Grancaffè Quadri and Quadrino is situated on the northern end of Venice’s Piazza San Marco, set behind the arched openings of the square’s arcade. The cafe, which has been open since 1775, in now owned by the Alajmo family since 2010.
Quadri reopens its doors after a major restoration. A transformation revealing the original magic of the place in a romantic and slightly surrealistic atmosphere imagined by Philippe Starck and crafted by selected Venetian artisans.
Quadri reopens its doors after a major restoration. A transformation revealing the original magic of the place in a romantic and slightly surrealistic atmosphere imagined by Philippe Starck and crafted by selected Venetian artisans.
“The concept of Quadri simply is Quadri. Quadri was extraordinary, except it was a little sleepy. Out of respect, love and intelligence, we didn’t want to change such a powerful concentration of mystery, beauty, oddity and poetry,” said Starck.
To operate this delicate restoration, the Alajmos called upon the French creator Philippe Starck. The brothers and Starck met 10 years ago and already collaborated on the creation of two previous restaurants, Caffè Stern a phantasmagoric bacaro in the heart of Paris and AMO a mysterious and elegant café located inside the T Fondaco dei Tedeschi building in Venice. This new collaboration began with a love story; a human love story and a love story for Venice, its mystery and elegance. Quadri is a place that belongs to Venice, completely Venetian in its respected essence, and revealed by magic.
The restoration of the walls of the ground floor café and bistro, Grancaffè Quadri and Quadrino, was carried out by expert art restorers Anna de Spirt and Adriana Spagnol, who were able to peel back layers of paint to reveal the original stuccowork from the late 1800s and early 1900s.
Inside Ristorante Quadri on the first floor, Starck’s influence is evident in the décor and the recovery of original architectural details. The previously deep red wall covering is now a rich golden brown. Tessitura Bevilacqua, a historic Venetian fabric maker, produced both the old and new fabrics. During a visit to the poetically ancestral Bevilacqua atelier, Starck selected a fabric made in around 1550 as his model for a pattern that repeats across the room. Then the French creator twisted it to add humor and mental games into the idea of tradition and quality. The depicted faces are these of the Alajmo brothers, and horse-drawn carriages and gondolas give way to satellites and astronauts.
The large Rezzonico-style Murano glass chandelier from the 1930s was completely restored and hung alongside a new chandelier of the same dimensions and style, but with surrealistic dripping glass details. For both the restoration and the creation of the new chandelier, Philippe Starck called on Aristide Najean. The incredibly talented Frenchman who studied with the greatest Venetian glassblowers, has been living and working in Murano since 1985.
And because Venice would not be Venice without mirrors, the Barbini brothers, a family of master glass blowers that has been working in Murano since 1570 and who produced all the mirrors that hang in the Palace of Versailles, were chosen to craft the entrance large mirror and the smaller ones in the bathrooms, all inspired by century-old designs. The wooden frames that hold the large windows looking out onto St. Mark’s Square were also restored, thanks to the work of Venetian carpentry firm Capovilla.
