The Hungarian Museum of Transport, one of the oldest transport museums in Europe, has selected Diller Scofidio + Renfro (DS+R) to design its new home at a former railway yard in a redeveloping brownfield area of Budapest. Two years ago, the museum left its former home in Városliget (City Park), and the Government of Hungary adopted a resolution to relocate the museum to a 7-hectare area of the Northern Maintenance Depot in Kőbánya, a former industrial district of Budapest.

Last year, an international group of architecture studios was invited to design the new Hungarian Museum of Transport. In the contest Diller Scofidio + Renfro (DS + R) we have won a team led by renowned firms such as BIG, Amanda Levete Architects, David Chipperfield Architects, Caruso St John Architects, Lacaton & Vassal and others.

Diller Scofidio + Renfro will develop the project in collaboration with the local architect Tempannon. The second place went to: Reichen and Robert & Associés + PLANT Atelier Péter Kis + Ralph Appelbaum Associates. And the third place for: Építész Stúdió Kft.

In addition, we have awarded Mentions to the studios of gmp International GmbH and Foster + Partners with CÉH Zrt.
 

Description of project by Diller Scofidio + Renfro

The site for the new Museum of Transport is shaped by surrounding transit infrastructure, including major trunk railroads, a boulevard, local roads, tram lines, pedestrian walkways and bikeways, all bringing thousands of visitors from across Budapest and beyond to the museum grounds. DS+R’s design introduces a new Forecourt that will be made up of a mosaic of paved and landscaped areas, which include outdoor galleries, a picnic area, shady bosques, a café, a children’s playground, and outdoor spaces for the community use of the Törekvés Cultural Center.

The Forecourt is a place of decompression, not only from the sojourn to the site, but from the pressures the everyday—a place to exit the city and enter the museum’s soft and distributed front door. The museum’s collection will also spill out into the Forecourt: locomotives and carriages that once traveled across country fields and city streets will be displayed in a series of breakout vitrines at the western facade of the Gallery Hall, blurring the line between the museum and the public realm.

Diller Scofidio + Renfro's design for the new Museum of Transport uses the idea of ground transportation as a central organizing principle, highlighting the central role of the ground in our urban planning and infrastructural connectivity. The design de-familiarizes ground—an often overlooked, everyday surface— by excavating, lifting, and cutting this plane to produce immersive and unexpected environments.

On-grade galleries and storage spaces for large vehicles are supplemented by intermittent access from below, allowing for rare undercarriage views. Double height spaces slice through the ground, exposing subsurface infrastructure.

A hovering mezzanine provides overhead views of exhibitions, as well as access to the museum’s collection storage to probe important histories, componentry and narratives through digital enhancements. A floating “second ground” above the Gallery Hall roof is the site of special galleries, educational spaces, and the museum café, which has distinct vantages to the surrounding post-industrial landscapes of Kőbánya (District X) and Józsefváros (District VIII). This layered environment allows visitors to interact spatially with curated exhibits and artifacts.

One of the site’s most significant historic buildings on the site is the Diesel Hall, built between 1958 and 1962. This impressive example of mid-century modern industrial architecture featured innovative engineering solutions of its era, as well as a vast hallway of nine parallel naves, each about 110 m length, which can be adapted for the exhibition and storage of large-scale museum items like railway wagons, tramway cars, buses, automobiles and other vehicles.

Diller Scofidio + Renfro's design conceives of a a new Gallery Hall slid halfway into the Diesel Hall, projecting into the Forecourt to increase needed space and provide reinforcement for the Diesel Hall structure. This symbiotic relationship with the historic structure provides a new identity for the Museum of Transport in the public realm while simultaneously reviving a beautiful working piece of transportation history.

Diller Scofidio + Renfro in collaboration with local architect Tempannon was selected from a shortlist of invited firms that included: 3H Architecture, Amanda Levete Architects Ltd., Atelier Brückner GmbH, Bjarke Ingels Group, Caruso St John Architects, CÉH Zrt. + Foster & Partners, David Chipperfield Architects, Diller Scofidio + Renfro, Építész Stúdió Kft., KÖZTI Zrt. and Lacaton & Vassal Architects.

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Architects
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Diller Scofidio + Renfro Studio.- Elizabeth Diller,Charles Renfro,Benjamin Gilmartin,and Ricardo Scofidio.
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Project Team
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Charles Curran, Brian Tabolt, Youxin Chen, Sean Gallagher, Anahit Hayrapetyan, Danielle Schwartz, Quy Le, Andreas Kostopoulos, Jedidah Lau, and Aidi Su.
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Local Architect
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Tempannon.
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Collaborators
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Structural Engineering, MEP, Sustainability.- Buro Happold. Landscape Design.- Gross Max. Mobility Consultant.- Mobility In Chain. Local Sustainability Engineer.- Abud LDT. Local Structural Engineering.- Bimdesign LTD. Local Mechanical Engineering.- Lanterv LTD. Local Fire Consultant.- Takas LTD. Local Electrical Engineering Consultant.- Provill LTD. Cost Consultant.- Dharam. Local Cost Consultant.- Tomlin LTD.
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Client
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Hungarian Museum of Transport.
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Area
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500.000 m²
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Location
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Budapest, Hungary
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Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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Published on: March 19, 2019
Cite: "Diller Scofidio + Renfro won competition for the new Hungarian Museum of Transport" METALOCUS. Accessed
<http://www.metalocus.es/en/news/diller-scofidio-renfro-won-competition-new-hungarian-museum-transport> ISSN 1139-6415
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