The French architecture firm Atelier Jean Nouvel completed Stelios Ioannou Learning Resource Center, at the University of cypriot capital, Nicosia, inaugurated last december.

Envisioned as an ‘object’,  the learning resource center — which contains a brand new library — has been captured in new images by architectural photographer Yiorgis Yerolymbos.

"It has been considered as an 'earth-work', a gentle echo in the landscape to the hills which are so characteristic of the plain and particularly to the Aronas, a main silhouette boarding the south side of the site across the Kaloyeros River."

Atelier Jean Nouvel.

Outside, the Information Centre - Library 'Stelios Ioannou' -named after Cypriot industrialist Stelios Ioannou, is covered with green and blue fabric, with a roof garden located on its flat roof so that it looks like an "abstract composition", conceived as an ‘earth-work’ and designed to look like an artificial hill.
 
This project is becoming possible due to a major donation of € 8.000.000 from Mrs Elli St. Ioannou, in memory of her late husband Stelios Ioannou. Following the benefactor's request the design of the project was assigned to the renowned French architect Jean Nouvel.

Inside, the Centre is the result of a special design and careful planning and in depth study of the University of Cyprus academic needs and physical environment.

The four-storey building contains a library and will house 1 million printed volumes, - over 30,000 electronic journal titles and 150 databases,  an information systems centre, the Center of Technology for Teaching, and a language centre. All information will be accessible throughout the scientific community of Cyprus. It will also provide approximately 900 study seats that will be equipped with modern technology.
 

Description of project by Olivier Boissière

The Learning Resource Center is planned to occupy the N-E plot of land on the campus of the Athalassa University.

As the other public buildings, the project is envisioned as an “object”. But rather than a “building” it has been considered as an “earth-work”, a gentle echo in the landscape to the hills which are so characteristic of the plain and particularly to the “Aronas”, a main silhouette boarding the south side of the site across the Kaloyeros River.

Beyond the allusion in silhouette, the Learning Resource Center is obviously a man-built object with its layers of colored fabric overlapping upon each other as an abstract composition and the magnificent clear cupola which caps the building.

The Learning Resource Center is positioned along a east-west axis parallel to the belvedere and leaves open the perspective of the Pentadactylos as viewed from the public square through a sort of logical thalweg between the LCR and the future cultural center.

The entrance to the LCR has thus been located on the north-east side so as to affirm the specificity of the public square which is to be linked more directly to the cultural center.

The program calls for a distinction between spaces which require “normal” light and those which need a more subdued lighting such as the ones dealing with computer screens or stacking for instance, whether they belong to the library or to the computer related activities. This and the orientation of the building has led to a distribution of spaces where naturally lit spaces are oriented to the north side with views to the mountain ridge and “obscure” ones face the Aronas with fewer views and carefully oriented ones.

The main concern and most attention has been given in the project to climatic conditions: protection against the sun and a strong commitment to keeping all interiors cool and comfortable have dictated the principles of the project keeping in mind the best use of energy.

The cupola covering the main reading room of the library is delicately set on the “plateau” of the hill and surrounded by a planted terrace.

The LCR is to be envisioned as a hybrid between natural landscape and man-built environment. Plants, shrubs and trees around it and atop of it are carefully selected among the ingenuous flora of the island.

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Architects
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Ateliers Jean Nouvel. Project leaders.- Philippe Papy, Athina Lazaridou, Damien Faraut, Elisabeth Kather. Architects.- Sébastien Abribat, Jean Angelini, Yves Bachmann, Thomas Dieben, Megan Feehan, Michael Herman, Laurent Pereira, Miguel Pomares, Andres Souza
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Collaborators
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Advisors to Jean Nouvel.- Emmanuel Blamont, Aurélien Coulanges, Samuel Nageotte. Interior design.- Julien Cottier, Jennifer Kandel, Jéremy Lebarillec, Sabrina Letourneur. Landscape.- Emmanuelle Blanc, Rémy Turquin. Light design.- L'Observatoire – Georges Berne (Studies), then Odile Soudant, Mathieu Gabry. Graphic design / Signage.- Rafaëlle Ishkinazi, Eugénie Robert, Natalie Saccu De Franchi. Local architects.- J+A Philippou. Engineers.- M. Ioannis Cannas (Structure), Avel Acoustique – M. Lamoureux (Acoustic), M. Kyriacos Zinieris, M. Ioannis Mitsides (Building services), Ingelux, Christophe Marty (Lighting design). Consultants.- Mandragore – Lionel Hodier (Landscape – studies), MDA – Peter Zographos (Cost consultant)
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Client
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University of Cyprus – Dakis Joannou
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Area
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Habitable area.- 14,800 m² (159,306 sqf)
Surface area.- 17,200 m² (185,139 sqf)
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Dates
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2003-2018
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Program
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15 thousand square meters-multiplex, in the form of a hill with a white dome houses five levels, three floors and 900 study areas divided into the Library, the Information Systems Service, the Center of Technology for Teaching, and the Language Center.
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Address
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Kallipoleos 75, Nicosia 1678, Cyprus
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Jean Nouvel, (born in Fumel, France, on August 12, 1945) is a French architect. He was born in Fumel, France, and studied architecture and design at the École des Beaux-Arts in Paris, where he graduated in 1972. In 1976, Nouvel was a founding member of "Mars 1976", along with other young French architects. He also participated in creating the Syndicat de l'Architecture, an independent organisation aimed at promoting a more critical awareness within the profession.

