The Design Museum in London opens on Saturday, June 19 an exhibition that shows the trajectory of the architect and designer Charlotte Perriand, and can be visited until September 5, 2021.

It shows a multitude of real-scale recreations of both interiors and furniture designed by the architect so that the visitor can sit in her chairs or walk through the spaces that Perriand projected.

In addition, the exhibition includes some of the sketches, photographs, scrapbooks, or models of some of his projects, so that a retrospective is held that not only explores Perriand's work, but also his design process and how it has changed.

Throughout her career through working relationships with other architects and designers, such as Le Corbusier or Jean Prouvé, who have sometimes overshadowed the talent of the architect.
Curated in collaboration with the Perriand family and the Fondation Louis Vuitton, the Design Museum exhibition falls on the 25th anniversary of the designer’s last significant presentation in London, held at the Design Museum in 1996. As a female pioneer of modernist design, Perriand’s work was often overshadowed by her more famous male collaborators, who included Le Corbusier, Pierre Jeanneret and Jean Prouvé. However, in recent years her reputation as a furniture designer and architect has matched the stature of her peers – her furniture in particular has become highly prized by collectors.

The exhibition is divided into three sections: "The Age of Machines", "Nature" and "The Synthesis of the Arts, and Modular Design for Modern Life". Beginning with the design of his studio apartment in Saint-Sulpice, Paris, the exhibition shows Perriand's early mastery of metal furniture design before joining Le Corbusier's studio. Also on display were the notebooks in which he developed the tubular steel furniture designed with Le Corbusier and Pierre Jeanneret, which would define the Modern Movement of the 1920s. Transported to the world of Perriand, the visitor can sit in recreations of the interior of the Salon de Autumn 1929, rebuilt by Cassina, and the London branch of the Air France office designed in 1957.
 
“Dwellings should be designed not only to satisfy material specifications; they should also create conditions that foster harmonious balance and spiritual freedom in people’s lives.”
Charlotte Perriand
 

“Charlotte Perriand was a hugely influential figure in design. Her life spanned the twentieth century and her career reflects the twists and turns of the modernist movement. Yes, she was long overshadowed by her male counterparts, but this exhibition presents her not just as a brilliant designer who deserves wider recognition – she was also a natural collaborator and synthesiser. There is so much to admire not just in her work but in the way she lived her life.”
Justin McGuirk, Chief Curator

The exhibition charts Perriand’s shift from machine aesthetic to wooden natural forms. Collecting and photographing found objects in nature, her work begins to assume an organic quality from the late 1930s. Later she displays her vision of how art, design and architecture come together in the interior through her notion of the ‘synthesis of the arts’. This personal manifesto is represented through items from her 1955 exhibition of the same name in Tokyo, drawing on her collaborations and friendships with Le Corbusier and Fernand Léger.

The visitor will be able to explore Perriand's development of more affordable and adaptable modular interior designs. Modular furniture systems were seen as the way to go during the rebuilding of post-war Europe. In that sense, Perriand designed his iconic libraries, or bookstores, to be manufactured by Jean Prouvé's metal workshop. Originally applied to student residences such as the Maison du Mexique, recreated in the exhibition, these egalitarian metal shelves have ironically become highly prized collectibles.
 
“Better to spend a day in the sun than to spend it dusting our useless objects.”
Charlotte Perriand

Perriand was a keen hiker and skier, and the exhibition traces her love of travel and the outdoors in her work. It delves into her architecture, which mostly catered to the growing demand for leisure and tourism, especially in her beloved mountains. Through architectural models, photographs and sketches, it is shown how Perriand sought to make the pleasures of nature accessible. The exhibition culminates in her grandest architectural project, the Les Arcs ski resort in France. Developed over two decades, this resort for 30,000 skiers called for easily transportable components to be prefabricated, and drew on all of her creative and collaborative skills. The visitor will be able to take a virtual tour of the resort and see how the buildings fit seamlessly with the contours of the mountainside, and how Perriand makes thousands of mini apartments feel warm and generous.

Charlotte Perriand: The Modern Life opens on Saturday 19 June 2021 at the Design Museum. Early bird ticket vouchers for this exhibition are available to book now. The exhibition will be accompanied by an audio tour available on the free Bloomberg Connects App featuring interviews and insights from designers and architects who have been inspired by her work. To download, visit the Apple App or Google Play stores and search “Bloomberg Connects”.
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Chief Curator.- Justin McGuirk, Design Museum. Assistant Curator.- Esme Hawes, Design Museum. Pernette Perriand, Jacques Barsac, Sébastien Cherruet.
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Collaborator
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Exhibition 3D Design.- Assemble. Exhibition 2D Design.- A Practice for Everyday Life. App.- Bloomberg Connects.
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Dates
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From 19 June to 5 September 2021.
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The Design Museum, 224-238 Kensington High Street, London W8 6AG.
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Photography
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Courtesy of Design Museum.
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Charlotte Perriand (Paris, 24 October 1903 - Paris, 27 October 1999, Paris, France) has been known through her collaborations with Le Corbusier and Fernand Léger. However, at a time when it was rare for a woman to be an architect, designer and artist, Perriand's career spanned three quarters of a century and spanned places as diverse as Brazil, Congo, England, France, Japan, French New Guinea, Switzerland, and Vietnam.

Between 1920 and 1925 she attended the Ecole de l'Union Centrale des Arts Décoratifs, where she studied furniture design. She also attended classes at the Grande Chaumière Academy from 1924 to 1926. Frustrated by the approach based on craftsmanship and the Beaux-Arts style defended by the school, Perriand moved away from anything of a traditional nature.

She became known at the age of 24 with her Bar sous le Toit made of chromed steel and anodized aluminum which was presented at the Salon d'Automne in 1927. Shortly thereafter she began her journey of more than ten years together with Pierre Jeanneret and Le Corbusier. In 1927 she established her first studio of her own.

She collaborated with Le Corbusier on numerous architectural projects, designing the equipment for different dwellings such as the villas La Roche-Jeanneret, Church en Ville-d'Avray, Stein-de Monzie and the Villa Savoye, as well as the interiors of the Swiss Pavilion in the University City and the Shelter City of the Armée du Salut, both in Paris. She also worked with him on the definition of the minimum cellule (1929).

In 1937 Charlotte Perriand left Le Corbusier's studio and turned her attention to more traditional materials and more organic forms. She devoted herself to research in terms of prefabrication of modulated dwellings in which she collaborated with Jean Prouvé. Perriand's collaborations multiply throughout her career, working with architects such as Lucio Costa, Niemeyer, Candilis, Josic & Woods.

Her relationship with Le Corbusier did not end there, as she would collaborate with him again after the war, developing the first prototype of the integrated kitchen for the Marseille Room Unit.

The project where all her previous explorations on prefabrication architecture, standardisation, minimum cell, industrialisation and materials come together was the winter complex of Les Arcs in the French Savoy. Between 1967 and 1982, Perriand designed and built the three ski resorts of Les Arcs, located at an altitude of 1600, 1800 and 2000 metres, where 18,000 people had to be accommodated. The initial idea was to work with the grouping of minimum cells.

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Published on: June 19, 2021
Cite: "An immersive exhibition. "Charlotte Perriand. The Modern Life" at The Design Museum" METALOCUS. Accessed
<http://www.metalocus.es/en/news/immersive-exhibition-charlotte-perriand-modern-life-design-museum> ISSN 1139-6415
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