The new Saw Swee Hock Student Centre, of London School of Economics, was officially opened on Wednesday 18th Dec 2013. The new building, designed by O'Donnell + Tuomey Architects, opened its doors in the old London urban grid.

Urban landscape works to improve the public realm of Sheffield Street are now underway, due for completion in 2014.

The Student Centre building, designed by O’Donnell+Tuomey Architects, is located at the corner of Sheffield Street and Portsmouth Street, just east of Kingsway, on the London School of Economics’ main urban campus: Site Location Map. It is a short walk south down the side of Lincoln’s Inn Fields from Holborn Station on the Central/Piccadilly Underground Line, or northward from Temple Station on the District and Circle Lines. The meeting point will be the south west corner of Lincoln’s Inn Fields on the park side, where there should be ample room to gather, and hopefully still some shelter under the trees. Wheelchair access will unfortunately not be possible at the time of the site visit.

For some critics it is a lesson in architectural origami, "have produced a fold-out marvel that ducks and dodges between its neighbours' rights to light" said Oliver Wainwright (The Guardian).

This striking piece of redbrick origami has a £24m budget. The architects describe the use of brick as an obvious response to the opportunity to build in London. Shoehorned into an unpromising triangular site, the building has to limbo beneath a plethora of invisible restrictions, ducking and dodging below its neighbours' rights to light.

The new School, "It's a bit like a cruise ship," says Sheila O'Donnell. "A great stack of different functions, from a nightclub and gym, to cafes and prayer rooms, all these bits of different shapes and sizes interlocking together in a complicated jigsaw puzzle." and Tuomey says "disturb the street, to suck the pavement into the building and take it for a vertical walk".

An interesting play of folds outside is more debatable inside where the new school, "Es un poco como un barco", dice Sheila O'Donnell "Un gran apilamiento de diferentes funciones, desde una discoteca y gimnasio, a los cafés y salas de oración, todos estos pedazos de diferentes tamaños y formas entrelazadas juntas en un complicado rompecabezas." y su compañero de estudio, Tuomey, completa la definición del interior diciendo "alterar la calle, para introducir el pavimento en el edificio y llevarlo a dar un paseo vertical".

To this we must add, an ornate finishing details, almost baroque, excessive and that the architects have sought to justify as reflecting diversity when in reality they have created a very complex area and difficult to use, because in the near future, programs and needs will change, evolve or will need give answers to new uses.

"We see this staircase as part of the medieval street pattern," says O'Donnell. "It is a public route with different facilities spilling off it, each managed by different people." There are no swipe-card doors and, like the rest of the LSE campus, which spreads from Kingsway to the Royal Courts of Justice in a hotchpotch of 12 buildings, is intended to feel like part of the city.

Every floor supports both a new function and a distinct configuration. The complexity is exacerbated by the diversity of the internal surfaces. Floors are variously in oak and terrazzo while there are walls in insitu-concrete, brick and timber. Iron oxide-coloured steelwork completes a palette that is deployed rigorously but to very graphic effect.

Description and ideas by O’Donnell+Tuomey Architects

The brief was to bring student facilities together under one roof. The multi-functional building includes a venue, pub, learning café, media, prayer, offices, gym, careers, dance studio and social spaces. The brief asked for the "best student building in the UK" and had the aspiration for BREEAM Excellent rating. The design achieved BREEAM Outstanding.

Planning Constraints

The site lies within the Strand Conservation Area. The context was complex and the site was restricted by surrounding building lines. Specifications were closely monitored by Westminster planners, who supported the ambition for a contemporary design integrated with its setting. Throughout the building process, the planners maintained a commitment to the enduring quality of carefully crafted construction.

Street Life

The site is located at the knuckle-point convergence of narrow streets that characterise the LSE city centre campus. The faceted facade operates with respect to the Rights of Light Envelope and is tailored to lines of sight, to be viewed from street corner perspectives and to make visual connections between internal and external circulation. The brick skin is cut along fold lines to form large areas of glazing, framing views. Analysis of the context has influenced the first principles of a site specific architectural design.

