Concha Prada “El cuento de la lechera”

In this fifth exhibition,"El cuento de la lechera" the anthropomorphic image appears in its entirety, leaving a side their mouths or fingers first of its series "Basuras", the female body, arms and legs, bodies and volumes are clipped by a fund black and silent. This lack of depth highlighted with the intense darkness, Prada serves to freeze the image in action. The explosion and violence of the milk-white fields rooted in the artist's earlier series, the name still marks his work as a personal game in which she recreates for the viewer's vision, sharing with him the surprise of the first encounter with the image. Permanently interested in the richness of the series as repetition, Concha Prada delves into the differences in each form, in the conceptualization of body positions in the structures that arise from the overflow of milk and that open to our gaze. This idea of abstraction is underlined by the avoidance of face models.

But beyond this study Concha Prada aesthetic image shows the irony of his vision under the title "El cuento de la lechera" and highlights the timeliness of this fable. As she defines
 

"Empire of the virtual world that promises fantasies of fullness and emptiness which only seeks to end the fall as the cube."

Frustration develops in the violence of the gestures in the beating of milk, all reflective of our own dreams, which have come to us off balance and fall. The ambition of the dairy, the house of cards that company has built, has prevented us from seeing reality, Concha image stops at the moment prior to catharsis, a moment before we can realize the consequences of the fall . It is the spectator, from a distance, who can assimilate the significance of the flash.