazuyo Sejima. Kazuyo Sejima

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Ryue Nishizawa. Architect. Born in 1966 in Tokyo. In 1990, he graduated from Yokohama Graduate School of Architecture, Yokohama National University, and joined Kazuyo Sejima & Associates. In 1995, he founded a firm named SANAA together with Kazuyo Sejima. He established Office of Ryue Nishizawa in 1997.  In 2001, he was appointed as Assistant Professor at Yokohama Graduate School of Architecture, Yokohama National University (Y-GSA), and has been a Y-GSA Professor since 2010.

His numerous awards include the Golden Lion Award of the 9th International Architecture Exhibition at the 2004 Venice Biennale of Architecture, and the 2010 Pritzker Architecture Prize.

His main works include: International Academy of Media Arts and Sciences (IAMAS) Multimedia Studio*, Weekend House, Dior Omotesando Store*, 21st Century Museum of Contemporary Art, Kanazawa*, Moriyama House, House A, The Glass Pavilion of the Toledo Museum of Art*, Marine Station Naoshima*, Stadttheater Almer (De Kunstlinie)*, New Museum*, Towada Art Center, ROLEX Learning Center*, Teshima Art Museum. * SANAA design collaborated with Kazuyo Sejima.

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Published on: August 23, 2017
Cite: "A small passenger terminal shaped like a cloud. New Naoshima Port Pavilion by SANAA" METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-small-passenger-terminal-shaped-a-cloud-new-naoshima-port-pavilion-sanaa> ISSN 1139-6415
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