Coinciding with the celebration of Architecture Week in Madrid, yesterday it held a conference and symposium at the COAM, entitled "The Zarzuela Hippodrome in Madrid, an example of intervention in the Twentieth Century Architectural Heritage" with Fernando Espinosa de los Monteros, Architect, Jerónimo Junquera, architect and author of the intervention in the Zarzuela Hippodrome, Javier Martin, Deputy Director General of the Ministry of Public Architecture and Miguel Lasso de la Vega, Architect.

The lecture coincides with the Architecture Week and the award of the first prize 2012 by the College of Architects of Madrid (COAM) to Jerónimo Junquera, whose study won the competition in 2004 for rehabilitation, next Thursday, at 19.00, headquarters in COAM. Jerónimo Junquera said yesterday as always is visited by foreigners (japanese, visits from the Polytechnic of Milan, Amsterdam ...) and yet the Spanish know little about this great work by architects Charles Arniches, Martin Dominguez and engineer Eduardo Torroja.

The enclosure Race Zarzuela Hippodrome is one of the best works of Spanish architecture of the first third of the twentieth century, and the structure of the rostrum with its stunning roof canopies, one of the great achievements of the century worldwide.

Following is a brief chronology of building provided by the architects Junquera:

- 1934, Arniches, Dominguez and Torroja, won the competition for the new Madrid Hippodrome. THERE ARE DRAWINGS.
- 1936 Civil War. The works are interrupted, the concrete structures are virtually finished.
- 1939 End of the War. Architects are purged, disappears all documentation (except the structures).
- 1941 is ending works and opens the Hippodrome with minimal facilities would continue refined and expanded. Races were held until 1996, and in 1997 the facilities were closed.
- 2003 The racecourse is closed, abandoned, unused and converted into a "drink bar"
- 2004 Junquera Architects wins contest.
- 2006 Adoption of the rehabilitation project.
- 2008 Start of the restoration works, especially the canopies of the rostrum.

In the recovery process with the collaboration of National Heritage (Pedro Moleón) and the IPHE, with whom they established a catalog cards of the different elements of the set: what had to be demolished, what was necessary to restore and those on that there will be a process of recovery. A document that was completed with the drafting of a master plan for the entire area.

Started the restoration of the canopies, "it went doing, on the venue, prospecting of constructive works. They were works of research to discover and analyze the original values ​​and construction systems, distorted and lost with extensions and modifications executed on site. This showed the major structural damages that needed repairing and consolidation works."

The works have removed and cleaned from building, "adhesions that had undermined" the rostrums were restored (emblem of hippodrome) and ensilladeros have been preserved in the original position, the circulations are clarified and there is a new underground building.

"The horse on one side and the viewer on the other, where the horse never intersects with the viewer, but he is always see the horse," said Jerónimo Junquera yesterday. That is one of the racetracks "that work best in the world", taken by Dominique Perrault, who is currently the architect selected to remodel the Longchamp Racecourse in Paris, as a reference model, using the same the design of the Zarzuela.

Provision is also expanding a convention center in the north courtyard underground to avoid affecting the prospects of the buildings. The works currently have not been completed due to lack of budget.

Congratulations to Jerónimo Junquera for the prize and the painstaking restoration process. Hat tip and Congratulations!

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Jerónimo Junquera graduated in Technical University of Madrid in 1969 and has developed his professional activity in different fields of architecture and urban design. He founded the studio JUNQUERA architects in 1973 and has been associated with Estanislao Pérez Pita from 1973 to 1998 and Liliana Obal from 2002 to 2006. The JUNQUERA Arquitectos practice has developed,  over more than 30 years since its founding in 1973, projects in different fields of architecture.

In teaching, he has been Professor of Studio class at Technical University of Madrid and other centers as guest lecturer: UIMP, Camuñas Foundation and CEES, besides numerous conferences and seminars. He has been Director of the magazine BODEN between 1974-1976, Director of Architecture Magazine COAM between the years 1977-1980, Founder and Director of the AXA Gallery in the years 1980-1981 and has written numerous articles in journals and newspapers, complementing his work. He is Chairman of the Board of the "Foundation Study" and Chairman of the Board of Directors of the College Study.

He has won awards in prestigious national and international competitions and his work has been published in journals of national and international architecture and exposed repeatedly, both nationally and internationally. His work has been honored with numerous awards, he has been present in virtually all editions of the Biennial of Spanish Architecture and Architecture Exhibition at national and international level. He has won the Prize for Urban Planning and Public Architecture of the City of Madrid in 1985, 1987, 1993, 1999, 2000, 2001, 2002 and 2006, the COAM Prize of the College of Architects of Madrid in 1995 and 2003, Quality, Architecture and Housing Award of the Community of Madrid 2004, the National Prize of Sport Architecture (Center for High Performance Granada) in 1998, the National Award for Rehabilitation of the COE (National Library) in 1995 and The National Award for Housing Quality of the  Ministry of Housing in 2007.
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Carlos Arniches Moltó (Madrid, September 24, 1895 - Madrid, October 12, 1958) was a Spanish architect and intellectual of the Generation of '25, co-author of the La Zarzuela Hippodrome in Madrid together with Martín Domínguez, a work in which the Engineer Eduardo Torroja. He was the eldest of the children of the writer Carlos Arniches Barrera.

He studied at the Madrid School of Architecture (1911-1923). He obtained the title of architect in 1923. Working in the studio of Secundino Zuazo, where he met who would become his partner and friend, Martín Domínguez.

His first work, the studio of the painter Daniel Vázquez Díaz (1923), gave a clear sample of his ideas. . That work laid the foundations of what he himself would later imply was "reasonableness". However, the reinterpretation of vernacular architecture was nothing new. His contemporaries Pikionis, Kozma or Lino followed similar lines of research and practice. With this, Arniches connected his concerns with those of the European currents and laid the foundations of Spanish expressionism – see his intervention at the Granja El Henar café, at calle de Alcalá nº 40 –, which he would refine for the rest of his life and in that the plaza as the center of Spanish life was the myth, in contrast to the mountain German.

Refinement and purity of lines marked his work for the Junta de Ampliación de Estudios (1927-1939), which commissioned him to build its new buildings: the Preparatory Section of the Instituto Escuela, the Auditorium and Library on Calle Serrano, the New Pavilion of the Residence for Young Ladies Students, the Nursery School of the School Institute and the National Foundation. In them, with very little means, he reached maximum expressiveness through impeccable technique and production.

His consolidation came when he won, in collaboration with his partner, the Contest of the New Madrid Hippodrome. The project presented reconciled sport with entertainment, using the old theme of the square as a starting point.

After the Civil War he refused to go into exile and faced the harshest professional purge. Only the support of some of his colleagues and friends allowed him to recover. In the beginning, others had to sign his works, but he never lacked clients thanks to his prestige, and he even participated in the relaunched agrarian colonization of the Dictatorship. He made two towns that are among his most complete works, undoubtedly the most important of his postwar period and with which he made clear the coherence of his work: Gévora (Badajoz) and Algallarín (Córdoba). In this final phase of his life he met some young architects, such as José Luis Fernández del Amo, with whom he would maintain a close relationship, which explains the transfer of architectural principles between both generations and the key role of Carlos Arniches as a starting point. of the Spanish Modern Movement.
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Published on: October 2, 2012
Cite: "AWARD FOR REMODELING ZARZUELA RACETRACK" METALOCUS. Accessed
<http://www.metalocus.es/en/news/award-remodeling-zarzuela-racetrack> ISSN 1139-6415
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