Because of the structural renovation to the Museum of Contemporary and Modern Art in Nice, MAMAC, Arne Quinze makes an artistic intervention as a public space, an attempt of create a relationship between the museum and the city. Named "Hommage à Alexander Calder" is a sculptural instalation made with wood.

Within his serie of works Arne Quinze presents this installation made in wood that, as Red Beacon in Shanghai, The Visitor in Lebanon or Camille in Le Pont Boieldieu in Rouen, treats the city as an "open-air museum" where his works surrounded the public every day.

Besides, inside the MAMAC, Arne Quinze presents us an installation named "Chaos in motion", made in wood and glass, which can be visited in the same dates as the outside installation.

To honour the structural renovations to the Museum of Contemporary and Modern Art (MAMAC) in Nice, Gilbert Perlein, Chief Curator and Director of the MAMAC invited internationally acclaimed contemporary artist Arne Quinze to make a public art intervention. Arne Quinze known for his large scale wooden and metal public art installations was the reference of choice to inaugurate the museums new start. Evoking communication and social interaction is Arne Quinze's biggest artistic driving force. Primarily by means of his large-scale constructions located in public places, he has amazed many a passer-by.

The wooden sculpture named 'Hommage à Alexander Calder' will be constructed from 8 april onwards and inaugurated the 19th of april. During the summer months and until the 27th of october this installation will evoke a dialogue between the museums architecture, the city and it's public.

Text.- Arne Quinze

Date.- From 20th April to 27 October 2013.
Venue.- MAMAC. Place Yves Klein. Nice. France.

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Arne Quinze nació en 1971 en Bélgica y vive y trabaja en Sint-Martens-Latem, Bélgica. En los 80 empezó a trabajar como artista de graffiti pero nunca terminó su formación. Quinze crea grandes y pequeñas esculturas, dibujos, pinturas e instalaciones de gran escala. Pequeños trabajos, bocetos y dibujos son la base y la investigación para sus grandes instalaciones. Recurre fundamentalmente en su obra al uso de múltiples tipos de madera, incluyendo madera sin tratar; colores eléctricos con pinturas fluorescentes; temas referidos a interacciones sociales, comunicación y urbanismo.

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Published on: September 3, 2013
Cite: "Tribute to Alexander Calder at MAMAC" METALOCUS. Accessed
<http://www.metalocus.es/en/news/tribute-alexander-calder-mamac> ISSN 1139-6415
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