Embodiment

The building is designed to embody the dynamic character of a contemporary Student Centre. The complex geometries of the site provided a starting point for a lively arrangement of irregular floor plates, each particular to its function. Space flows freely in plan and section, with stairs turning to create meeting places at every level.

Construction, Colour and Atmosphere

London is a city of bricks. The building is clad with bricks, with each brick offset from the next in an open work pattern, creating dappled daylight inside and glowing like a lattice lantern at night.

The building has the robust adaptability of a lived-in warehouse, with solid wooden floors underfoot. The structure is a combination of reinforced concrete and steelwork. Steel trusses or ribbed concrete slabs span the big spaces. Circular steel columns prop office floors between the large span volumes and punctuate the open floor plan of the café. Concrete ceilings contribute thermal mass with acoustic clouds suspended to soften the sound.

There are no closed-in corridors. Every hallway has daylight and views in at least one direction. Every office workspace has views to the outside world. The basement venue is daylit from clerestory windows.

Inclusive Design

The building is designed with accessibility and inclusive design as key considerations. Approaches are step free. Floor plates are flat without steps. Circulation routes are open and legible with clearly identifiable way-finding. Services are located at consistent locations. The central wide stair was carefully designed to comply with standards and details agreed with the approved inspector.

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Architects
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Collaborators
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Structural Engineer.- Dewhurst Macfarlane and Partners/Horganlynch Consulting Engineers.
Quantity Surveyor.- Northcroft. 
Planning Consultant.- Turley Associates. 
Party Wall Consultant.- Anstey Horne. 
Building Control Consultant.- Carillion. 
CDM Coordinator.- Gardiner & Theobald. 
Security / Fire / Acoustics / Transport & Logistics / Venue.- Arup. 
Catering.- Tricon Foodservice Consultants. 
Access.- David Bonnett Associates. 
Archaeology.- Gifford. 
Project Manager.- Turner & Townsend.
Services & environmental engineer.- BDSP.

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Client
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London School of Economics & Political Science, Estates Division.

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Main contractor
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(D&B) Geoffrey Osborne Limited.

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Dates
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Competition.- 2009.
Start Year.- 2009.

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Location
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Houghton St, London WC2A 2AE, United Kingdom.

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Photography
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Dennis Gilbert, Alex Bland.

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Sheila O’Donnell and John Tuomey met while they were studying architecture at University College Dublin and have worked together in partnership as O’Donnell + Tuomey for more than 25 years. They have exhibited three times at the Venice Biennale. They received the RIAI Gold Medal for Ranelagh Multidenominational School in 2005 and have been seven times winners of the AAI Downes Medal for excellence in architectural design. They have been twice shortlisted for the RIBA Lubetkin Prize, four times for the Mies van der Rohe European Award, and five times for the RIBA Stirling Prize.

They both teach at University College Dublin and have lectured at schools of architecture in Europe, the UK, Japan and the USA, including Harvard, Princeton, Cambridge and the AA. They were elected honorary fellows of the American Institute of Architects in 2010. They are both members of Aosdána, the affiliation of Irish artists.

They are the 2015 recipients of the Royal Gold Medal, the world’s most prestigious award in architecture, awarded by the President of the RIBA.

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John Tuomey (Tralee, Ireland, 1954), gets the B.Arch. at University College Dublin in 1976, working for Stirling Wilford & Associates (London) between 1976 and 1980 and the Office of Public Works in Dublin between 1981 and 1987. 

John established O’Donnell+Tuomey with Sheila O’Donnell in 1988. The son of a civil engineer, he grew up on building sites, learning to draw on the back of his father’s blueprints. He graduated from UCD in 1976 and went to London to work with James Stirling on the Stuttgart Staatsgalerie between 1976 and 1980. Returning to Dublin to work at the Office of Public Works between 1981 and 1987, he completed two buildings, a laboratory in the landscape and a city courthouse, which laid the theoretical and contextual basis for his future critical practice with Sheila O’Donnell.

He was managing director of Group 91 Architects, an architects’ collaborative who designed the masterplan for the regeneration of Temple Bar as Dublin’s cultural quarter. He played a key role in liaising with government agencies, overseeing contract management and urban design integration of projects by Group 91. O’Donnell + Tuomey designed two buildings within the quarter, completed in 1996.

