Kennicott, 47, won the award — considered journalism’s highest honor — for articles assessing a photographic exhibit at the Corcoran Gallery, an architect’s work at the National Building Museum and an essay on graphic and violent photographic images, among others.

For distinguished criticism, using any available journalistic tool, Ten thousand dollars ($10,000).

Awarded to Philip Kennicott of The Washington Post for his eloquent and passionate essays on art and the social forces that underlie it, a critic who always strives to make his topics and targets relevant to readers.

Kennicott is the 10th Style critic to win a Pulitzer. The others include four current writers: dance critic Sarah Kaufman, who won in 2010, fashion critic Robin Givhan (2006), book critic Michael Dirda (1993) and book columnist Jonathan Yardley, who won in 1981 before joining the Post. Former Style critics Henry Allen (photography criticism), Tim Page (classical music), Tom Shales (television), Stephen Hunter (film) and the late Alan M. Kriegsman (dance) have also won.

One of his most recent works, Music Holl: A Copper Clad Pavilion exclusively published in Dwell’s May Issue Global Style - recounts the inspiration behind Steven Holl’s award-winning Daeyang Gallery and House in Seoul.

WORKS

November 15, 2012 A moral examination
June 20, 2012 The corporate architect
December 30, 2012 Why do we stare
May 1, 2012 Give us shelter...and a roof over all our feel-good stuff
July 8, 2012 For Corcoran, identity remains its biggest issue
August 5, 2012 And the band played on, but to a new beat
February 7, 2012 Objects of her projection
August 17, 2012 An exhibit triggers deeper thoughts
November 8, 2012 Snapshot of an equal, modern marriage
August 25, 2012 Art challenges unbridled emotion

 

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Philip Kennicott, es crítico jefe de arte de The Washington Post, desde que se incorporó en agosto de 1999. También ha sido crítico jefe de música clásica para el Detroit News y el St. Louis Post-Dispatch, donde también trabajó durante dos años como editorialista. Antes de trasladarse a Nueva York como editor en las revistas Musical America y Chamber Music.

En 2000, Kennicott fue finalista del Premio Pulitzer por sus editoriales opuestas una iniciativa de llevar pistola en Missouri (que no trinfo a pesar de un fuerte apoyo de los organizaciones de apoyo a las armas). En 2006, fue nominado a un Premio Emmy para una revista de video basado en la Web sobre la democracia y el dinero del petróleo en Azerbaiyán. También ha ganado un Cine Golden Eagle por su trabajo en vídeo. En 2010, ganó la American Association of Sunday y el premio Editors Feature por un comentario general. Kennicott ahora escribe extensamente de arquitectura y la intersección de la arquitectura y la cultura.

Kennicott se graduó summa cum laude con una licenciatura en filosofía en Yale en 1988. Antes de asistir a Yale, pasó dos años en Deep Springs College en California. Kennicott, que bloguea en philipkennicott.com, es columnista mensual para gramófono y un colaborador frecuente de Opera News y otras publicaciones musicales.

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Published on: April 16, 2013
Cite: "The 2013 Pulitzer Prize Winners Criticism" METALOCUS. Accessed
<http://www.metalocus.es/en/news/2013-pulitzer-prize-winners-criticism> ISSN 1139-6415
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