This museum talks with the bank of a small river crossing of its length in parallel. Located on flood plains, is part of a river park, organizing this part of the city of Chaves, Portugal.
The office of architecture Álvaro Siza has been commissioned to carry out this project. On small walls of white concrete, placed at varying distances more or less parallel, they support the entire building, on one level. The museum's exhibition halls run parallel to the water forming a rectangular array. The facades have certain morphological games that surround the building with the riverside landscape. The main connection is made with a walkway connecting it to the urban plan.
 

Description of the project by Álvaro Siza

1. Nadir Afonso Foundation will be built in the city of Chaves, on land located on the right bank of Tâmega river, with plans elaborated in detail under the Polis program.

The area reserved for the building area is located in Longras, in the parish of Santa Maria Maior, and was defined as a rectangle parallel to the river, in the future marginal park between the new walkway/bikepath parallel to Avenida 5 de Outubro (northwest), Dr. Mário Soares avenue (northeast), the new street parallel to Longras street (southwest) and the river (southeast).

The single floor building stands on a concrete platform at elevation 351.50, resting on walls perpendicular to the river, in order to avoid possible flooding. The difference in height between the streets in the northwest and the natural terrain will be connected with a gentle slope.

2. The main access to the Foundation platform is through a ramp with a slight slope of 6%, from a walkway at 349.13 (not flood elevation). Two elevators and two staircases were designed, from natural ground, facing the southwest (public access) and northeast (service access, loading and unloading). A third emergency exit staircase is located in a central position, with access to the exhibition spaces.

3. The programmed interior spaces develop longitudinally in three sectors:

a) Lobby, reception, public elevator (13p.), library, auditorium for 100 people, dressing rooms, bathrooms, bookstore and cafeteria on the upper west side of the building.

b) Exhibition spaces in the central area, divided into three longitudinal wings, including a permanent exhibition room and archive room (northwest side), and temporary exhibition rooms (central and southeast wings).

The central wing exhibition room (8,70x36,5) can be divided into two smaller asymmetric rooms (8,70x12,50 + 8,70x23,85), with a continuous skylight. The east wing is illuminated by a continuous horizontal opening to the river. The temporary exhibition hall will not have natural light in general, but only an opening from the yard that limits it.

c) The northeastern top of the building includes a central control and security area, a lift (3,45x2,5m), service stairs, reception and access to the archive (to the northwest); bathrooms, staff rooms and administration areas (to the southwest); visual arts workshop and Nadir Afonso workshop (with overhead light and river views).

4. On the top floor, with access from the security control center, there are a series of technical spaces (indoor and outdoor terrace), which facilitate access to the vents. A second technical space is located on the auditorium.

5. The building will be constructed with structural exposed white concrete walls; the roof is landscaped on almost its entire length, and the technical spaces are clad in zincalum plates. The interior finishes are wood flooring, drywall on walls and ceilings and white marble in water areas. The interior window frames are wood and stainless steel, while the exterior frames are wood and aluminum.

6. The outer covers are made of granite slabs on the stairs and access level; and white marble on the balconies. As for the proposed landscaping and exterior arrangements, the proposal provides cleaning and consolidation of the ruins of canelha of Longras, similar to what was done in the recent intervention on the banks of Tamega River and the preservation of some existing fruit trees.

As support for activities outside, the Foundation has provided a unique floor covering almost the entire length of the project area, with the exception of natural land that corresponds to the projection of the building, for which an ivy carpet is expected.

The proposed trees and shrubs consist mainly of native species, preferably from local seedlings or region. Its use is to establish plant masses able to create shades of protection necessary for the organization and reading of the space. The irrigation system is automatic through sprinklers and, in some cases, nebulizers and atomizers.

7. To the northwest, near the main entrance of the Foundation, there are two exclusive parking spaces for the disabled, who may enter the building through a ramp with a slope of 6%. Apart from this, we propose southwestern parking lots with four more places. Access to the building is via the elevator.

The foundation program is on a single floor: the access step to the building does not exceed 2 centimeters in height. In the auditorium, two places are designated for people with disabilities, which are at the same level as the access space. General health facilities also have spaces reserved for the disabled.

