Memory of project
Born out of an international competition with over 180 entries from 80 countries, the Bahá’í Temple of South America is a nine-sided structure with nine entrances that symbolically welcome all people from all directions of the earth to join in prayer and meditation. Its form and materiality break new ground, drawing on the power of light as inspiration. Nine gracefully torqued wings of cast glass and translucent stone billow like sails, projecting a sublime, ethereal luminescence.
Visually light, the building is structurally strong. Situated in a seismic zone, the structure’s innovative engineering accommodates ground movement while flexing under lateral loads. Each wing is formed much like a leaf, whose veins stem from a primary steel structure with secondary branches, thinly veiled, supporting an external and internal skin. This steel superstructure, graciously following the curved form, rests on a concrete substructure, which then bears on seismic isolation pads, separating them from the foundation. There are approximately 850 individual structural steel members per wing, each a different length, and each requiring a unique nodal connection. The exterior cladding consists of cast glass panels, researched and developed specifically for the project, while the interior is clad with translucent marble.
“It is hoped that the Temple’s design will be seen as a restrained interplay of seeming contradictions: movement moving against stillness, the building’s profound rootedness made to seem buoyant, the building reading as a symmetrical structure that seems possessed of a stirring, performative variousness. It is hoped that this sacred building will feel both simple and understated, and also complex enough to accept and hold a rich multiplicity of readings and experiences. The Temple is to be highly though subtly ordered, yet capable of dissolving in light. It is to be both monumental and intimate. It is to take its place as a sister to the other temples – and yet find its way into its own gentle and compelling uniqueness.”
Text.- Siamak Hariri.
The Bahá’í Temple of South America, employs both translucent stone and the newest glass technology as the means of generating and manifesting both the physiological and spiritual delights of natural light embodied in architecture.
Set against the stirring background of the Andean mountain range, the new Temple is designed to be a crystallizing of light-as-expression, an evanescent structure of translucent marble and glass: a place of pure luminescence.
CREDITS.-
Architect.- Siamak Hariri (Partner in charge).
Architect Team.- Doron Meinhard, Michael Boxer (Associate), Justin Ford, Tiago Masrour, Tahirih Viveros, George Simionopoulos, Jin-Yi McMillen, Jaegap Chung, Adriana Balen, Merhdad Tavakkolian, Naomi Kriss, Donald Peters.
Local Architects.- Benkal y Larrain Arquitectos.
Collaborators.- Juan Grimm (Landscape), Simpson Gumpertz & Heger, Halcrow Yolles, EXP, Patricio Bertholet M. (Structures), MMM Group, Videla & Asociados, The OPS Group (Systems), Limari Lighting Design Ltda. (Lighting).
Project Management.- Desarrollo y Construccion del Templo Baha’i para Sudamerica Ltda.
Client.- The National Spiritual Assembly of the Baha'i's of Chile.
Concept and schematic design.- 2003-2004.
Design development.- 2005-2006.
Construction documents.- 2007-2009.
Construction.- 2010 – projected completion 2016.
Building footprint.- 794 sqm.
Gross Floor Area.- 2438 sqm.
Location.- Arboretum Sur 11,000, Peñalolen, Santiago, Chile.