Architectural firm Foster + Partners has won the design competition for the terminal extension at Marseille Provence Airport in the South of France. The project will expand the airport’s capacity, enabling it to serve up to 12 million passengers per year (excluding the MP2 terminal), future-proofing the development until 2046.
The new design proposed by Foster + Partners add a new central pavilion to the existing building designed by Fernand Pouillon in 1960, and a 1992 extension by Richard Rogers, to tie the entire ensemble of buildings together.
 

Description of project by Foster + Partners

The competition winning entry for the new Marseille Airport extension was revealed at a grand ceremony in the presence of JC Gaudin, Mayor of Marseille; Renaud Muselier, President of the region; Martine Vassal, President of the Departmental Council; JL Chauvin, President of the Chamber of Commerce, and several other dignitaries. The primary gateway to Provence, the project will allow the airport to serve up to 12 million passengers per year (excluding the MP2 terminal), future-proofing the development until 2046.

The design restores the clarity of layout and expression in Fernand Pouillon’s 1960s original, while adding the ‘missing piece’ to the 1992 extension by Richard Rogers to tie the entire ensemble of buildings together. Phase I of the project will create a new ‘Coeur’ – literally, heart in French – that rationalises arrival and departure sequences within a single building, creating an intuitive progression through the terminal for passengers.

The Coeur is a 22-metre-high glazed hall whose structural expression echoes that of the Pouillon building, with its inverted beam roof, heroic 33-metre-deep span and a continuous grid of glass skylights. Clad with stainless-steel, the skylights act like giant lanterns, bringing natural light and air deep into the building. Large indoor trees bring a sense of calm to the space, helping create a relaxing environment.


Grant Brooker, Head of Studio, Foster + Partners said: “Marseille airport has grown extensively and incrementally over the last 60 years. Our goal is to design a generous pavilion that reconnects all parts of the existing buildings, simplifying the flow of people between them and creating a new welcoming gateway to the region. The new terminal features a panoramic terrace overlooking the airport and the landscape beyond, and is entirely top lit, capturing the bright Provençal sunlight and paying homage to the bold architectural spirit of Fernand Pouillon’s original building.”


The movement of passengers from landside to airside and vice versa follows a simple linear diagram. All departing passengers pass through security screening on the first floor, overlooking the arrivals level below. Passing through a giant multimedia screen that spans across the building, they are immediately transported into a large double-height space animated by shops and restaurants, with tranquil seating areas surrounded by green trees. From here, there is a clear view of the aircraft and landing bays, with the lounges and panoramic terrace on upper levels. The Coeur floats above the existing 1990s building, creating a common architectural expression for the airport.

The interfaces between the old and new buildings are clearly articulated, using a distinctive portal frame throughout the building. The interior spaces flow seamlessly from one building to the other, with a flexible layout that can be adapted for the existing buildings. Phase II will add an additional pier with 12 aerobridges. To reduce the impact on day-to-day airport operations, the modular structure will be predominantly prefabricated offsite, and erected on a fast-track schedule.

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Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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Published on: November 25, 2017
Cite: "Foster + Partners winner of Marseille Airport extension design competition" METALOCUS. Accessed
<http://www.metalocus.es/en/news/foster-partners-winner-marseille-airport-extension-design-competition> ISSN 1139-6415
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