He has had a leading involvement in architectural education, teaching in the studios at UCD Architecture from 1980 – 2019. He was the inaugural Professor of Architectural Design at UCD from 2008-2019. He was chair of external examiners at the Architectural Association London for many years as well as at the Universities of Cambridge and East London. He has taught and lectured widely in European schools of architecture and at North American universities including Harvard, Princeton, Buffalo, Cooper Union, Columbia, Michigan, Syracuse, Toronto, Vancouver and Virginia. He was the first recipient of the UCD Masters in Architecture (based on reflective design practice).

His engagement extends beyond practice and teaching to a more civic role in the public awareness of architecture. He was president of the Architectural Association of Ireland in 1992-93. In 1986 he initiated the AAI Awards for excellence in architectural design, attracting significant Arts Council sponsorship and recognition for the art of architecture. A regular member of awards panels, he chaired the RIBA Stirling Prize jury in 2009. An occasional contributor to architectural criticism, commentary and review, he is the author of Architecture, Craft and Culture, a reflection on principles of design and thinking behind the work of O’Donnell + Tuomey published by Gandon Editions.

He is an Honorary fellow of the American Institute of Architects. In 2010 he was elected a member of Aosdána, an affiliation of Irish Artists. In 2015 he was a joint recipient with Sheila O’Donnell of the RIBA Royal Gold Medal and the American Academy of Arts and Letters Brunner Prize, both awarded in recognition of lifetime work.

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Sheila O'Donnell (Dublin, Ireland, 1953), got her B.Arch at University College Dublin in 1976, working for Spencer & Webster from 1978-1980, and Colquhoun and Miller between 1979 and 1980. In 1980, she obtained a Master of Arts from the Royal College of Art (RCA) in London, the same year she started working for James Stirling, Colquhoun + Miller and Spence and Webster before returning to Dublin. O'Donnell has been a visiting professor at universities like Princeton, Buffalo and Washington. He has been a jury of awards such as the Royal Institute of British Architects (2005-2009), and a member of the Royal Institute of Architects of Ireland (Ireland) and the American Institute of Architects.

In the early 1980s, with like-minded colleagues, she set up the Blue Studio Architecture Gallery which exhibited and published the work of European Rationalists as well as their ambitious design proposals for the regeneration and repopulation of Dublin’s Docklands. Sheila O'Donnell and John Tuomey established O'Donnell + Tuomey in 1988. In 1991, now known as Group 91, they won the competition for the urban regeneration of Temple Bar in the centre of Dublin. This cultural quarter was completed in 1996 and includes two buildings by O’Donnell+Tuomey.

Her professional work has continued to develop the spirit of architectural, social and cultural investigation which characterised her exploratory activities in the early 1980s. She has retained an involvement in the world of London architecture through teaching, external examining, exhibiting work, lecturing and as a member of the RIBA Awards group. In recent years O’Donnell+Tuomey have been commissioned to make work in London, building the Photographers’ Gallery and LSE Student Centre and are now working on a new museum for the V&A and a dance theatre and academy for Sadler’s Wells.

She has been a lecturer in Architectural design at UCD since 1981 and a Professor since 2016. She has taught and lectured at schools of Architecture in Europe, Japan and the USA, including Princeton, Michigan, Buffalo, Yale, Columbia, Syracuse and Cooper Union.

Her watercolour drawings have been exhibited in the Royal Academy and the Royal Irish Academy.

She is an Honorary fellow of the American Institute of Architects. In 2009 she was elected a member of Aosdána, an affiliation of Irish Artists. In 2015 she was a joint recipient with John Tuomey of the RIBA Royal Gold Medal and the American Academy of Arts and Letters Brunner Prize, both awarded in recognition of a lifetime work.

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Published on: March 4, 2014
Cite: "LSE's Saw Swee Hock Student Centre by O'Donnell + Tuomey" METALOCUS. Accessed
<https://www.metalocus.es/en/news/lses-saw-swee-hock-student-centre-odonnell-tuomey> ISSN 1139-6415
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