There is still time to visit the exhibition “The Piano method” which will remain open to the public in La Cité de l'Architecture (Paris, France) until Monday 29 February. This retrospective of the Italian architect’s career is characterized by focusing on the process of creating their works by studying the ideal treatment of landscape, heights, confrontations, urban heritage, pieces of the city and materials. The selected recent buildings are divided into these categories, to explain each of these key points in the design process of Renzo Piano Building Workshop.

Renzo Piano's method of birthing an idea consists in a horizontal system, a collective participation in which every employee can positively contribute, so that the final result comes not from one mind, but from the juxtaposition of multiple views, lacking of a particular owner. The collaborative process is also focused on the achievement of innovative lightweight structures - Piano’s obsession since the 1960s. This approach is made especially evident in the first section of the exhibition, where visitors can appreciate the artisanal dimension of Renzo Piano Building Workshop, which employs models and prototypes as a fundamental underpin for project creation.

Their recurrently used concept of material exploitation, derived from challenging the limits of construction, has been recently supported by the use of parametric software (as is the case, for example, of the parliament of Malta and the Pathé Foundation). However, the experimental and innovative aspect of the practice is not enclosed in itself, but has always taken into account the social aspect of architecture. Piano considers the habitability of buildings from an energy and urban point of view as a necessity in his works, so that the user's comfort and harmony of the new with the existing always go hand in hand.

The exhibition’s "confrontation" section compares Piano’s designs with Louis Kahn’s Kimbell Museum in Fort Worth and the monastery of Santa Clara in Ronchamp (Le Corbusier), emphasizing their urban and livability treatments, above mentioned.

The final conclusion to be drawn from the exhibition is the appreciation of the practice’s obtained sensitivity from its research in materials, climate and urban planning, aspects which articulate the Piano method.

Where.- Cité de l'architecture & du patrimoine. Trocadéro and November 11 square, 1, Paris, France.
When.- From the 11 November 2015 until the 29 February 2016.
Opening hours.- Monday, Wednesday, Friday, Saturday and Sunday from 11.00 to 19.00. Thursday from 11.00 to 21.00.
Entrance fee.- 8,00 €.

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Renzo Piano was born in Genoa, Italy, in 1937 to a family of builders. He graduated from Milan Polytechnic in 1964 and began to work with experimental lightweight structures and basic shelters. In 1971, he founded the Piano & Rogers studio and, together with Richard Rogers, won the competition for the Centre Pompidou in Paris. From the early 1970s to the 1990s, Piano collaborated with engineer Peter Rice, founding Atelier Piano & Rice in 1977. In 1981, he established the Renzo Piano Building Workshop, with offices today in Genoa, Paris and New York. Renzo Piano has been awarded the highest honors in architecture, including; the Pritzker Prize; RIBA Royal Gold Medal; Medaille d’Or, UIA; Erasmus Prize; and most recently, the Gold Medal of the AIA.

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The Renzo Piano Building Workshop (RPBW) was established in 1981 by Renzo Piano with offices in Genoa, Italy and Paris, France. The practice has since expanded and now also operates from New York.

RPBW is led by 10 partners, including founder and Pritzker Prize laureate, architect Renzo Piano.

The practice permanently employs about 130 architects together with a further 30 support staff including 3D visualization artists, model makers, archivers, administrative and secretarial staff.

Their staff has a wide experience of working in multi-disciplinary teams on building projects in France, Italy and abroad.

As architects, they are involved in the projects from start to finish. They usually provide full architectural design services and consultancy services during the construction phase. Their design skills extend beyond mere architectural services. Their work also includes interior design services, town planning and urban design services, landscape design services and exhibition design services.

RPBW has successfully undertaken and completed over 140 projects around the world.

Currently, among the main projects in progress are: the Academy Museum of Motion Pictures in Los Angeles; the École normale supérieure Paris-Saclay; the Paddington Square in London and; the Toronto Courthouse.

Major projects already completed include: the Centre Georges Pompidou in Paris; the Menil Collection in Houston, Texas; the Kanak Cultural Center in Nouméa, New Caledonia; the Kansaï International Airport Terminal Building in Osaka; the Beyeler Foundation Museum in Basel; the reconstruction of the Potsdamer Platz area in Berlin; the Rome Auditorium; the New York Times Building in New York; the California Academy of Sciences in San Francisco; the Chicago Art Institute expansion in Chicago, Illinois; The Shard in London; Columbia University’s Manhattanville development project in New York City; the Harvard museums in Cambridge, Massachusetts; the Intesa Sanpaolo office building in Turin, Italy; the Kimbell Art Museum expansion in Texas; the Whitney Museum of American Art in New York; the Valletta City Gate in Malta; the Stavros Niarchos Cultural Center in Athens; the Centro Botín in Santander; the New Paris Courthouse and others throughout the world.

Exhibitions of Renzo Piano and RPBW’s works have been held in many cities worldwide, including at the Royal Academy of Arts in London in 2018.
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Published on: February 3, 2016
Cite: ""The Piano method" in La Cité de l’Architecture et du Patrimoine" METALOCUS. Accessed
<http://www.metalocus.es/en/news/piano-method-la-cite-de-larchitecture-et-du-patrimoine> ISSN 1139-6415
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