The building projected by the KAUH studio in Conil de la Frontera in Cádiz is the result of working with the context through an exercise of integration and questioning of the spatialities, environments, and ways of inhabiting the place.

The architects freely interpret the architecture of Conil, the vernacular that survives, the one that persists in memory, and the one that is yet to come. This is how the urban piece adapts to the domestic scale of the neighborhood, essentially materializing as a volume of smooth, cut-out white planes, underlining its identity in the powerful curvature of its chamfer.

The project was recently awarded the Sánchez Esteve Award from the Cadiz College of Architects (8th Edition).
In the KAUH project, the use of the patio experiments with the typology to resemble the temporary residence to the idea of the house, in which the fluidity and relaxation of the inside / outside limits build spatial and environmental relationships.

The commitment to craftsmanship is given by the use of a pattern that plays a main role in the project. Through the various material and constructive qualities that give the building its identity, the ceramic pieces of different sizes and qualities, together with the handcrafted railings, create an atmosphere based on the brightness and reflections, the nuances of textures and tones, in looking for the indelible marks of architecture.
 

Description of project by KAUH

Located in a neighborhood that grew over the course of the second half of the 20th century between the historic center and the beach, this building results from working with the context, integrating and questioning the spatialities, atmospheres and forms of inhabitation of the place. It is a free interpretation of the architecture of the town, the surviving vernacular examples, those that remain in our memories and that which is to come. 

With the patio as the starting point, the typology is experimented with in order to liken temporary accommodations to the idea of a house, in which fluidity and the relaxation of the limits between the outside and the inside construct the spatial and atmospheric conditions. In this sense, the exterior rooms are enhanced—patio, entrance, galleries and terrace, as well as their relationship with the units, the street and the dense roofscape. Transitions from the outside to the inside and the sequence of open spaces organize the layout of the building, providing a continuity to its section as it is traversed, beginning on the street, from which the interior is glimpsed, to the entryway, through the patio up until the terrace where it becomes air and participates of the dense roofscape. These outdoor areas are intertwined with the eight lodgings—six studios and two apartments. The user can decide on the quality of the relationship between the units and the exterior by controlling levels of transparency of the large openings thanks to the layering of the curtains, ranging from total exposure to complete isolation.

At an urban level, the piece is proportioned to fit into the domestic scale of the neighborhood, in essence materializing as a volume of smooth, delineated planes with a forceful curved chamfer highlighting its presence along the street. This curve recovers, in a more emphatic gesture, a formal resource that was used in the first buildings erected in the area which had gradually fallen out of use.

In what is also a commitment to craftsmanship, the use of a timeless and universal pattern that is open to interpretations—scale, wave, roof tile, fan, leaf— plays a crucial role through the diverse material and construction qualities it provides. It is materialized in ceramics of several sizes and finishes and in the artisanal railings and grilles manufactured by a local blacksmith. These create a range of experiences through the way they shine and reflect light, the way they cast shadows on flat on curved surfaces, or thanks to their texture and tone, all effects that are hallmarks of the architecture of these latitudes. Hence, the infinite possibilities of the color white, blended with the powerful bright light of the Atlantic in Cádiz as it plays with these restrained volumes, emphasize everything that this building strives to become.

This commission was all-embracing, taking the main design concepts all the way down to the last detail through bespoke furniture and choice of textiles, the gardening scheme and the incorporation of specific art pieces. From the fountain in the exuberant patio to the architectural garden of the terrace, from the furniture that mixes the use of wood, steel and marble to the collection of original postcards of the town from the 1960s and 70s or the range of beach inspired textiles, a universe of experiences is created. Among all of the elements that accompany the architecture, a series of pieces stand out created specifically by the ceramist Enrique Carrillo: four plates which, straddling between the notion of souvenir and epigraph, articulate the design's concepts through well-known verses to the light of Cádiz.

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Architects
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Kauh.- Juan Antonio Sánchez Muñoz & Vincent Morales Garoffolo. 
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Collaborators
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Quantity surveyor.- Enrique Morales González. Structure and foundation.- Duarte Asociados (Ignacio Quijano). Installations.- MQE Associated Technicians. Graphic image.- Viollet Visual communication. Ceramic plates.- Enrique Carrillo. Topography.- Ismael Carpinter.
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Builder
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Construcciones Hijos de José Aguilar.
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Developer
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Dates
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Project.- 2018. Construction.- 2019.
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Location
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Street San José, 18 corner with Ramón y Cajal street, Conil de la Frontera, Cádiz, Spain.
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Photography
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KAUH is the architecture studio by Vincent Morales Garoffolo (Albuquerque, NM, USA, 1976) and Juan Antonio Sánchez Muñoz (Cádiz, Spain, 1977). 

They both received their architecture degrees from the Escuela Técnica Superior de Arquitectura of Sevilla in 2003. 

Juan Antonio Sánchez Muñoz also holds a Masters degree in landscaping, gardening and public space from the University of Granada (2013-2014), and Vincent Morales Garoffolo translates texts specialized in architecture. 

They have balanced their professional practice with academic activities as professors at the Department of Architecture at Penn State University, USA.

After working in The Netherlands at VHP and WEST 8 respectively, in 2004 they established their own practice under the name KAUH. Between 2004 and 2012 they worked from Seville, and as of 2012 they do so from Granada. With a multifaceted profile, they mostly work in the Andalusian context.

Among the different fields architecture covers, their professional activity focuses on building, public space and landscape design. In their practice they also carry out projects in the editorial field related with the spreading of architecture and they participate in actions that offer them the opportunity to reflect upon the city, the discipline itself and its relationship with society. 

In their practice, they believe in the perceptive and relational experience that our work generates in the construction of our environment. All of this is interwoven by their foremost interest: to materialize and add quality to what belongs to everyone, to the places in which they all interact, the places in which the collective is expressed.
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Published on: December 16, 2020
Cite: "Light, patio, air. Conil home suit by kauh" METALOCUS. Accessed
<http://www.metalocus.es/en/news/light-patio-air-conil-home-suit-kauh> ISSN 1139-6415
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