Ten works created by young visual artists and architects are participating in the summer program, Floating Art, in the Danish fjord, Vejle Fjord organized by the Vejle Kunstmuseum. The works are selected through an open call to create works that participate in an active dialogue with water as a theme and environment.

Among these proposals, with the theme "Flooded Modernity", Asmund Havsteen-Mikkelsen shows a partial replica of the well-known Le Corbusier’s Villa Savoye stranded in the Danish Vejle Fjord.

Asmund Havsteen-Mikkelsen works with modern architecture in his paintings and Villa Savoye from 1931, the character of Le Corbusier plays a major role in his practice. He has designed the house 25 times, painted it nine times and lastly designed the house in 1: 2 for the exhibition Floating Art 2018. The house expresses Le Corbusier's five new principles of architecture as a booth: the free facade, the house on pillars, the roof terrace , the open plan and the horizontal window band. The principles have had a major impact on our way of visualizing and constructing architecture in Europe - a style that has set the framework for modern housing and lifestyle.

A piece of architecture history that is being challenged in Asmund Havsteen-Mikkelsen's work Flooded Modernity, where Villa Savoye is about to go to land in the fjord. Architecture is not just brick, but also constitutes a social and political space. When Flooded Modernity sinks in Vejle Fjord, it is a comment from the artist that we must remember to protect our critical use of reason - a pillar of modern society. With recent years of political events such as Brexit, the choice of Trump and advocacy advances in Europe, Asmund Havsteen-Mikkelsen sees a critical public being particularly challenged.

The artist show us the installation as a half-submerged vision of a once possible future. It’s also a critical comment on the significance of modernity today; as a “comment on the sinking of the public sphere after the disclosure of the Cambridge Analytica scandal and the manipulation of democratic elections through social media.”

For the third year in a row, the exhibition presented by Vejle Kunstmuseum invites participants to develop ideas on global and political challenges, such as climate, pollution working in the field of art and architecture.

"The art, as we know it from the museum, through a drawing, a painting or a sculpture fills less on this year's Floating Art. The twelve artists and architects who exhibit this year are working on the theme of water. The water is an integral part of their works and the societal themes that occupy them. The different skills in architecture and art are reflected in their ways of addressing the task - sometimes the conceptual expression of the arts overlaps, and other times the skills are connected in a field between building structures and art installations made to Vejle Fjord."

The works can be experienced 24 hours a day free until September 2, 2018.

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Vejle Fjord, Vejle, Denmark
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23.06 > 02.09.2018
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Charles Édouard Jeanneret-Gris was born in La Chaux-de-Fonds, Switzerland on October 6th, 1887. He is best known as Le Corbusier, one of the most important architects of the XX Century that together with Walter Gropius, Ludwig Mies van der Rohe, and Frank Lloyd Wright rise up as the fathers of Modern Architecture. In his long career, he worked in France, Germany, Switzerland, the United States, Argentina, India and Japan.

Jeanneret was admitted to the Art School of La Chaux-de-Fonds in 1902. He knew Charles l’Éplattenier, his first teacher, and he became interested in architecture. He built his first house, Villa Fallet, in 1906, and one year later he set out on his first great journey to Italy. From 1908-1909 he worked in Perret Bother’s Studio, where he focussed on the employment of the concrete, and from 1910-1911 he coincided with Mies van der Rohe in this studio in Berlin.

In 1917, Charles Édouard Jeanneret set up finally in Paris. The next year he met the painter Amedée Ozenfant and he displayed his first paintings and wrote his first book, Après le Cubismo. In 1919 he founded the magazine l´Esprit nouveau, where he published unnumbered articles, signing with the pseudonym Le Corbusier for the first time.

He opened his own Studio in 1922, in the number 35 of the rue de Sèvres. In this decade when his laboratory epoch started he carried out a great number of activities as a painter, essayist, and writer. But also as an architect, he planned some of the most recognizable icons of modern architecture and developed the principles of the free plan. Some of these works are the Villa Roche-Jeanneret, the Villa Savoye in Poissy, and the Siedlungweissenhof’s houses built in Stuttgart in 1927. It should be pointed out that at the same time; he set out the “five points” of the architecture.

Le Corbusier projected “The contemporary three million population city” in 1922 and in 1925 put forward the Voisin plan of Paris, which is one of his most important urban proposals. Three years later, in 1928, through his initiative, the CIAM was created and in 1929 he published his first edition of the Oeuvre Complète.

In the 30s, he collaborated with the magazine Plans and Prélude, where he became enthusiastic about urbanism and he started, in 1930, to elaborate the drawings of the “Radiant City” as a result of the “Green City” planned for Moscu, his project would be summarized in the “Radiant Villa”, which was enclosed with the projects for Amberes, Stockholm, and Paris. By 1931 he presented Argel, a proposal that composed the Obus Plan. And in 1933 the 4th CIAM passed and there he edited the Athens Document.

Le Corbusier, in 1943, developed the “Three Human Establishments Doctrine” and founded the Constructors Assembly for Architectural Renovation (ASCORAL). He made the project the Unite d´habitation of Marsella in 1952, which was the first one of a series of similar buildings. At the same time, the works of Chandigarh in India began, where he planned the main governmental buildings. Nevertheless, in the same decade, he worked in France too, in the Notre-Dame-du-Haut chapel in Ronchamp, in the convent of La Tourette in Éveux, Jaoul’s houses in Neuilly and the Unites d´habitation of Rézé-lès-Nantes, Briey-en-Forêt and Firminy.

He wrote and published his worldwide known study of the Modulor in 1948 followed by a second part in 1953. Meanwhile the next Le Corbusier’s books had a more autobiographic nature, among them the Le poème de l'angle droit (1955), l'Atelier de la recherche patiente (1960) and Mise aupoint (1966) stand out.

Le Corbusier, at the end of his life, created many projects that would not be built, for example, a calculus center for Olivetti in Rho, Milan; a congress in Strasbourg, the France embassy in Brasilia and a new hospital in Venice.

He died drowned on the 27th of August of 1965 in Roquebrune-Cap-Martin.

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Asmund Havsteen-Mikkelsen was born in 1977. He graduated from the Royal Danish Academy of Fine Arts in Copenhagen 2009. Living and working in Berlin.

Asmund Havsteen-Mikkelsen is in his artistic practice absorbed by formal experiments with the image's structural contexts. Compositorial as well as conceptual. He has his artistic roots in the abstract visual language of the 20th century and, in particular, the concrete art of modernism in which color and geometric shapes are in focus.

Often the paintings show a kind of architectural landscape inspired by concrete buildings or urban spaces, which, however, can not be fully recognized. In that sense, the works appear more as abstractions of the notion that the architecture can represent metaphysical moods or ideals.

His images often have an untraditional cropping, despite the stringent image structure, creates visual dynamics. It is emphasized by a complex mark of the shadows of the room.

The pictures are always figurative, human-minded. As with art-historical choreographers like Giorgio De Chirico or Edward Hopper, the rooms have a glimpse of something surreal and dreamy. It's like being somewhere you know, yet you do not recognize anything.
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Published on: August 1, 2018
Cite: "Is Le Corbusier’s Villa Savoye stranded in the Danish Vejle Fjord? Flooded Modernity by Asmund Havsteen-Mikkelsen" METALOCUS. Accessed
<http://www.metalocus.es/en/news/le-corbusiers-villa-savoye-stranded-danish-vejle-fjord-flooded-modernity-asmund-havsteen-mikkelsen> ISSN 1139-6415
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