Last week, the design for ‘The Towers by Foster + Partners’, was released. A new residential development in the heart of Miami that will become the tallest building south of Manhattan on the East Coast. The next addition to the Miami skyline will consist on an elegant two landmark towers that challenge how high rise buildings relate to the fabric of the city.
The building has been designed by Foster + Partners to make an important contribution to the city at ground level. Instead of enclosing the whole site at ground level within a single mass – normally a car parking podium in most Miami buildings – the building provides two levels of underground car parking, while wrapping the car parking levels above ground with retail functions and dwelling units. This frees up space at the ground level, creating an engaging public realm. By opening up a direct vista from Brickell Bay Avenue to the waterfront, the building draws people to the new invigorated plaza along the sea – a feature the City of Miami champions vigorously. The entire ground level is brought to life by a variety of restaurants, cafes and art gallery spaces, set within a lush tropical garden.

The axis of SE 12th Street is reinforced with the creation of two interconnected towers giving the development a unique transparency, creating visual connections between the bay and the city. The sculpted reinforced concrete structure of the towers has been designed primarily for environmental reasons – shading the apartments within the building whilst maximising daylight – which also gives the building its unique appearance on the skyline.
 
Norman Foster, Chairman and Founder, Foster + Partners said:
 
“We share the city of Miami’s vision for increased urban density, and the design of these high-rise towers frees up space on the ground to create a public plaza, with shops, restaurants and art galleries that will serve the local community as well as the new residents in the tower. The base of the building continues the axis of SE 12th Street, drawing life back to the bay. It is a civic response to the city’s enlightened vision, and will make an important contribution to Miami’s public spaces.”

The design of the building is an acknowledgement that architecture is generated by the needs of people – both material and spiritual – and a concern for the physical context, culture and climate of place. The architecture of the building emerges from a synthesis of all these elements that have informed the character of the building: the structure that holds it up; its ecology; the quality of natural light; the symbolism of the form; the relationship with the building to the skyline and the streetscape and the way you move through and around it. This holistic approach aims to redefine the idea of a residential tower in Miami.
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Foster + Partners
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Miami, USA.
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Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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Published on: November 5, 2016
Cite: "Residential Tower in Miami by Foster + Partners" METALOCUS. Accessed
<http://www.metalocus.es/en/news/residential-tower-miami-foster-partners> ISSN 1139-6415
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