The exhibition, hosted at the MUSAC until the 31st of January, is a journey through the work of Alberto Garcia-Alix, ranging between two themes that speak of him as an artist and as a person, from a selection of over a hundred images taken between 1983 and 2015. A must-see for all photography lovers.

Shadows of the wind aims to walk with the author, Alberto García-Alix, through two blocks of his work and life, in a photographic and self-referential journey told in first person. Divided into two parts, a bridge between past and present, the exhibition becomes, unintentionally, the testimony of an era, which can be visited at the MUSAC until the 31st of January, 2016.

This work summarizes two of his main subjects and which remain a source of inspiration today: the motorcycle and the portraits. Two ways of understanding reality through photography. The bike is the first thing that García-Alix photographed when, in 1975, his father gave him a camera, a first film roll from which several snapshots with great compositional value can be picked. Thereafter, García-Alix would never separate from these two machines: the camera and the motorcycle. Both provide a vehicle for his emotions and the crossing between different paths that we see in his work.

The portrait, extended to the subject and its context, is the center of the second part of the sample and, somehow, the most intense one. This is a direct look at the life of the photographer, his friends, people who have shaped his world, with a vague boundary between professional and personal, who show the happening of time. The work is complemented by the laboratory work where he manages to find an infinite range of gray through which he retrieves the light and the moment he experienced when taking the picture.


Each boxing match is a story: a drama without words. Alberto García-Alix´s photographs are also condensed stories, silent but eloquent stories. These are images imbued with a lyricism and stripped of artifice, poetry that always finds a place to settle within the framework. Direct poetry that explodes before our eyes with the radiance of a whiplash. A vocational fighter, when García Alix concludes one of his joyful battles with images, there is only one winner standing on the canvas: his glance. A frontal view. A look of a fighter. Pure epic.

Gonzalo García Pin.

García-Alix publishes with Cabeza de Chorlito, on the occasion of this project, a publication in the form of photo book, under the title Moto and with an autobiographical text by the author, taking the artist's look on this theme in his work since the 70s until today, expanding the contents of the exhibition.

Artist.- Alberto García-Alix.

Curator.- Nicolás Combarro.

Coordination.- Helena López Camacho.

Dates.- 3rd of October, 2015 - 31st of January, 2016.

Place.- Room 2, MUSAC, Avenida de los Reyes Leoneses, 24, León.

 

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Alberto García-Alix, Nacido en León, en 1956, Alberto García-Alix viajó por primera vez a Ibiza en 1974, aunque los primeros negativos de la isla datan de 1981. Hasta 1989, no visitó Formentera, y desde entonces esta isla, como afirma el comisario de la exposición, Nicolás Combarro, “vuelve recurrentemente a su vida, y por tanto a su obra. Una sensación de libertad, un hedonismo que impregna las imágenes que llegan a nosotros a través del filtro de su mirada”. Las fotografías de García-Alix dan cuenta de las personas y lugares que han sido y son importantes en su vida. Y, como demuestra la exposición “Lo más cerca que estuve del paraíso”, las Islas Baleares, con excepción de Menorca, se hallan en el itinerario autobiográfico de quien es Premio Nacional de Fotografía 1999. Aún así, no busquéis en ella la descripción esperada, ni geográfica, ni social, no en García-Alix. Lo importante es la mirada del fotógrafo, cómo detiene aquello que ve para retornarlo con muchos matices de gris, los no-colores de las tardes, de los anocheceres y de las noches. E importante es también su rechazo a la técnica digital, la afición por las cámaras de siempre y la pasión por el laboratorio en la búsqueda y dominio de una perfección técnica que contribuye a hacer tan extraños como cercanos a los personajes, paisajes y vivencias que retrata.

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Published on: October 11, 2015
Cite: "Shadows of the Wind by Alberto García-Alix" METALOCUS. Accessed
<http://www.metalocus.es/en/news/shadows-wind-alberto-garcia-alix> ISSN 1139-6415
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