Italian Architecture firm Noa* network of architecture was commissioned to renovate the Goldene Rose Hotel, a property, which dates back to the 15th century and is said to have hosted Queen Victoria on her journey through in 1891, located in the medieval town of Dinkelsbühl, a historic town in Central Franconia, a region that is now part of the state of Bavaria, in southern Germany.

The distinctive front building of the Goldene Rose, with its mustard-yellow half-timbered façade and view onto the town square, has been the recognizable image that has greeted hotel guests for years.

However, the renovation is also an expansion that adds four different new buildings for a new complex united under one historic roof, with particular attention paid to the preservation of the historic structure.
The idea behind the renovation developed by Noa* was to focus on the essence of the buildings, dating back to 1450. Developing a unified spatial concept from this mosaic of uses, without blurring historical traces, was the architects' first significant challenge.

The project involves three existing historical buildings as well as a new extension, which offers 43 new rooms, reception, lobby, bar, and restaurant as well as a historical cinema, which serves as a venue for concerts, movie nights, lectures, and events.

The hotel's highlight is the spa area on the top floor of the three connected buildings, with a sauna, relaxing area, treatments, and pool, which sits right under the historical roof.


Goldene Rose Hotel renovation and expansion by noa*. Photograph by Alex Filz.


Goldene Rose Hotel renovation and expansion by noa*. Photograph by Alex Filz.
 

Project description by Noa* network of architecture

Architectural Patchwork.
The property dates back to the 15th century and is said to have hosted Queen Victoria on her journey through in 1891. Goldene Rose was the first building purchased by the hotel's current owner. Fortunately, the four neighbouring properties to the rear were also gradually put up for sale. This gave rise to the idea of grouping all the buildings under one roof, with particular attention paid to preserving the historic structure. For the planning and execution of the redesign, the client turned to noa*, which has a great deal of experience with projects in heritage-listed contexts and is well-versed in dealing with building fabric where nary a right angle is to be found.

A Tricky Task.
The five buildings previously served a wide variety of functions; while the hotel Goldene Rose has always accommodated travellers, the adjacent houses featured restaurants, warehouses, a brewery, a cinema, a ballroom, a casino, and apartments throughout the centuries. Developing a unified spatial concept from this mosaic of uses, without blurring historical traces, was the architects' first significant challenge. The search for the essence of the building — always one of noa*'s central guiding principles — in tandem with overcoming differences in level, compounded by drafting the functional program while simultaneously preserving the original cubatures, were just some of the many intricately tricky tasks of the project.


Goldene Rose Hotel renovation and expansion by noa*. Photograph by Alex Filz.

Old Walls, New Functions.
The front building of the Goldene Rose, which overlooks the town square and features a mustard-yellow half-timbered façade, welcomes both hotel guests and day visitors. Directly from the threshold, one encounters a design thought that permeates the entire hotel, which is all about the translation of the past into the present. As you enter, the visiting queen’s namesake bar, “Vicky”, with its black granite counter and antiqued mirror coverings, invites you to linger for a while in the armchairs that face the fireplace. Here, the architects chose to use rough plaster with an antique finish, white limed oak floors interspersed with darker planks running parallel to those on the ceiling, and displays of old guild signs that give the ensemble a unique identity. Adjacent to the bar and past the original main staircase, the lobby and spacious reception draw on the existing unevenness and maze of original walls, whose inherent design creates inviting and intimate seating spaces.

Passing through the second building, which is reserved for circulation areas and various service rooms, one enters house number three, which was also the location of the former 1870 ballroom. On the ground floor, hotel guests can have breakfast and dine in the Kantine Rosine restaurant. The ambience is enriched by wallpaper decorating the surrounding walls and ceilings, complimented by lightly transparent curtains for separate, quieter areas. The green inner courtyard offers a view of the cathedral, upper hotel floors, and the outdoor pool located on the top floor. The fourth building, a former residential building last used as a casino, houses a portion of the hotel's 43 rooms and closes the gap to the last building, formerly an inn and brewery, which houses externally designed flats, also part of the Goldene Rose.

Similar Yet Different.
Although the guest rooms at Goldene Rose are divided into three categories, they all share the same aesthetic and design concept. Each features a hanging sofa, a medieval period-inspired tapestry mounted behind the bed, and an open bathroom that flows into the room by means of mirrored, mosaic-like surfaces. The junior suites located in the first building are distinct, occupying two floors, the upper of which is an attic with exposed trusses where the sleeping area is located. Here the tapestry stretches out on the floor, creating a cosy alcove for the bed.

