Planning approval for The Factory building by OMA

The plans for Factory, the flagship cultural venue for the North designed by world-leading architects Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas, were granted planning approval by Manchester City Council today.

Factory Manchester by OMA. Image courtesy of OMA

The project is OMA’s first major public building in the UK and is led by project partners Ellen van Loon and Rem Koolhaas. Construction is due to begin in Spring 2017.

Factory will be a groundbreaking new venue driven by the extraordinary creative vision and breadth of Manchester’s cultural life. It will form part of the vibrant new St. John's neighbourhood, which is being developed by Allied London, in partnership with Manchester City Council, on the site of the former Granada TV Studios.

Ellen van Loon, OMA partner in charge of the project: “Much of my professional life has been spent undoing limitations of the traditional typologies. From classical opera and ballet to large scale performances and experimental productions, Factory in Manchester provides the perfect opportunity to create the ultimate versatile space in which art, theatre and music come together: a platform for a new cultural scene.”

Manchester International Festival (MIF) will operate Factory as well as continuing to deliver the festival every two years. The new venue will offer audiences the opportunity to enjoy year round, in a new world-class facility, the broadest range of art forms and cultural experiences - including dance, theatre, music, opera, visual arts, spoken word, popular culture and innovative contemporary work incorporating multiple media and technologies. Artists from across the world will be invited to create new work in the building’s extraordinary spaces.

Factory will accelerate economic growth in the region. Its economic impact will be considerable creating or supporting almost 1,500 full-time jobs and adding £1.1 billion to the city’s economy over a decade. It will make a direct contribution to the growth of creative industries in the North, and reduce the dependency on London as the provider of creative industries training and employment. It will develop partnerships with the city’s leading higher education institutions and will further support the city’s drive for high calibre graduate talent retention through job creation.

The Rt Hon Matt Hancock, Minister of State for Digital & Culture: “I want to blast open access to the very best world-class art and culture we have to offer in this country. So we're investing £78 million into Factory in Manchester that will provide a further boost to the brilliant arts, culture and technology scene in the North. On top of that, it will also help local tourism, generate jobs and provide training opportunities for the next generation of British creatives.”

Tom Bloxham, Chairman, Manchester International Festival (MIF): "This is a great show of confidence in the cultural future of the North. In just five festivals Manchester International Festival has established itself as one of the major international arts festivals, and we are delighted to now be able to add to the city’s and the country’s cultural offer all year round through our programming at Factory.”

Manchester International Festival

Manchester International Festival (MIF) is the world’s first festival of original, new work and special events. The Festival is staged every two years in Manchester, UK – the next edition will take place from 29 June to 16 July 2017.

Manchester International Festival launched in 2007 as an artist-led festival presenting new works from across the spectrum of performing arts, visual arts and popular culture and has commissioned, produced and presented world premieres by artists as diverse as Björk, Steve McQueen, Maxine Peake, Robert Wilson, Elbow, Wayne McGregor, The xx, Zaha Hadid Architects, Damon Albarn, Punchdrunk and Marina Abramović, among many others.

MIF brings together artists from different art forms and backgrounds to create dynamic, innovative and forward-thinking new work, staged in venues across Greater Manchester – from theatres, galleries and concert halls to railway depots, churches and car parks. The Festival works closely with festivals and other cultural organisations around the world, whose financial and creative input helps to make projects possible and guarantees that they have a life after each Festival has ended.

MIF works widely within communities around Manchester, originally with MIF Creative and now with a new initiative called My Festival. Launched in November 2016, My Festival is a diverse network of creative people who are forging closer connections with MIF – taking part in public projects, connecting MIF to their communities, and joining a new programme of training activities, workshops and other special events.

MIF is a registered charity. Alongside the income received from principle funders Manchester City Council and Arts Council England, income comes from ticket sales and co-commissioning partners; from other public bodies; from private sponsorship; from charitable trusts and foundations; and from individual donations.

Sección. Factory Manchester by OMA. Image courtesy of OMA.

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More information

Ellen van Loon

Ellen van Loon (Rotterdam, 1963) joined OMA in 1998 and became Partner in 2002. She has led award-winning building projects that combine sophisticated design with precise execution. Recently completed projects led by Ellen include the shop-in-shops for Jacquemus at Galeries Lafayette and Selfridges (2022), the temporary showroom in Doha and store on Avenue de Montaigne in Paris for Tiffany & Co. (2022-23), Monumental Wonders exhibition for SolidNature in Milan (2022). Bvlgari Fine Jewelry Show (2021), Brighton College (2020), BLOX / DAC in Copenhagen (2018), Rijnstraat 8 in The Hague (2017), and Lab City CentraleSupélec (2017). Other projects in her portfolio include Fondation Galeries Lafayette (2018) in Paris; Qatar National Library (2017); Amsterdam’s G-Star Raw Headquarters (2014); De Rotterdam, the largest building in the Netherlands (2013); CCTV Headquarters in Beijing (2012); New Court Rothschild Bank in London (2011); Maggie’s Centre in Glasgow (2011); Casa da Musica in Porto (2005) – winner of the 2007 RIBA Award; and the Dutch Embassy in Berlin (2003) – winner of the European Union Mies van der Rohe Award in 2005. Ellen is currently working on The Factory Manchester – a large performing arts venue for the city; the renovation of Kaufhaus des Westens (KaDeWe) Berlin – Europe’s biggest department store – and the design of Lamarr, a new department store in Vienna; and the Palais de Justice de Lille.

OMA. Office for Metropolitan Architecture

Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

REM KOOLHAAS

Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.