The Serralves Foundation, the Calouste Gulbenkian Foundation, and the Canadian Centre for Architecture announce the launch of the first phase of a collaborative project to provide access to the archive of the Portuguese architect Álvaro Siza.

In 2014, Álvaro Siza donated his extensive archive of built and unbuilt projects since 1958 to three institutions, – the Serralves Foundation in Oporto, the Calouste Gulbenkian Foundation in Lisbon and the Canadian Centre for Architecture (CCA) in Montreal. Through this exceptional case of international institutional collaboration, the three institutions have committed to the establishment of a joint methodology of archival process and description that will allow collective access to Siza’s significant body of work.
 
With the donation of his archive, Álvaro Siza expressed his “desire that so many years of work can become useful in many ways, as a contribution to research and debate on architecture, particularly in Portugal and with a perspective opposed to isolation”. As a result he communicated his decision to “donate to two Portuguese institutions that already have the experience, quality and capacity to develop or enlarge their respective archives with the goal of increasing access, dissemination and active participation in a debate that is no longer simply national nor centered on an individual,” and to “donate to the CCA in Montreal, an institution of unequalled experience and prestige and with a sustained series of activities – exhibitions, publications, research, relations with other related institutions and large visibility. As the CCA is recognized for its experience in the preservation and presentation of international archives, it will care for a large part of my archive and make it accessible alongside the work of other modern and contemporary architects.”

The complete archive shared by the three institutions represents his life-long interest and study of houses, housing, and city planning, as well as designs for cultural centres, museums, and universities throughout Europe, Asia, and South America. It currently includes textual documents, correspondence, photographs and slides, around 60.000 drawings, 500 models, 282 sketchbooks, and the archive of born digital material. The parts of the archive held by both the Calouste Gulbenkian Foundation and the Serralves Foundation are focused on Siza´s projects in Portugal and date from 1958 until 2006. The parts held by the CCA comprise projects of international resonance dating from 1958 until today. All projects from 2006 and moving forward will be part of the archive holdings at the CCA.

As of February 2018, the archival descriptions will begin to become available online in the search engines of the CCA, the Serralves Foundation and the Calouste Gulbenkian Foundation, including early projects from the 1950s and 1960s, as well as projects for the IBA competition of Berlin and urban renewal projects in The Hague from the 1980s. The projects include Bonjour Tristesse, Punt en Komma, the Boa Nova Tea House and Restaurant, the Swimming Pool at Leça de Palmeira, the Borges & Irmão Bank, the Faculty of Architecture of the University of Porto (FAUP), the Serralves Museum of Contemporary Art, the António Carlos Siza house, the renovation of the Caretaker’s house - Vieira de Castro house. Over the next years, further archival material will be made accessible for research.
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Álvaro Joaquim Melo Siza Vieira was born in Matosinhos (near Porto), in 1933. From 1949-55 he studied at the School of Architecture, University of Porto. His first built project was finished in 1954. From 1955-58 he was collaborator of Arch. Fernando Távora. He taught at the School of Architecture (ESBAP) from 1966-69 and was appointed Professor of "Construction" in 1976. He was a Visiting Professor at the Ècole Polythéchnique of Lausanne, the University of Pennsylvania, Los Andes University of Bogotá and the Graduate School of Design of Harvard University; he taught at the School of Architecture of Porto (jubilate in 2003).

He is the author of many projects such as: the Boa Nova Tea House and Restaurant; 1200 dwellings built in Malagueira, Évora; the Superior School of Education in Setúbal, the new School of Architecture in Porto; the Library of Aveiro University; the Museum of Modern Art in Porto; the Church and Parochial Centre in Marco de Canavezes; the Pavilion of Portugal for EXPO '98 and the Pavilion of Portugal in Hannover 2000 (with Souto de Moura); the dwelling and offices complex of “Terraços de Bragança” in Lisbon; and he has rebuilt the burnt area of Chiado in Lisbon since 1988, including the projects for some buildings like Castro e Melo, Grandella, Chiado Stores, and others.

He has been coordinated the plan of Schilderswijk's recuperation in The Hague, Holland, since 1985, which finished in 89; in 1995 he finished the project for blocs 6-7-8 in Ceramique Terrein, Maastricht.

In Spain he has completed the projects for the Meteorological Centre of Villa Olimpica in Barcelona; the Museum of Contemporary Art of Galicia and the Faculty of Information Sciences in Santiago de Compostela; the Rectorate of the Alicante University; Zaida building – offices, commercial and dwelling complex in Granada; Sportive Complex Cornellà de L’lobregat in Barcelona.

Cultural Centre and auditorium for the Ibere Camargo Foundation in Brazil; Municipal Centre of Rosario in Argentina; lodging-house in the Plan of Recuperation and Transformation of Cidade Velha in Cap Vert; Serpentine Pavillion (2005) with Eduardo Souto Moura; Museum of Modern Art of Naples in Italy; Anyang Pavilion in South Korea (with Carlos Castanheira); Mimesis Museum in South Korea (with Carlos Castanheira); are to be mentioned.

He has participated in several lectures and conferences in Portugal, Spain, Italy, Germany, France, Norway, Holland, Switzerland, Austria, England, Colombia, Argentina, Brazil, Japan, Canada, United States, Romania, Greece, South Korea and Sweden.

Having been invited to participate in international competitions, he won the first place in Schlesisches Tor, Kreuzberg, Berlin (now built), at the recuperation of Campo di Marte in Venice (1985) and at the renewal of Casino and Café Winkler, Salzburg (1986); Cultural Centre for the La Defensa, Madrid (with José Paulo Santos) (1988/89); J. Paul Getty Museum, Malibu, California (with Peter Testa) (1993); Pietà Rondanini Room, Sforzesco Castell, Milan (1999); Special Plan Recoletos-Prado, Madrid (with Juan Miguel Hernandez Leon e Carlos Riaño) (2002); Toledo Hospital (Sánchez-Horneros office) (2003); “Atrio de la Alhambra” in Spain (with Juan Domingo Santos)(2010); “Parco delle Cave”, Lecce in Italy (with Carlos Castanheira) (2010).

He has participated in the competitions for Expo 92 in Sevilla, Spain (with Eduardo Souto de Moura and Adalberto Dias) (1986); for "Un Progetto per Siena", Italy (with José Paulo Santos) (1988); the Cultural Centre La Defensa in Madrid, Spain (1988/89); the Bibliothèque of France in Paris (1989/90), the Helsinki Museum (with Souto de Moura) (1992-93); Flamenco City of Xerez de la Frontera, Spain (with Juan Miguel Hernandez Leon) (2003).

From 1982 to 2010 has won many different awards and have been assigned with Medals of Cultural Merit from many country around the world. Doctor "Honoris Causa" in various European and International universities.

He is a member of the American Academy of Arts and Science; "Honorary Fellow" of the Royal Institute of British Architects; AIA/American Institute of Architects; Académie d'Architecture de France and European Academy of Sciences and Arts; Royal Swedish Academy of Fine Arts; IAA/International Academy of Architecture; American Academy of Arts and Letters.

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Published on: February 1, 2018
Cite: "Announced Online Access to the Álvaro Siza Archive" METALOCUS. Accessed
<http://www.metalocus.es/en/news/announced-online-access-alvaro-siza-archive> ISSN 1139-6415
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