In a world full of images, it is difficult to discover really interesting ways of representation. For fala atelier, architecture is a meta-linguistic process that leads to the representation of an idea. The graphic language of fala atelier is often considered as mere abstractions, however that abstraction is surprising, for its ability to show us the essence of the project
His fascination with the subjective world represented in his images is a declaration of intentions to transform the ideas and goals of his projects into a reality that transcends their begining ideas. In this case, the design of four new apartments in an old house is much more than a declaration of habitability.
Description of project by fala atelier
A bourgeois 19th century single family house was to be divided into a series of identical studio apartments: four living spaces, some circulation areas and a private backyard. The project happens within a given system of constraints, aiming at an unexpected complexity, finding a certain interest within a very banal set of programs.
Unorthodox everyday spaces are built according to a clearly defined syntax and grammar. The four living rooms are different from each other while sharing the same language, the same set of figures. A defined number of elements - morphemes - within which the project operates: the stepped wall, the curve, two doors (one pink and one green), the striped surface of the floor. The living area becomes a gallery space.
The front facade is almost unchanged. The shabby tiles are replaced by polished green marble contrasting with the roughness of the existing granite frames. A circle of white marble is added to balance the composition.
The back facade is rebuilt. It becomes taller to match the neighbours scale, like a mask or a temple, with two square windows framing interior scenarios. The polished facade has a bold pattern of vertical stripes assembled with white, green and black marble, creating a rich, yet flat, surface. The entrance door is hidden within the pattern and a brass circle ends the piece. The pattern disguises the scale of the building and its program while being unnecessarily proud and exuberant. The back facade becomes a painting for neighbours to look at, a main facade for private use.
