The photographer Manuel Alvarez Diestro with his photo series airconsystems delivers a bleak and sometimes agonizing view of the world through aircon systems placed in buildings facades as testimony of our times.

The photo series carefully selected in various cities across the world shows as the architect Luis Lope de Toledo commented on his Twitter account  "what happens when installations are independently thought from the rest of the architecture."

In the photographer’s view, the rectangular-shaped white coloured machine with a circular grid in the front reminds us of an eye that looks at a particular place at a given time.  In fact, Alvarez Diestro has spent more than three decades travelling around the world and witnessed major conflicts including wars and social revolutions while living in the Middle East and travelling across Asia. 

Also, spending time in South America during the economic crisis or the world pandemic while in South Korea or vacationing with his parents in Benidorm, Spain. In a way, the aircon systems become his own eyes.

Buenos Aires. Aircon systems by Manuel Alvarez Diestro.

Buenos Aires. Aircon systems by Manuel Alvarez Diestro.

As in most of his works, Alvarez Diestro omits once again direct human presence in his photos but still expresses full human angst.  These invasive devices that grow without control and generate visual chaos still speak about us as they are connected to us behind the wall. 

From the isolated aircon machine hanging in a "party wall" in  Buenos Aires to the "horror vacui" in Hong Kong or Seoul.  In some cases, he depicts buildings destroyed from a war where the aircon system no longer has a purpose and is just part of the debris.

Manuel Álvarez Diestro. Born in Santander in 1972, he is a designer by vocation, although his professional life turned around to a marketing and communications company. He loves the creativity,  innovation and the "Branding" of the big brands, which closely follows and is learning every day.

His passion rides between art and architecture and its way of expression is photography. He explores the city with his camera looking at urban landscapes to revitalize, through the image, the appreciation of cities, in their various developments. We can see these images in his latest works "New Cairo", "Pyramids," "Parabolic Facades", "Playgrounds of the World", "Souvenirs de Beyrouth", "Dystopic Songdo" and "Amphitheaters".

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