El Jardín Copera is a design by Tomás García Píriz Studio. The essence of this work lies in the reinterpretation of a postcovid scenic infrastructure inside an industrial area. It is located in La Zubia, a town and municipality in the Vega region of Granada, Spain.

This work, born in times of pandemic, proposes a new model of open-air cultural infrastructure. The novelty resides in the fact that it is located in a new place never thought of for that use. Nature and industry enter into symbiosis, giving rise to a new concept of nightlife. This decision has allowed the company to survive and has turned the Garden into its main attraction.
Tomás García Píriz Studio through a patio full of nature, lights, materiality and color games reconverts a new scenic space, thus reinventing the pre-existing business of the Sala Industrial Copera. A hybrid landscape emerges between the natural and the artificial.

The expansion of the city has led to unstructured nuclei and abandoned places, industrial estates being one of them, characterized by being areas of limited use. However, the demand for new spaces for nightlife, with ample capacity and allowing natural ventilation, have also been ideal to make use of them. Thus generating a fusion of materials and industrial techniques applied to this new program.  
 

Description of project by Tomás García Píriz Studio

On the outskirts of the city of Granada, in the fertile agricultural vacuum of the rural environment of the Vega, the periphery is shown through its other "cities": urban developments dotted and unstructured, agricultural infrastructure, contemporary ruins of abandoned farms, shopping malls and, of course, industrial parks. In one of these harsh factory spaces is located the Industrial Copera hall, a paradigmatic music center within the national scene and to which the need, as a result of COVID-19, to expand its musical offerings outdoors leads to occupy the adjacent parking lot for its conversion into a stage space.

The project arises from the fusion of the vocabulary of the garden and the peripheral polygon. Materials and techniques from the industrial field are displaced to build a musical infrastructure halfway between city and countryside: shotcrete, thermal insulation of facades, prefabricated, metal reinforcement, formwork sheets or parking lot pavements are re-signified by associating them with vines, trees and planters.

The distribution of the required program is quite simple. The lower level houses accesses and ticket offices, bar and kitchen, toilets, stage, stalls or dance floor, as well as independent access and circulation, around the perimeter, for artists and workers.  An upper level provides a privileged box, a space overlooking the stage and the views. Both levels are connected by a hanging staircase that in turn acts as support furniture for the bar.

The result is a synthetic hybrid landscape, between the natural and the artificial. A landscape that allows the fertile substratum of the fertile plain to regrow again, enveloping a raised architecture that forms an inner courtyard, a crater, in which to isolate yourself from the noisy outdoor space. A protected space that is thus delimited by a dark wall that underlines the presence of the nearby vegetation and the mountains and the sky in the distance.

The garden of the copera is a scenic space within an industrial landscape. A surprising place, designed to provoke a unique musical experience, between the valley and the industry, between the natural and the artificial.

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Architects
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Design team
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Architect.- Rocío López Berenguer. Architecture students.- Nicolás Martínez Rueda, Yuri Espadas Heras.
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Collaborators
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ER Architects.- Elisa Sánchez.  
Graphic design.- Fernando Álvarez de Cienfuegos.
Structures.- Miguel Ángel Jiménez Dengra.
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Developer
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Industrial Copera.
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Area
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350 sqm².
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Budget
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€ 115,000. Cost.- 328.30 €/sqm.
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Dates
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Project completion date.- June 15th, 2021.
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Location
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Polígono Al-sur, La Zubia, Granada, Spain.
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Photography
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Tomás García Píriz was born in 1978 in Granada. In 1997 he began his studies at the E.T.S. of Architecture in Granada. In 2001 he was awarded the scholarship of the Caja de Arquitectos Foundation in the study of Alberto Campo Baeza in Madrid. In 2002 as a student he won his first prize in an international competition: European Glasshouse Competition for Students and Young Architects, with the first regional prize and the first European prize.

In 2003 after graduating from the E.T.S School of Technical Architecture of Granada (ETSAG) he founded his own studio, 4:33 in Granada. From 2003 to 2005 he took a postgraduate course at the School of Technical Architecture of Madrid (ETSAM). In 2005 he received a 4-year National Research and Teaching Scholarship (FDPI) at the Escuela Técnica Superior de Arquitectura de Granada (ETSAG). From 2005 to 2009 he was adjunct professor, between 2005 and 2008 at the ETSA of Granada related to Elisa Valero Lab and Antonio Jiménez Torrecillas Lab.  

In 2006 he finished the postgraduate course at the E.T.S. School of Technical Architecture of Granada and started a new atelier, PULIDO + PÍRIZ (CUAC Arquitectura). From 2007 to 2008 he was a researcher at the Tokyo Institute of Technology in the Tsukamoto Lab (Partner of Atelier Bow Wow). From 2008 to 2009 he was substitute professor of Project Design at ETSAG (Spain). From 2009 to 2018 he was associate professor (Project Design) at ETSAG (Spain). In 2009 he obtains a 2-year national grant for research with the topic: Predictive Architecture, selected in 2012 from Spain for the VIII BIAU. In 2009 he is appointed member of the National Research Project: Recycling, Cities and Architecture. In 2015 he is appointed deputy director Students and Culture) at ETSAG (Spain).In 2016 Tomás García Píriz is PhD with his doctoral thesis: Architecture and Meteorology. Built Atmospheres as landscapes of air and sky. From 2018 until now he is PhD Professor (Project Design) at ETSAG (Spain).
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Published on: February 19, 2022
Cite: "Post-covid scenarios, between nature and industry. El Jardín de la Copera by Tomás García Píriz Studio" METALOCUS. Accessed
<http://www.metalocus.es/en/news/post-covid-scenarios-between-nature-and-industry-el-jardin-de-la-copera-tomas-garcia-piriz-studio> ISSN 1139-6415
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