the Slovenians practice, Dekleva Gregoric Architects, is researching on traditional typology and morfology from time ago. They are developing conteporary projects looking for the past with a fresch vision. The design of the house is based on the traditional rules of site-architecture. The shape is adapted to the surroundings, respecting its volumetric parameters.
This house and other, as the house projected by Dekleva Gregoric Architects in the region of Karst, attempts to reinterpret the local traditional typology with a more contemporary language for the design of country houses.
 
“In The Chimney House, one could easily find references to the Slovene vernacular and critical regionalist modern architecture, local craftsmanship etc. But these references aren’t as essential, as the most interesting question that poses itself is how a single archetypal architectural element became the central theme of the house and how this influenced the spatial concept, perception and the volumetric articulation of the object.

Architecture is often ‘separated’ into architectural and technical components, the technical aspect of which is usually understood as a banal necessity, or even an obstacle in expressing a ‘clean’ architectural idea. In this case the ‘technical’ aspect becomes the challenge and one of the most important bases of the project. Historically, the chimney is one of the first technological elements which appeared in architecture, along with the fireplace – the source of warmth, light and food preparation became the centre of the home. The chimney with its ‘fireplace’ gives meaning, in an archaic way, to the kitchen and dining area - the central dwelling space. … The volume of the house is, in a way, of an archetypal shape, transformed by the outline of the chimney."

 
Extract from the essay ‘Transformed Archetype’ by Jure Grohar: published in Home by dekleva gregorič architects – Ljubljana: Museum of Architecture and Design (MAO), 2016 p.134-137

 

Description of project by Dekleva Gregoric Architects

Chimney as an element of typological transformation

The design of the house is primarily based on the rules of local architecture. It respects the morphology of the traditional built context, referring to the prevailing gabled roof type of the house and respecting its volumetric and material parameters. On the other hand the Chimney house marks typological transformation generated by the users’ specificity.

The kitchen, with a multifunctional wood stove, plays the vital role in the private and social life of a couple living in the countryside. Stove’s centrally positioned chimney determines the concept of the house informing the centrally aligned layout of spaces within the specific cross-section of the house. The ridge of the roof is pushed apart creating a continuous skylight running throughout the house’s linear volume and providing top light for all the crucial spaces.

Positioned on the borderline of the village it clearly relates to the adjacent wooden barn with the dark wooden materiality, but with the new distinctive volumetric identity moves deliberately away from its vernacular neighbour and curiously associates with the nearby 16th century church creating a dialogue between the two.

Oiled larch boards completely define the materiality of the outside relating to the traditional finish of the vernacular barn. Deliberate secondary wooden roof cladding provides the continuity of the dark wooden materiality of the facade cladding. The building’s envelope is developed as a thick wall integrating multiple storage spaces, secondary kitchen, and small ‘inhabitable’ window niches that carefully curate incoming light and expanding views to the surroundings. Interactive capabilities allow for an array of activities. Material definition of the interior responds to haptic abilities of inhabitants: oiled oak is used for all the surfaces that can be reached and touched by the human body, whereas the structure of the roof is in reinforced concrete showing the imprint of the wooden formwork that provides for the continuity of the texture of interior envelope.

Rising the gaze, starting from the material inner envelope and moving towards the zenith, one can discover and observe ever changing condition of the sky that becomes part of everyday life in the house.

 

 

More information

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Architect
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dekleva gregorič architects
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Project Team
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Aljoša Dekleva u.d.i.a., M.Arch. (AA Dist); Tina Gregorič u.d.i.a., M.Arch.
(AA Dist); Vid Zabel stud.arch., Primož Boršič m.i.a
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Client
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Andrej Dolenc
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Measurements
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site area.- 830 m²
build up area.- 145 m²
net area.- 205 m² (106 m² ground floor + 99 m² basement)
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Dates
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2012-2016
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dekleva gregoric architects was set up by Aljoša Dekleva (b.1972) and Tina Gregorič (b.1974) in 2003 in Ljubljana, Slovenia. It is an international architecture studio, operating both in the EU and the USA.

Both founders received their postgraduate Master’s degrees in Architecture with Distinction from the renowned Architectural Association in London, where they initiated their research on participation, responsive environments, and mass customisation. They later documented this research in their acclaimed book Negotiate My Boundary!

Their studio design philosophy revolves around “research by design” and “design by research,” encompassing various modes (spatial, social, material, historical, etc.), different scales and programs, as well as diverse climates and localities. Understanding the specific constraints and conditions of the context serves as the fundamental generative tool, aiming to challenge the obvious and offer specific responses. They utilise a systematic design approach to establish an intense structuring of space and to challenge the use of materials by exposing their primary natures. Prioritising user experience, participation, and interaction, the studio fosters new forms of collectivity and customisation while addressing contemporary social and environmental challenges. Their portfolio spans diverse typologies, from experimental houses to large affordable housing neighbourhoods, university campuses, public buildings, and cultural institutions.

Key projects include the XXS House (2004), Clifftop House in Maui (2012), Compact Karst House (2015), Science Centre (2019), Affordable Housing in Novo Brdo (2022), and the Pavilion of Slovenia for Expo Osaka (2024). These projects have received prestigious accolades such as the Architizer and WAN House of the Year awards, the AR House Award 2015, the WALLPAPER* award for Best Breakthrough Designers, as well as nominations for the Mies van der Rohe and Swiss architectural awards, and the recent 2024 Buildner Unbuild Award. Their work has been celebrated worldwide for redefining tradition, materiality, and sustainability.

Besides their architectural practice, Aljosa and Tina play a significant role in architectural education. Tina holds the position of Full Professor of Architecture and Chair at the Institute of Architecture, Vienna University of Technology (TU Wien). Aljosa is the Programme Head for the AA Nanotourism Visiting School at the Architectural Association in London. In 2019, they both served as the Frank Gehry International Visiting Chairs in Architectural Design at the University of Toronto. They lead research initiatives like nanotourism, which offers a participatory, community-oriented alternative to conventional tourism, and actively lecture and exhibit worldwide. As curators of the Slovenian Pavilion at the 2016 Venice Architecture Biennale, they addressed critical issues of home and dwelling with Home at Arsenale, a curated library and site-specific spatial installation exploring the concept of home in contemporary society.

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Published on: April 1, 2017
Cite: "Reinterpretation of traditional typology. Chimney House by Dekleva Gregoric Architects" METALOCUS. Accessed
<http://www.metalocus.es/en/news/reinterpretation-traditional-typology-chimney-house-dekleva-gregoric-architects> ISSN 1139-6415
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