After the announcement of Arata Isozaki as the winner of the Pritzker Prize for Architecture 2019, we present a series of videos that illustrate the architect's path.

Over the more than 50 years Arata Isozaki has been practicing, he has had an impact on world architecture, through his works, writings, exhibitions, the organization of important conferences and participation on competition juries. He has supported many young architects from across the globe to have a chance to realize their potential.
In such endeavors as the Fukuoka Nexus World Housing project (1988-1991) or Toyama Prefecture’s Machi-no-Kao (“face of the city”) program (1991-1999) he invited young international architects to develop catalytic projects in Japan.

2019 Announcement Video
 

Isozaki’s oeuvre has been described as heterogeneous and encompasses descriptions from vernacular to high tech. What is patently clear is that he has not been following trends but forging his own path. An early exploration of a new vision for the city is seen in the project City in the Air, from the early 1960s, for a multilayered city which hovers over the traditional city. His first works in his home country of Japan include a masterpiece of Japanese Brutalism, the Ōita Prefectural Library (1966). 

Local Beginnings

Such projects as the Kitakyushu Central Library (1974) and the Gunma Prefectural Museum of Modern Art, opened in 1974, reveal an exploration of a more personal architecture. In the museum, the clear geometry of the cube reflects his fascination with void and grid as it seeks to attain an equilibrium in which to display changing works of art.

Culture in the 80's

Arata Isozaki’s reach and repertoire have expanded over the years to include projects of many scales and typologies and in numerous countries. In the United States, Isozaki is probably most well-known for undertaking the Museum of Contemporary Art in Los Angeles (1986) and the Team Disney building in Florida (1991). The first is a study of the vault or what he calls “rhetoric of the cylinder” and the second is evidenced by a more playful use of shapes with a postmodern flair.

My Introduction to Architecture

Many know his work through such significant buildings as the Sant Jordi Stadium for the 1992 Olympics in Barcelona. He has undertaken exemplary works in China such as the CAFA (China Central Academy of Fine Arts) Art Museum in Beijing opened in 2008 or the Shenzhen Cultural Center (2007) in Shenzhen, Guangdong.

Global Inspiration

Isozaki has shown extraordinary dynamism in recent years with such works as Qatar Convention Center (2011), the traveling inflatable Ark Nova (2013) designed with Anish Kapoor for regions in Japan affected by the 2011 tsunami, and the powerful yet elegant Allianz Tower in Milan, opened in 2018. Once again, it is a testimony to his ability to understand the context in all its complexity and to create a remarkable, well-crafted and inspiring building that is successful from city scale to the interior spaces.

The Experimental City "X"

Clearly, he is one of the most influential figures in contemporary world architecture on a constant search, not afraid to change and try new ideas. His architecture rests on profound understanding, not only of architecture but also of philosophy, history, theory and culture. He has brought together East and West, not through mimicry or as a collage, but through the forging of new paths. He has set an example of generosity as he supports other architects and encourages them in competitions or through collaborative works. For all these reasons, the Pritzker Architecture Prize Jury has selected Arata Isozaki the 2019 Laureate.

More information

Arata Isozaki, (born in 1931 in Oita Prefecture - d. Dec 28th, 2022 inOkinawa, Japan), Isozaki is a world-renowned and one of the Japan’s leading architects. He established Arata Isozaki & Associates in 1963. His representative architectural works include Oita Prefectural Library (present Art Plaza), The Museum of Modern Art, Gunma, Art Tower Mito, Los Angeles Museum of Contemporary Art, Nara Centennial Hall, Akiyoshidai International Art Village, Shanghai Himalaya Center, Qatar National Convention Center.

He is the recipient of the Annual Prize, Architectural Institute of Japan, for the Ōita Prefectural Library and The Museum of Modern Art, Gunma (1967 and 1975 respectively, Japan), L’Ordre des Arts et des Lettres (1997 Officier, France), RIBA Gold Medal for architecture (1986 United Kingdom), Leone d’Oro, Venice Architectural Biennale, as commissioner of Japanese Pavilion (1996 Italy), Gran Cruz de la Orden del Mérito Civil (1997 Spain), Ordine al Merito della Repubblica Italiana (2007 Italy), and The Lorenzo il Magnifico Lifetime Achievement Award, Florence Biennale (2017). He was an honorary member of the Royal Academy of Arts (1994) and the American Academy of Arts and Letters (1998), and a member of the Japan Arts Academy (2017). He was appointed to the first Pritzker Prize Jury in 1979, and continued on as a member for five additional years.

Solo exhibitions featuring the work of Isozaki have included Arata Isozaki: Architecture 1960-1990 at the Museum of Contemporary Art, Los Angeles (California, USA) and Tokyo Station Gallery (Tokyo, Japan); Arata Isozaki: Works in Architecture at the Brooklyn Museum (New York, USA), Galleria D’ Arte Moderna, Comune di Bologna (Bologna, Italy), The Netherlands Architecture Institute (Rotterdam, The Netherlands), The National British Architecture Institute (London, United Kingdom), Miro Museum (Barcelona, Spain) and Moni Lazariston (Thessaloniki, Greece); Arata Isozaki – Electric Labyrinth at Castello di Rivoli, Museo d’Arte Contemporanea (Torino, Italy) and Serralves Museum of Contemporary Art (Porto, Portugal); and Arata Isozaki UNBUILT at the Central Academy of Fine Arts (Beijing, China), Shanghai Urban Planning Exhibition Centre (Shanghai, China) and Guangdong Museum of Art (Guangzhou, China).

Isozaki has served as a visiting professor at several U.S. universities including: Columbia University, New York (New York, USA); Harvard University (Cambridge, MA, USA) and Yale University (New Haven, Connecticut, USA). He is based in Okinawa with offices operating in Japan, China, Italy and Spain.

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Published on: March 5, 2019
Cite: "[VIDEOS] Arata Isozaki. PRITZKER ARCHITECTURE PRIZE 2019 [III]" METALOCUS. Accessed
<http://www.metalocus.es/en/news/videos-arata-isozaki-pritzker-architecture-prize-2019-iii> ISSN 1139-6415
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