One hundred years have passed since that moment, the one in which the world was trying to mend the wounds of the First World War and the losses of the flu pandemic of the year 18. That moment of the rise of Surrealism, Dadaism, the Bauhaus, Purism and the first great steps of the Modern Movement.
"The roaring twenties" arrives to make us reflect, from a different point of view, on the dichotomies that marked this decade, of crisis and freedom, trauma and creativity, and how those differences were put into dialogue from the artistic movements that arose and spread throughout this period.
"The roaring twenties" arrives to make us reflect, from a different point of view, on the dichotomies that marked this decade, of crisis and freedom, trauma and creativity, and how those differences were put into dialogue from the artistic movements that arose and spread throughout this period.
"This show goes beyond the cliches of the 1920s to explore those aesthetic movements that were so influential and important that they are still around today, even if we don't realize it."
The Roaring Twenties.
The Guggenheim Museum Bilbao presents an exhibition with important parallels with the current 1920s, which, that even recognizing the distances between one period and another, tries to leave a reflection on the achievements, defeats and learnings of that time and how recovering their memory can help us to break the cycle.
The exhibition presents an extraordinary catalogue, with works ranging from Max Ernst and Ernest Neuschul, through Moholy-Nagy and Kandinsky, to more recent works by contemporary artists who touch on themes or techniques from the 1920s such as Fabian Marti and Kader Attia.
The following is the schedule of collateral activities planned for the exhibition.
The exhibition presents an extraordinary catalogue, with works ranging from Max Ernst and Ernest Neuschul, through Moholy-Nagy and Kandinsky, to more recent works by contemporary artists who touch on themes or techniques from the 1920s such as Fabian Marti and Kader Attia.
The following is the schedule of collateral activities planned for the exhibition.
- Round table (May 5)
- French Institute screening The Lovers of Montparnasse (May 14)
- Shared reflections. Curatorial Vision (May 19). Key Concepts (May 26)
- Actions with local creators (June 3, 10, 17, 25 and July 1)
- Talk Overcoming Conflict: Neuroscience between wars: past and present. (June 16)
- Concert Juan Echanove (September 11)
"The 1920s were an explosion of creativity, erotic liberation, sexual drive and feminism, but also of trauma, struggle and savage and ruthless economics. And all this 'madness' is reflected in the Guggenheim Museum Bilbao in a very special way, thanks to the direction of the set design by Calixto Bieito".
- French Institute screening The Lovers of Montparnasse (May 14)
- Shared reflections. Curatorial Vision (May 19). Key Concepts (May 26)
- Actions with local creators (June 3, 10, 17, 25 and July 1)
- Talk Overcoming Conflict: Neuroscience between wars: past and present. (June 16)
- Concert Juan Echanove (September 11)
"The 1920s were an explosion of creativity, erotic liberation, sexual drive and feminism, but also of trauma, struggle and savage and ruthless economics. And all this 'madness' is reflected in the Guggenheim Museum Bilbao in a very special way, thanks to the direction of the set design by Calixto Bieito".
Petra Joos, curator of the exhibition in Bilbao.
1920 was a decade marked by both hardship and progress: cities grew at breakneck speed, the patriarchal concept of the family was challenged and transformed, and disadvantaged social groups began to make themselves heard in culture and politics. On the other hand, improvements in workers' conditions went hand in hand with a growing leisure industry and an innovative spirit fuelled art, in which experimentation embraced all disciplines.