Designed by the Dutch-based firm Mecanoo, Taiwain's National Kaohsiung Center for the Arts will connect five performance centers within a total space of 140,000 square meter.
Taiwan's new National Kaohsiung Center for the Arts designed by Mecanoo is located on a former military training base in Weiwuying Park, the building houses a 2,236-seat Opera House, a 1,981-seat Concert Hall, a 1,210-seat Playhouse, a 434-seat Recital Hall, and an Outdoor Theater. At the heart of the building is the publicly accessible Banyan Plaza, where events can take place.

The news from the Kaohsiung National Arts Center in Taiwain is so exciting for several reasons: because the creation of cultural centers in urban environments not only makes them reference points to visit and add value to the area, but also because they are an integral part of the social vitality of the city. But especially not only because the structure has been recently completed, but also because a new record has been established as the largest performing arts center on the planet.
 

Description of project by Mecanoo

The National Kaohsiung Centre for the Arts symbolizes the transformation of Kaohsiung, once a major international harbour, into a modern, diverse city with a rich cultural climate. Mecanoo designed the National Kaohsiung Centre for the Arts, located on a former military terrain, as an integral part of the adjacent subtropical park to have a positive social impact on the residents of Kaohsiung whose population counts almost 3 million.

Inspired by the local Banyan trees with their iconic crowns, the vast, undulating structure is composed of a skin and roof, and connects an extensive range of functions. The curved steel structure was built in cooperation between a local and a Dutch shipbuilder. Underneath this roof is Banyan Plaza, a generous, sheltered public space. Residents can wander through here day and night, practice Tai Chi or stage street performances along walkways and in informal spaces.

An open-air theatre nestles on the roof where the structure curves to the ground, with the surrounding park forming the stage. Designed with the subtropical climate in mind, the open structure allows the wind to blow freely through Banyan Plaza. The seamless flow between interior and exterior creates opportunities for crossovers between formal and informal performances.

Different theatres such as the 1981-seat Concert Hall and 2236-seat Opera House are located in the five cores or ‘legs’ of the building where the structure meets the ground. The cores connect with one another via foyers in the roof and an underground service floor which houses the backstage area of each theatre.

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Architects
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Client
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Ministry of Culture (MoC).

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Area
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140,000 m².

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Dates
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Project Design.- 2007 - 2011. Project Realisation.- 2010 - 2018.

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Venue
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Zhōngzhèng 1st Rd 7, Kaohsiung, Taiwan.

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Awards
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1st prize Cityscape Architectural Award, Dubai 2008; 3rd prize International Design Award, IDA Los Angeles 2009; Chicago Athenaeum International Architecture Award 2009; Digital prize at Idea-Tops Awards 2017.

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Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.

Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.

Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.

In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.

Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.

Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.

Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.

Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).

“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”

Francine Houben, architect/creative director Mecanoo Architecten.

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Published on: October 21, 2018
Cite: "The World’s Largest Performing Arts Center by Mecanoo" METALOCUS. Accessed
<http://www.metalocus.es/en/news/worlds-largest-performing-arts-center-mecanoo> ISSN 1139-6415
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