TEC Taller EC superimposed a longitudinal circulation axis that divides the grid in two. This axis unites and communicates the different rooms in the two-story house, organizing it into public spaces and private spaces through a corridor, generating a programmatic composition that hybrid uses and facilitates unexpected relationships.
The four container volumes that make up the house are conceived in two pairs, on the one hand as larger volume spaces with a free double-height structure for the social areas, with materials such as semi-solid brick and a black metal roof. On the other hand, the other two volumes double their surface on two floors, hosting the private program.
House Between Gardens by TEC Taller EC. Photograph by Paolo Caicedo.
House Between Gardens by TEC Taller EC. Photograph by Paolo Caicedo.
Description of project by TEC Taller EC
"Exterior architecture is the product of its interior logics."
House between gardens is a project that is narrated from the process, not from the result, and the latter is read as a set of decisions. A reading that is enjoyed as the actions are discovered and invites us to read between the lines. A work that is born of a platonic purity and manages to fully materialize in the matter.
Chess
On a 760 m² lot located in Cumbayá, a valley located in the heart of the equinoctial Andes, an eight-module grid composed of light and dark squares is displayed to allow movement and precise placement of the pieces.
Each square on the board has a unique designation, the light squares will be configured as open spaces and the dark ones will accommodate container spaces. This arrangement allows the house to open and close to the light, allowing greater privacy and a relationship between all the spaces in the house with the green area.
The grid is an essential element in this project, it provides the structure and the space for the "pieces", habitable spaces, to move strategically. Its simple and symmetrical condition facilitates the understanding and organization of the project, allowing architects to plan and execute their movements effectively.
House Between Gardens by TEC Taller EC. Photograph by Paolo Caicedo.
Corridor
A longitudinal circulation axis divides the grid in two. In reality, what this axis does, on both floors, is unite and communicate the different rooms of the house and organize the public areas on one side and the private areas on the other through a corridor.
The organization provided by the circulation axis also provides ambiguous functional possibilities. Although it marks the spatial structure of the house and the accesses to the different rooms, the corridor is conceived as a space that allows different uses in addition to passage.
House Between Gardens by TEC Taller EC. Photograph by Paolo Caicedo.
Four gardens
The long journey through the corridor, leaves behind the gardens as if it were a game, or a walk through a palace. The courtyards turn the tour into a fundamental architecture experience. Four primitive artifacts that flood the house with heaven.
The configuration of the volumes guarantees, at least, three free façade fronts to the spaces. This translates into the benefits obtained: the relationship with plant spaces, natural lighting and cross ventilation, pragmatic tactics to achieve a passive design that seeks lighting and thermal comfort.
House Between Gardens by TEC Taller EC. Photograph by Paolo Caicedo.
Four containers
Two volumes were conceived as a double-height free structure for the social areas. 2 two-story volumes house the private program.
The first volumes are differentiated by a semi-solid brick base and a black metal roof that together achieve the minimum possible materiality. The other volumes contain the rigid program of services and bedrooms showing the same solidity and functionality on the outside. From the outside, the architecture is perceived as ordered as a product of its interior logic.
The mathematical and logical solutions are features of an idealistic thought, leaving the exterior treatment of the facade at the expense of what happens inside is a negligent act that only a materialist would assume. The house between gardens is the incessant dialogue between Platonists and Aristotelians playing at making architecture.
