After the success of the article by Yang Yongliang, published last Wednesday. We want to show you more about the work of the Chinese artist. On this occasion, we highlight the photographic series "Land of Peach Blossoms", where Yang represents a place that only exists in the heart of the ancient chinese literati, a spiritual refuge. Furthermore, you can see three videos interpreting the author's ideas. I hope you continue enjoying with Yang...

The "Land of Peach Blossoms" is a very important symbol in the cultural environment and history of China, that represents the ideal of the ancient Chinese literati to reside in seclusion in escape of reality. This "residence in seclusion" idea appeared first in the Eastern Jin Dynasty in Tao Yuan Ming’s The Tale of The Peach Blossom Colony 1. It is a place that exists neither in the past nor in the present, but in the hearts of the ancient Chinese literati’s as a place of spiritual refuge. It represents the ancient people’s criticism on reality and their detestation of the world. As modern society rapidly develops, materialism and consumerism gradually corrodes and takes over the world of spirituality, whereas the same concrete buildings and constructions keep replacing the natural green forests. With the human moral standards degraded and corroded by materialistic desires, I believe that this “Land of Peach Blossoms” exists just the same in the subconsciousness of those city-dwellers today who are still in touch with their conscience.

I have chosen this ancient ideal of a spiritual world, to mark the beginning of my series The Peach Blossom Colony. I have chosen to place the ancient literati dressed in plain clothes into an illusional and reconstructed setting based on modern reality, I have consciously obscured the time period, space, and cultural boundaries. In this setting the ancient literati figure is not only a simple cultural element, but a symbolic carrier of spirituality.

Yang Yongliang.

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Yang Yongliang, nació en Shanghái (1980). Desde muy temprana edad le enseñaron la pintura china tradicional, la caligrafía y las diversas formas de arte durante diez años por Yang Yang, que fue profesor en la Hong Kong Chinese University. Shanghai Fine Art Institute, departamento de decoración y diseño.

Formación Profesional en el Shanghai Arts & Crafts, Departamento de Comunicación Visual en 1995. China, Fine Art Academy Institute, Departamento de Comunicación Visual en la Shanghai Branch en 1999. En 2004 abrió su propio estudio con amigos, tomando el papel de director de arte en el estudio. En 2005 comenzó la experimentación y la creación de arte contemporáneo, como la pintura de tinta moderna, la fotografía y el vídeo artístico, etc.

Comenzó a trabajar como profesor en el Shanghai Institute of Visual Art en 2006-2008. Actualmente vive y trabaja en Shanghái.

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Published on: May 16, 2013
Cite: "Yang Yongliang´s works II" METALOCUS. Accessed
<http://www.metalocus.es/en/news/yang-yongliangs-works-ii> ISSN 1139-6415
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