As part of the Curator's Special Projects section, titled "Mnemonic", of this year’s Venice Architecture Biennale, architect David Adjaye has staged inside the Arsenale - Artiglierie an architectural model of the new Kiran Nadar Museum of Art (KNMA) project in New Delhi.

The museum, under construction on a 100,000-square-metre site in the city of Delhi, is scheduled to open in 2026. Once it is finished, it will be able to house the museum's collection of more than 10,000 modern and contemporary works by unifying its headquarters, currently scattered in New Delhi and Noida, in a new one close to the Indira Gandhi International Airport.
The building, designed by Adjaye Associates in collaboration with S. Ghosh & Associates as the local architect of record, is set to become India’s largest art and culture center.

Established in 2010 by one of India’s most well-known art collectors, Kiran Nadar, the KNMA is a private museum exhibiting modern and contemporary works from India and the subcontinent.

The structure will house the museum’s growing collections, as well as provide spaces for temporary exhibitions and performances in visual arts, music, dance, and theater.
 
"A museum is not only a site for mnemonic contemplation but is also a place where the dual nature of partition (‘partage’ in French) – an action that oscillates between sharing and separation – comes into stark relief. The museum is thus the site of assembly as well as dispersion, classification as well as division – a place where new narratives and temporalities are fashioned."


Architectural model of the new KNMA New Delhi. Photograph by Timothy Casten. Image Courtesy of Adjaye Associates and KNMA.


Architectural model of the new KNMA New Delhi. Photograph by Timothy Casten. Image Courtesy of Adjaye Associates and KNMA.


Besides the unveiling of the model, resonating with this ambivalent nature of partition, and learning from the challenges of postcolonial nation-building, the exhibition also includes works from the KNMA’s collection by major Indian artists. Taking inspiration from painters like Tyeb Mehta (1925-2009), belonging to the first generation of post-colonial artists in India, who explored through his art the pain and historical burden of the Partition of India and Pakistan in 1947. Nasreen Mohamedi (1920 - 1990) and Zarina (1937-2020), artists known for their geometric abstraction in prints and sculptures, also highlight themes of memory and displacement through their personal experiences.

In dialogue with these works is exhibited a film by contemporary filmmaker Amit Dutta that highlights the vision of Nasreen Mohamedi (1937-1990), an artist that was inspired by architectural forms and explored them through monochromatic abstractions drawn with graphite and ink on paper.

The film brings together all four elements – image, words, architecture, and the line as an essential gesture – in a continuous loop. The film becomes the moving line and a visual expression of the past, present, and projected future of the KNMA as an archetypal cultural institution Partition — Partage in a postcolonial setting.


Architectural model of the new KNMA New Delhi. Photograph by Andrea Avezzù. Image Courtesy of Venice Architecture Biennale.

The presence of KNMA at the Biennale Architettura 2023 aims to display the rich creativity of India and create a space for cultural discovery and diverse conversations.

The Special Projects section includes exhibitions and projects that aim to further develop the theme and explore new perspectives on the occasion of the Venice Architecture Biennale. This section includes the exhibitions Force Majeure, where 16 practices represent a distilled image of African and Diasporic architectural production; Dangerous Liaisons, staged at both the Arsenale and at Fort Maghera to display interdisciplinary works; Food, Agriculture & Climate Change, exploring the relationship between land practices, food production, and climate; Gender & Geography, providing a glimpse of future practices at the intersection of architecture and performance, Mnemonic, focused on the interdependency between memory and architecture; and Guests From the Future, presenting projects made by emerging practitioners.
 
METALOCUS is live reporting from the Venice Architecture Biennale, which takes place from 20 May to 26 November 2023. See METALOCUS Guide LA BIENNALE DI VENEZIA for all the latest information you need to know to attend and know the best events and pavilions in LA BIENNALE.

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Architects
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Adjaye Associates.
Local architect of record.- S. Ghosh & Associates.
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Client
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Kiran Nadar Museum of Art (KNMA).
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May 20 to November 26, 2023.
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Venue / Localitation
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"Mnemonic" is part of the "Curator's Special Projects" section of the exhibition at the Arsenale - Artiglierie, in Venice, Italy.
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Photography
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Andrea Avezzù, Timothy Casten.
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David Adjaye was born in Dar es Salaam, Tanzania, in 1966. The son of a Ghanaian diplomat who has lived in Tanzania, Egypt, Yemen, and Lebanon before moving to Britain at the age of nine, he led a privileged life and was privately educated. He earned his BA at London South Bank University, before graduating with an MA in 1993 from the Royal College of Art. In 1993, the same year of graduation, Adjaye won the RIBA Bronze Medal, a prize offered for RIBA Part 1 projects, normally won by students who have only completed a bachelor's degree.

Previously a unit tutor at the Architectural Association, he was also a lecturer at the Royal College of Art. After very short terms of work with the architectural studios of David Chipperfield (London) and Eduardo Souto de Moura (Porto), Adjaye established a practice with William Russell in 1994 called Adjaye & Russell, based in North London. This office was disbanded in 2000 and Adjaye established his own eponymous studio at this point.

Recent works include the Museum of Contemporary Art in Denver, the Nobel Peace Centre in Oslo, and the Skolkovo Moscow School of Management completed in 2010. On April 15, 2009, he was selected in a competition to design the $500 million National Museum of African American History and Culture, part of the Smithsonian in Washington, D.C., planned to open in 2015. His design features a crown motif from Yoruba sculpture.

Alongside his international commissions, Adjayes work spans exhibitions, private homes, and artist collaborations. He built homes for the designer Alexander McQueen, artist Jake Chapman, photographer Juergen Teller, actor Ewan McGregor, and artists Tim Noble and Sue Webster. For artist Chris Ofili, he designed a new studio and a beach house in Port of Spain. He worked with Ofili to create an environment for the Upper Room, which was later acquired by Tate Britain and caused a nationwide media debate. He also collaborated with artist Olafur Eliasson to create a light installation, Your black horizon, at the 2005 Venice Biennale. He has also worked on the art project Sankalpa with director Shekhar Kapur. Adjaye coauthored two seasons of BBC's Dreamspaces television series and hosts a BBC radio program. In June 2005, he presented the documentary, Building Africa: Architecture of a Continent. In 2008, he participated in Manifesta 7.

In February 2009, the cancellation or postponement of four projects in Europe and Asia forced the firm to enter into a Company Voluntary Arrangement (CVA), a deal to stave off insolvency proceedings which prevents financial collapse by rescheduling debts – estimated at about £1m – to creditors.

Adjaye currently holds a Visiting Professor post at Princeton University School of Architecture. He was the first Louis Kahn visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard Graduate School of Design. In addition, he is a RIBA Chartered Member, an AIA Honorary Fellow, a Foreign Honorary Member of the American Academy of Arts and Letters, and a Senior Fellow of the Design Futures Council. He also serves as member of the Advisory Boards of the Barcelona Institute of Architecture and the London School of Economics Cities programme.

The studio's first solo exhibition: "David Adjaye: Making Public Buildings" was shown at the Whitechapel Gallery in London in January 2006, with Thames and Hudson publishing the catalogue of the same name. This followed their 2005 publication of Adjaye's first book entitled "David Adjaye Houses".

http://www.adjaye.com

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Published on: May 27, 2023
Cite: "India’s Largest Private Art Center, KNMA by David Adjaye, at Venice Architecture Biennale" METALOCUS. Accessed
<http://www.metalocus.es/en/news/indias-largest-private-art-center-knma-david-adjaye-venice-architecture-biennale> ISSN 1139-6415
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