Brazilian architect Carla Juaçaba was invited to join a selection of ten professionals from around the world who will design a Chapel, which marks the Vatican’s first participation in the Venice Architecture Biennial, whose 16th edition takes place between 26/5 and 25/11. The curator was Francesco Dal Co, critic and architectural historian and since 1996 editor of Casabella magazine.

The chapel designed by Carla Juaçaba is perfectly integrated between the landscape of Venice, with the surrounding vegetation conforming the inner space of the chapel. The space between the treetops – the vision of the sky – functions like the ceiling of the chapel.

Among those selected are the Pritzker award-winning architects Eduardo Souto de Moura (Portugal) and Norman Foster (England), as well as South American Smiljan Radic (Chile), Javier Corvalán (Paraguay). The selection is completed by Flores & Prats (Spain), Francesco Celini (Italy), Sean Godsell (Australia), Andrew Berman (United States) and Teronobu Fujimori (Japan).

The chapels will be built and arranged for public visitation on the island of San Giorgio Maggiore, next to the famous basilica of the architect Andrea Palladio, dating from 1573. The intention of the Vatican is to be dismantled at the end of the Biennale and rebuilt in the Italian communities that suffered with the earthquakes of the last two years.

Structurally, they are four beams of square section of 12 by 12 centimeters and with 8 meters of length, that form the set: a cross in foot, and a cross placed in the ground. One is a bank, the other the Cross: two important elements of the Catholic churches represented by the architect. The beams are made of polished stainless steel, transforming them into mirrors that reflect the surroundings: the Chapel can disappear at a certain moment depending on the reflections of the sun and the trees.

The Pavilion of the Holy See, 16th International Architecture Exhibition of the Venice Biennale, 2018
 
Exhibition Dates, May 26th – November 25th, 2018.
Special Preview, May 23th, 2018 (for participants only).
Official Vernissage, May 24th – 25th, 2018.
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Carla Juaçaba. Born in 1976, since 2000, she developed her independent practice of architecture and research based in Rio de Janeiro, Brazil. Her office is currently engaged in both public and private projects, focusing on housing and cultural programs.

Since undergraduate student she worked with the architect Gisela Magalhães of the Niemeyer’s generation, mostly in the area of exhibitions related to the Brazilian native arts and historical museums.

During her first year after college (2000) she worked jointly with another architect Mario Fraga on the project named “Atelier House”. Following that, a series of projects have been conceived such as the “Rio Bonito house” (2005), the “Varanda House”(2007), the “Minimum House”(2008),“Santa Teresa House” in its final stage (2012), and a couple of exhibition design. Current works includes the ephemeral pavilion conceived with the senior scenographer and theather director Bia Lessa, “Humanidade2012” for Rio+20, the recent international meeting held in Rio de Janeiro. And also two houses on the outskirts of Rio.

Carla Juaçaba is constantly a part of the academic and teaching realms, as well as research studies, lectures, biennales, exhibitions and recently was the Jury at BIAU Bienal Ibero Americana in Madrid (2012). She is currently teaching at FAU-PUC RJ Pontifícia Universidade Católica.

Her work is focused on an intrinsic issue of the discipline: the poetics of tectonics, and its expressive potentiality.

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Published on: April 6, 2018
Cite: "Pavilion of the Holy See at Venice Biennial 2018 by Carla Juaçaba" METALOCUS. Accessed
<http://www.metalocus.es/en/news/pavilion-holy-see-venice-biennial-2018-carla-juacaba> ISSN 1139-6415
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