Bilbao Guggenheim Museum presents ‘’Bill Viola: retrospective’’, a thematic and chronological tour through the evolution process of one of the most important artists of our time and a pioneer in the video art development.
This exhibition, which provides a complete vision of the work of Bill Viola and the evolution of audiovisual art as an artistic form, is organized by the Guggenheim Museum Bilbao and is sponsored by Iberdrola.
 

Description of the exhibition by Bilbao Guggenheim Museum

In his early single-channel tapes, Bill Viola already addressed in his work important issues as the notion of time, the meaning of our existence and about our place in the world.

With the advent of the new millennium and high-definition technologies, Viola was able to create monumental installations like Improving every day, in which five large mural projections that share the same space invite visitors to get into the light, and think about their lifes and The human existence.

During the last decade Bill Viola has continued to think about the life transformation processes, the birth-death-rebirth cycle and the space that is between these moments; it we can notice in his seven-channel installation The Dreamers, 2013.

Bill Viola (New York, 1951) began experimenting with video art in the early 1970s, following his participation in the program of Experimental Studies at the University of Syracuse (New York), led by his teacher, Jack Nelson. In Siracura he met David Ross (curator of video art) and worked as an assistant to some iconic Media Art people as artists Peter Campus and Nam June Paik at the Everson Museum of Art.

Interested in mysticism, poetry and philosophies, from the East and the West, Viola used the technical possibilities of video as a tool in his constant investigation about the human condition, birth and death, or the processes of change, rebirth and transfiguration, his outstanding themes in his work.

The exhibition Bill Viola: Retrospective goes back to his early experiences with video and includes early single-channel tapes such as Four Songs (1976) and The Reflecting Pool (1977-79).

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Curator
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Lucía Agirre
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Sponsor
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Iberdrola
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Dates
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30.06>9.11.2017
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Bill Viola, (New York, 1951), grew up in Queens, New York, and Westbury, New York. He attended P.S. 20, in Flushing. In 1973 Viola graduated from Syracuse University with a BFA in experimental studies. He studied in the College of Visual and Performing Arts. From 1973 to 1980, he studied and performed with composer David Tudor in the new music group "Rainforest" (later named "Composers Inside Electronics"). From 1974 to 1976, Viola worked as technical director at Art/tapes/22. From 1976 to 1983, he was artist-in-residence at WNET Thirteen Television Laboratory in New York. In 1976 and 1977, he traveled to the Solomon Islands, Java and Indonesia to record traditional performing arts.

Viola was invited to show work at La Trobe University (Melbourne, Australia) in 1977, by cultural arts director Kira Perov. Viola and Perov later married, beginning an important lifelong collaboration in working and traveling together. In 1980, they lived in Japan for a year and a half on a Japan/U.S. cultural exchange fellowship where they studied Buddhism with Zen Master Daien Tanaka. During this time, Viola was also an artist-in-residence at Sony Corporation's Atsugi Laboratories.

In 1983, he became an instructor in Advanced Video at the California Institute of the Arts, in Valencia, California. He represented the United States at the 46th Venice Biennale in 1995 for which he produced a series of works called Buried Secrets, including one of his best known works The Greeting, a contemporary interpretation of Pontormo's The Visitation. In 1997, the Whitney Museum of American Art organized and toured internationally a major 25-year retrospective of Viola's work.

Viola was the 1998, Getty Scholar-in-residence at the Getty Research Institute, Los Angeles. Later, in 2000, he was elected to the American Academy of Arts and Sciences. In 2002, he completed Going Forth By Day, a digital "fresco" cycle in High-Definition video, commissioned by the Deutsche Guggenheim Berlin and the Guggenheim Museum, New York.

In 2003,The Passions was exhibited in Los Angeles, London, Madrid, and Canberra. This was a major collection of Viola's emotionally charged, slow-motion works inspired by traditions within Renaissance devotional painting.
 
Viola's work has been exhibited in major museums and cultural institutions around the world such as the Whitney Museum of American Art, at the J. Paul Getty Museum in Los Angeles, at the Mori Museum of Art in Tokyo, at the Grand Palais in Paris and at the Royal Academy of London. He has represented the United States at the Venice Biennale in 1995. In Spain, his works have been appreciated on several occasions, one of the last was in 2017 with a great retrospective of the artist at the Guggenheim Museum in Bilbao.

In addition, throughout his long professional career he has received numerous awards and distinctions, such as the MacArthur Foundation award for “creative genius” in 1989, the honorary doctorate in Fine Arts from the University of Syracuse in 1995, in the XXI International Prize of Catalonia in 2009 or the Praemium Imperiale, awarded by the Japan Art Association, in 2011.
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Published on: July 25, 2017
Cite: "''Retrospectiva'' by Bill Viola in the Guggenheim" METALOCUS. Accessed
<http://www.metalocus.es/en/news/retrospectiva-bill-viola-guggenheim> ISSN 1139-6415
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