The past weekend, a pseudo-sensible architect said about Rem which was a good writer and a bad architect. On several occasions I have heard constant mistakes, talking, in radio (in a debate yesterday on the written work by Rem, I listen by "serious architects", up to 12 mistakes in data and references, - it is assumed that they were specialists-) and written.

This makes me think that the brilliance of Rem Koolhaas is inversely proportional to mediocre argument of his  detractors. This exhibition is only to those who think that Rem Koolhaas is an excellent architect. Here we bring the penultimate expo about his work, if you visit Rotterdam, do not miss it.

OMA features in the exhibition "Daringdesign: Chinese and Dutch designers with guts", opening today at the newly refurbished Netherlands Architecture Institute in Rotterdam. Among works by eight offices and designers, OMA presents a new, highly-detailed model of the Taipei Performing Arts Centre: three theatres plugging into a central cube; soon to go under construction and due for completion in 2012.

"Daringdesign", which runs until 20 November, includes work by Ai Weiwei, Urbanus (architects), TO MEET YOU (graphic design), Ma Ke (fashion design), Hella Jongerius (product design), Alexander van Slobbe (fashion design), and Irma Boom (graphic design).

Often controversial, their projects analyse the tension between craftsmanship and commercialism; tradition and technology; singularity and standardisation, in the divergent settings of China and the Netherlands.

OMA Hong Kong Partner David Gianotten will also participate in Green from Scratch, a debate on sustainability in China, with Liu Xiaodu and Su Yunsheng.

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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: July 1, 2011
Cite: "OMA at the new NAi" METALOCUS. Accessed
<http://www.metalocus.es/en/news/oma-new-nai> ISSN 1139-6415
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