Nouvel has received prestigious architecture awards throughout his career, including the Aga Khan Award for Architecture (granted for the design of the Institut du Monde Arabe). In 2001, he received the Royal Gold Medal from the Royal Institute of British Architects (RIBA) for his international career. In 2005, he was awarded the Wolf Prize in the Arts by the Wolf Foundation in Jerusalem, and in 2008, the Pritzker Prize. He was awarded the Grand Gold Medal of the Académie d’Architecture of France and named Commander of the Order of Arts and Letters by the French government. In addition, he has been made an honorary member of the American Institute of Architects (AIA) and has received honorary doctorates from several universities, including the University of Buenos Aires.

Nouvel was awarded the Pritzker Prize, the highest honour in architecture, in 2008, for his work on more than 200 projects. Among them, in the words of The New York Times, the “exotic brise-soleil” of the Institut du Monde Arabe, the “bullet-shaped” Torre Agbar in Barcelona with its “candy-colored” skin, the “muscular” Guthrie Theater in Minneapolis with its cantilevered bridge, and in Paris, the “challenging, mysterious and eccentrically wild” Musée du Quai Branly (2006) and the Philharmonie de Paris (a “journey into the unknown”, c. 2012).

The Pritzker highlighted numerous important works: in Europe, the Fondation Cartier for Contemporary Art (1994), the Culture and Congress Center in Lucerne (2000), the Nouvel Opéra in Lyon (1993), Expo 2002 in Switzerland and, under construction, the Concert Hall in Copenhagen and the Palace of Justice in Nantes (2000), as well as two tall towers in development in North America, Tour Verre in New York and a residential tower in Los Angeles. His recent cultural projects include the Louvre Abu Dhabi, the Philharmonie de Paris, the National Museum of Qatar in Doha, and the Serpentine Gallery Pavilion, 2010, in London.

In its announcement, the Pritzker Prize jury stated:

Of the many phrases that might be used to describe the career of architect Jean Nouvel, foremost are those that emphasize his courageous pursuit of new ideas and his challenge of accepted norms to stretch the boundaries of the field. [...] The jury acknowledged the ‘persistence, imagination, exuberance, and, above all, an insatiable urge for creative experimentation’ as qualities abundant in Nouvel’s work.

Among his principal projects are the Institut du Monde Arabe in Paris, the Fondation Cartier and the Musée du Quai Branly in Paris, the Culture and Congress Center KKL in Lucerne, the extension of the Reina Sofía Art Center in Madrid, the Guthrie Theater in Minneapolis, the Philharmonie de Paris, the Geneva Convention Center (2006), the Torre Agbar in Barcelona, the Dentsu Tower in Tokyo, the main complex of the Pierre and Marie Curie University campus in Paris, and the French Pavilion for Expo Shanghai 2010.

Among his current projects under study or construction are “53W53, Tour de Verre,” which integrates the expansion of the MoMA galleries in New York, the “Le Nouvel” residential towers in Kuala Lumpur, “Anderson 18” and “Ardmore” in Singapore, and “Rosewood” in São Paulo, the “Hekla” and “Duo” office towers in Paris, the cultural complex “The Artists’ Garden” in Qingdao, and the National Art Museum of China (NAMOC) in Beijing. The design for the Louvre Abu Dhabi began in 2006 with Nouvel’s associate architect, Hala Wardé. His recent plans also include projects in Dakar, Rio de Janeiro, and Brussels, as well as urban interventions in historic sites such as the city center of Toledo, Spain.
 

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Published on: June 4, 2019
Cite:
metalocus, ÁLVARO MUÑOZ
"Emerging from earth. Jean Nouvel completes ‘Stelios Ioannou’ Learning Resource Center" METALOCUS. Accessed
<http://www.metalocus.es/en/news/emerging-earth-jean-nouvel-completes-stelios-ioannou-learning-resource-center> ISSN 1139-6415
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