Mecanoo was awarded with 1st Prize Competition to design the Futian Civic Culture Center in Shenzhen, China.

Futian is one of the oldest and densest districts of Shenzhen. Recent urban regeneration efforts aim to breathe new life into this urban centre, which lacks urban quality and is crowded with residential and commercial high-rises.
The tower, designed by Mecanoo, has 93,000 m², and is “a building that breathes: open to daylight and natural cooling breezes, and filled with greenery”.

The tower is confined within a tight 10,610 m² plot, acording says the firm, the tower's ground floor was designed to be as open as possible. A south-facing public square and wide, semi-interior east-west pedestrian passage create pedestrian links across the site. The ground floor's interior is just as spacious and connects to a theater lobby, the heart of the cultural center.

A completion date for the project is yet to be announced.
 

Description of project by Mecanoo

A building that breathes
Futian is one of the oldest and densest districts of Shenzhen. Recent urban regeneration efforts aim to breathe new life into this urban centre, which lacks urban quality and is crowded with residential and commercial high-rises. The new Civic Cultural Centre plays a major role in this effort and will house cultural programme and social spaces for stimulating urban activity. Public life in Shenzhen, as in other subtropical cities, thrives in semi-open spaces. Our proposal is therefore a building that breathes: open to daylight and natural cooling breezes, and filled with greenery.

Permeable ground floor
Attracting public activity requires a strong connection with surrounding urban spaces. The ground floor is thus designed to be as open as possible, despite the confined urban plot. A south-facing public square and a wide semi-interior east-west pedestrian passage provide pedestrian links across the site. Inside, the ground floor is lively and open, with retail functions and a fully glazed facade that can be entered on all sides. This open public interior directly connects with the theatre lobby, which is the main urban catalyst of the cultural centre. The permeable ground floor, together with the two bordering main roads and metro station within 200m, ensures that the building is well-connected.  

Extensive cultural programme
To serve Futian’s high population density, a large amount of cultural programme was to be built on the tight 10,610 m² plot: 62,000 m² of above-ground functional spaces in total, including three theatres, a library and exhibition halls. The brief also included a kindergarten on a separate sub-plot. This spatial puzzle was solved by arranging the various functions within a 150m tower sitting on an L-shaped base. The theatres are not placed directly under the high rise, thereby avoiding undesirable structural complexity and allowing them to be designed with optimal functionality. To give the cultural centre a strong, singular appearance, the building is wrapped in a uniform triangulated grid facade that flares outwards to incorporate the theatres. Scaling downwards towards the edges, the flared volume smoothly transitions between the 150m tower and the smaller scale of the kindergarten.

Connecting atria
The Cultural Centre draws ground floor public activity to the top of the 150m tower via efficient elevators and long escalators that connect a series of green atria and terraces. Large, openable planted atria include a roof cafe and open exhibition space above the theatre, an exhibition garden lobby and a library garden. Urban greenery and sky gardens provide shade, reduce the urban heat island effect and cool the public spaces. They also provide a transition space between indoor and outdoor, public and private functions. The network of atria acts as blood vessels that pump life into the building, making the journey of moving vertically into a lively urban experience.

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Client
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Public Culture and Sports Development Centre, Futian District, Shenzhen, China

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Programme
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1st prize competition design for a cultural development including theatre, cultural centre, library, exhibition hall, elderly and youth activity centre, sports complex, commercial facilities, kindergarten, totalling 93,000 m²

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Shenzhen, China.

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Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.

Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.

Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.

In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.

Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.

Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.

Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.

Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).

“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”

Francine Houben, architect/creative director Mecanoo Architecten.

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Published on: July 16, 2019
Cite: "1st Prize. Futian Civic Cultural Centre by Mecanoo " METALOCUS. Accessed
<http://www.metalocus.es/en/news/1st-prize-futian-civic-cultural-centre-mecanoo> ISSN 1139-6415
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