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Architect
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Álvaro Siza Vieira
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Area
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2768.0 sqm
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Date
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2015
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Álvaro Joaquim Melo Siza Vieira was born in Matosinhos (near Porto), in 1933. From 1949-55 he studied at the School of Architecture, University of Porto. His first built project was finished in 1954. From 1955-58 he was collaborator of Arch. Fernando Távora. He taught at the School of Architecture (ESBAP) from 1966-69 and was appointed Professor of "Construction" in 1976. He was a Visiting Professor at the Ècole Polythéchnique of Lausanne, the University of Pennsylvania, Los Andes University of Bogotá and the Graduate School of Design of Harvard University; he taught at the School of Architecture of Porto (jubilate in 2003).

He is the author of many projects such as: the Boa Nova Tea House and Restaurant; 1200 dwellings built in Malagueira, Évora; the Superior School of Education in Setúbal, the new School of Architecture in Porto; the Library of Aveiro University; the Museum of Modern Art in Porto; the Church and Parochial Centre in Marco de Canavezes; the Pavilion of Portugal for EXPO '98 and the Pavilion of Portugal in Hannover 2000 (with Souto de Moura); the dwelling and offices complex of “Terraços de Bragança” in Lisbon; and he has rebuilt the burnt area of Chiado in Lisbon since 1988, including the projects for some buildings like Castro e Melo, Grandella, Chiado Stores, and others.

He has been coordinated the plan of Schilderswijk's recuperation in The Hague, Holland, since 1985, which finished in 89; in 1995 he finished the project for blocs 6-7-8 in Ceramique Terrein, Maastricht.

In Spain he has completed the projects for the Meteorological Centre of Villa Olimpica in Barcelona; the Museum of Contemporary Art of Galicia and the Faculty of Information Sciences in Santiago de Compostela; the Rectorate of the Alicante University; Zaida building – offices, commercial and dwelling complex in Granada; Sportive Complex Cornellà de L’lobregat in Barcelona.

Cultural Centre and auditorium for the Ibere Camargo Foundation in Brazil; Municipal Centre of Rosario in Argentina; lodging-house in the Plan of Recuperation and Transformation of Cidade Velha in Cap Vert; Serpentine Pavillion (2005) with Eduardo Souto Moura; Museum of Modern Art of Naples in Italy; Anyang Pavilion in South Korea (with Carlos Castanheira); Mimesis Museum in South Korea (with Carlos Castanheira); are to be mentioned.

He has participated in several lectures and conferences in Portugal, Spain, Italy, Germany, France, Norway, Holland, Switzerland, Austria, England, Colombia, Argentina, Brazil, Japan, Canada, United States, Romania, Greece, South Korea and Sweden.

Having been invited to participate in international competitions, he won the first place in Schlesisches Tor, Kreuzberg, Berlin (now built), at the recuperation of Campo di Marte in Venice (1985) and at the renewal of Casino and Café Winkler, Salzburg (1986); Cultural Centre for the La Defensa, Madrid (with José Paulo Santos) (1988/89); J. Paul Getty Museum, Malibu, California (with Peter Testa) (1993); Pietà Rondanini Room, Sforzesco Castell, Milan (1999); Special Plan Recoletos-Prado, Madrid (with Juan Miguel Hernandez Leon e Carlos Riaño) (2002); Toledo Hospital (Sánchez-Horneros office) (2003); “Atrio de la Alhambra” in Spain (with Juan Domingo Santos)(2010); “Parco delle Cave”, Lecce in Italy (with Carlos Castanheira) (2010).

He has participated in the competitions for Expo 92 in Sevilla, Spain (with Eduardo Souto de Moura and Adalberto Dias) (1986); for "Un Progetto per Siena", Italy (with José Paulo Santos) (1988); the Cultural Centre La Defensa in Madrid, Spain (1988/89); the Bibliothèque of France in Paris (1989/90), the Helsinki Museum (with Souto de Moura) (1992-93); Flamenco City of Xerez de la Frontera, Spain (with Juan Miguel Hernandez Leon) (2003).

From 1982 to 2010 has won many different awards and have been assigned with Medals of Cultural Merit from many country around the world. Doctor "Honoris Causa" in various European and International universities.

He is a member of the American Academy of Arts and Science; "Honorary Fellow" of the Royal Institute of British Architects; AIA/American Institute of Architects; Académie d'Architecture de France and European Academy of Sciences and Arts; Royal Swedish Academy of Fine Arts; IAA/International Academy of Architecture; American Academy of Arts and Letters.

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Published on: September 21, 2016
Cite: "Museum of Contemporary Art Nadir Afonso by Álvaro Siza" METALOCUS. Accessed
<http://www.metalocus.es/en/news/museum-contemporary-art-nadir-afonso-alvaro-siza> ISSN 1139-6415
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