Getty Conservation Institute announces workshop for conservation of three museums designed by Le Corbusier

The workshop—part of the GCI’s Conserving Modern Architecture Initiative, which seeks to advance conservation of 20th-century heritage—will be held in India, where two of the three museums are located. The third museum is in Japan. Both the municipal corporations from Ahmedabad and Chandigarh are acting as hosts for this event and are providing support. In addition, the Fondation Le Corbusier, headquartered in Paris, will be participating in the event.

The workshop will include representatives from all three museums (who will be gathering for the first meeting of this type), and will focus on improving both architectural conservation and collections management for each building. The workshop will be conducted February 4-6 in Ahmedabad and will conclude February 8 in Chandigarh. On the evening of February 5, a public lecture will be held in Ahmedabad, where representatives of each museum will make a presentation, followed by a GCI-led panel discussion.

The three museums were designed by Le Corbusier in the 1950s and 60s, and were the only ones to come out of his prolific career. Based on his concept of a “museum of unlimited growth,” he created what he considered an ideal museum plan that allowed for future expansion. The three museums are similar in size, shape, floor plan, and exterior appearance, and share features such as sitting on an elevated pilotis, or thick concrete columns, and an exposed concrete frame with concrete floors and roof. Each museum was also designed to occupy a large plaza or open space, and is part of a cultural center.

“By asking the museum participants to consider what is significant about their respective museums as individual buildings and as part of the larger collected work of a great architect, each can better develop the necessary conservation policies to care for these significant buildings and their important collections,” says Susan Macdonald, head of Buildings and Sites at the GCI. “They will also discuss shared conservation challenges and potential solutions, thus creating a network of stewards of these important museums.”

The GCI’s Conserving Modern Architecture Initiative (CMAI) was created to advance the practice of conserving 20th-century heritage through research and investigation, the development of practical conservation solutions, and the creation and distribution of information through training programs and publications.

Building Details:

Government Museum and Art Gallery, Chandigarh, India

The entire city of Chandigarh was designed by Le Corbusier, and the Government Museum and Art Gallery (completed in 1968) plays an important role in its cultural life. It also reflects Le Corbusier’s modern design principles, which are fundamental to Chandigarh’s identity as a model modernist city. The museum houses one of the largest collections of Gandhara sculptures as well as a collection of Pahari and Rajasthani miniature paintings. The museum has identified several challenges related to how best to exhibit and care for the building and its diverse collection of art, and how to manage environmental issues that affect both the collection and the visitor experience. It is addressing these issues by developing a Conservation Management Plan, which is being supported by a 2017 Keeping It Modern grant from the Getty Foundation.

Sanskar Kendra Museum, Ahmedabad, India

Sanskar Kendra (completed 1954) currently houses the popular Kite Museum, which contains examples of traditional Gugarati paper and fabric kites. Its City Museum exhibition tells the story of Ahmedabad and its diverse cultures using objects such as large medieval coins, scripts and documents in Devnagari and Urdu, pottery, and frescoes. BV Doshi, a renowned Indian architect who is still practicing architecture in Ahmedabad, worked with Le Corbusier on the original design and construction of the museum.

National Museum of Western Art, Tokyo, Japan

The National Museum of Western Art, Tokyo, Japan (completed in 1959) is a UNESCO World Heritage site located in in Ueno Park, north of the Imperial Palace. Three Japanese architects – Kunio Maekawa, Junzo Sakakura and Takamasa Yoshizaka – worked with Le Corbusier on this project, which symbolized restored diplomatic ties between France and Japan after WWII. The museum has a large number of visitors, with a professional staff who oversee a robust program of exhibits and public programs, and who carefully manage the building. Additions were added in 1979 and in 1994. Major seismic improvements have also been done, and future additions are also being considered in order to accommodate growth.

More information

Charles Édouard Jeanneret-Gris was born in La Chaux-de-Fonds, Switzerland on October 6th, 1887. He is best known as Le Corbusier, one of the most important architects of the XX Century that together with Walter Gropius, Ludwig Mies van der Rohe, and Frank Lloyd Wright rise up as the fathers of Modern Architecture. In his long career, he worked in France, Germany, Switzerland, the United States, Argentina, India and Japan.

Jeanneret was admitted to the Art School of La Chaux-de-Fonds in 1902. He knew Charles l’Éplattenier, his first teacher, and he became interested in architecture. He built his first house, Villa Fallet, in 1906, and one year later he set out on his first great journey to Italy. From 1908-1909 he worked in Perret Bother’s Studio, where he focussed on the employment of the concrete, and from 1910-1911 he coincided with Mies van der Rohe in this studio in Berlin.

In 1917, Charles Édouard Jeanneret set up finally in Paris. The next year he met the painter Amedée Ozenfant and he displayed his first paintings and wrote his first book, Après le Cubismo. In 1919 he founded the magazine l´Esprit nouveau, where he published unnumbered articles, signing with the pseudonym Le Corbusier for the first time.

He opened his own Studio in 1922, in the number 35 of the rue de Sèvres. In this decade when his laboratory epoch started he carried out a great number of activities as a painter, essayist, and writer. But also as an architect, he planned some of the most recognizable icons of modern architecture and developed the principles of the free plan. Some of these works are the Villa Roche-Jeanneret, the Villa Savoye in Poissy, and the Siedlungweissenhof’s houses built in Stuttgart in 1927. It should be pointed out that at the same time; he set out the “five points” of the architecture.

Le Corbusier projected “The contemporary three million population city” in 1922 and in 1925 put forward the Voisin plan of Paris, which is one of his most important urban proposals. Three years later, in 1928, through his initiative, the CIAM was created and in 1929 he published his first edition of the Oeuvre Complète.

In the 30s, he collaborated with the magazine Plans and Prélude, where he became enthusiastic about urbanism and he started, in 1930, to elaborate the drawings of the “Radiant City” as a result of the “Green City” planned for Moscu, his project would be summarized in the “Radiant Villa”, which was enclosed with the projects for Amberes, Stockholm, and Paris. By 1931 he presented Argel, a proposal that composed the Obus Plan. And in 1933 the 4th CIAM passed and there he edited the Athens Document.

Le Corbusier, in 1943, developed the “Three Human Establishments Doctrine” and founded the Constructors Assembly for Architectural Renovation (ASCORAL). He made the project the Unite d´habitation of Marsella in 1952, which was the first one of a series of similar buildings. At the same time, the works of Chandigarh in India began, where he planned the main governmental buildings. Nevertheless, in the same decade, he worked in France too, in the Notre-Dame-du-Haut chapel in Ronchamp, in the convent of La Tourette in Éveux, Jaoul’s houses in Neuilly and the Unites d´habitation of Rézé-lès-Nantes, Briey-en-Forêt and Firminy.

He wrote and published his worldwide known study of the Modulor in 1948 followed by a second part in 1953. Meanwhile the next Le Corbusier’s books had a more autobiographic nature, among them the Le poème de l'angle droit (1955), l'Atelier de la recherche patiente (1960) and Mise aupoint (1966) stand out.

Le Corbusier, at the end of his life, created many projects that would not be built, for example, a calculus center for Olivetti in Rho, Milan; a congress in Strasbourg, the France embassy in Brasilia and a new hospital in Venice.

He died drowned on the 27th of August of 1965 in Roquebrune-Cap-Martin.

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Published on: January 28, 2018
Cite: "Getty Conservation Institute announces workshop for conservation of three museums designed by Le Corbusier" METALOCUS. Accessed
<http://www.metalocus.es/en/news/getty-conservation-institute-announces-workshop-conservation-three-museums-designed-le-corbusier> ISSN 1139-6415
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