A true highlight of the house is the former ballroom and later cinema from the 1950s, whose bricked-up windows were reopened during the course of the project and whose space has been converted into a multifunctional hall for events. Unfortunately, the old folding row seating could not be reused due to its lack of multifunctionality. However, noa* reintroduced the original upholstery pattern by printing a new fabric with the same motif. In the middle of the two-story room, which can also be rented for external events, there is a suspended box for private viewing — the “Kino Suite” — which features a large window facing the cinema screen and is accessible by footbridge. The hall itself can be darkened with huge blackout curtains that span the entire two floors. A pair of original glass ball lamps offer an added atmospheric illumination and a touch of nostalgia.


Goldene Rose Hotel renovation and expansion by noa*. Photograph by Alex Filz.

Un Unexpected Roofscape.
The wellness area is located on the hotel’s top floor and stretches across the entire roofscape. noa* worked with the utmost care to avoid making any major changes to the exterior’s appearance. Passing through a massage and treatment area with an adjacent terrace, one enters the Attic Spa. The ten-metre-long outdoor infinity pool offers a unique view of the cathedral. In order not to make the pool appear like a foreign body from a bird’s-eye view, it was roofed over; through the gable roof’s holes, swimmers can see the clouds, but the pool remains invisible from above. The wellness area is completed by a large relaxation area located over two floors, a fruit bar, and a separate sauna section. An interior staircase leads to the attic. Exposed wooden beams, an intimate atmosphere, and cross-stretched netting in the uppermost peak of the attic space ensure a relaxing experience like no other.

More information

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Client
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Area
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GFA/NFA.- 4,000 / 3,370 sqm.
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Construction start.- March 2020.
Completion.- December 2022.
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Location
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Marktplatz 4. 91550 Dinkelsbühl, Middle Franconia, Germany.
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NOA* is the essential expression of a collaborative work-ethos: the young team of architects & designers, led by founders Lukas Rungger and Stefan Rier and based in Bolzano, Italy, and since April 2018 also in Berlin Germany, explores and examines interdisciplinary methods of design, continuously evolving depending on both nature and requirements of each project. 

By following the concept of “emergence”, where the whole is perceived as being far greater than the sum of its parts, a holistic approach and strategy are central to NOA*'s way of conceiving design.

Lukas Rungger and Stefan Rier met while working as project architects with the renowned architect and designer Matteo Thun in Milan, being responsible for a series of challenging projects in the field of tourism, modern living, and contemporary workplaces. Before joining forces to found noa* back home in Bozen/Bolzano in 2010, both Lukas and Stefan improved their skills and fine-tuned their work ethos during a decade of work experiences both locally and abroad. From many years of working in New York, London, Berlin, Milan, Ferrara, and Graz, they gained in-depth cultural and social insight, which until the present, remains a crucial influence and input in their designs. In 2018 noa* expanded even further, founding its second office in Berlin.

Lukas Rungger (born 1977) graduated in architecture from the Technical University Graz (AT) and after additional studies in Brussels (BE), he first worked as an architect with Prof. Hans Ganguly in Graz (AT), then with Softroom Architects in London (UK) and finally in Milan (IT) with Matteo Thun. After having completed his thesis in New York City (USA) followed by his professional qualification as an architect from IUAV Venezia (IT), Lukas has been extensively involved in a wide range of projects mainly in the field of master planning, housing, hotels, and interior architecture of bars and restaurants. He was a member of the RIBA Royal Institute of British Architecture and is now a member of the Architectural Chamber of Bozen/Bolzano.

Stefan Rier (born 1979) graduated in interior design from Centro Studi “Andrea Palladio”, Verona (Italy) and in architecture from the Technical University Ferrara (Italy). He first worked as an architect and project leader with Arch. Demetz, then moved to Bergamo (Italy) to work with Prof. Massimiliano Mandarini and finally to Milan (Italy) with Matteo Thun. He received his professional qualification as an interior designer and architect from the University of Genova. Stefan has been focusing on a series of projects from sustainable housing to hotels, extending to interiors, landscaping, and bespoke furniture design. He is now a member of the Architectural Chamber of Bozen/Bolzano.
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Published on: January 30, 2023
Cite: "A hotel fit for a queen. Renovation of Goldene Rose Hotel by noa*" METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-hotel-fit-a-queen-renovation-goldene-rose-hotel-noa> ISSN 1139-6415
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