Titled "My thoughts on the smart city", Rem Koolhaas gave a talk at the High Level Group meeting on Smart Cities, Brussels, last 24 September 2014.

Below Rem Koolhas asks what really makes a city "smart", and argues that it's critical for smart cities and governments to converge again.

Edited English transcript of a talk given at the High Level Group meeting on Smart Cities, Brussels, 24 September 2014. Translated into Spanish by José Juan Barba, arquitecto y profesor.

The rhetoric of smart cities would be more persuasive if the environment that the technology companies create was actually a compelling one that offered models for what the city can be. But if you look at Silicon Valley you see that the greatest innovators in the digital field have created a bland suburban environment that is becoming increasingly exclusive.

I had a sinking feeling as I was listening to the talks by these prominent figures in the field of smart cities because the city used to be the domain of the architect, and now, frankly, they have made it their domain. This transfer of authority has been achieved in a clever way by calling their city smartand by calling it smart, our city is condemned to being stupid. Here are some thoughts on the smart city, some of which are critical; but in the end, it is clear that those in the digital realm and architects will have to work together.

¥€$ REGIME

Architecture used to be about the creation of community, and making the best effort at symbolizing that community. Since the triumph of the market economy in the late 1970s, architecture no longer expresses public values but instead the values of the private sector. It is in fact a regime – the ¥€$ regime – and it has invaded every domain, whether we want it or not. This regime has had a very big impact on cities and the way we understand cities. With safety and security as selling points, the city has become vastly less adventurous and more predictable. To compound the situation, when the market economy took hold at the end of the 1970s, architects stopped writing manifestos. We stopped thinking about the city at the exact moment of the explosion in urban substance in the developing world. The city triumphed at the very moment that thinking about the city stopped. The “smart” city has stepped into that vacuum. But being commercial corporations, your work is changing the notion of the city itself. Maybe it is no coincidence that “liveable” – flat – cities like Vancouver, Melbourne and even Perth are replacing traditional metropolises in our imaginary.

APOCALYPTIC RHETORIC

The smart city movement today is a very crowded field, and therefore its protagonists are identifying a multiplicity of disasters which they can avert. The effects of climate change, an ageing population and infrastructure, water and energy provision are all presented as problems for which smart cities have an answer. Apocalyptic scenarios are managed and mitigated by sensor-based solutions. Smart cities rhetoric relies on slogans – ‘fix leaky pipes, save millions’. Everything saves millions, no matter how negligible the problem, simply because of the scale of the system that will be monitored. The commercial motivation corrupts the very entity it is supposed to serve… To save the city, we may have to destroy it…

When we look at the visual language through which the smart city is represented, it is typically with simplistic, child-like rounded edges and bright colours. The citizens the smart city claims to serve are treated like infants. We are fed cute icons of urban life, integrated with harmless devices, cohering into pleasant diagrams in which citizens and business are surrounded by more and more circles of service that create bubbles of control. Why do smart cities offer only improvement? Where is the possibility of transgression? And rather than discarding urban intelligence accumulated over centuries, we must explore how to what is today considered “smart” with previous eras of knowledge.

IF MAYORS RULED THE WORLD

The smart city movement is focusing on the recent phenomenon that more than 50 percent of the world’s population lives in cities. Therefore mayors have been targeted as the clients or the initiators of smart cities. Mayors are particularly susceptible to the rhetoric of the smart city: it is very attractive to be a smart mayor. The book If Mayors Rules the World proposes a global parliament of mayors.

This confluence of rhetoric – the “smart city”, the “creative class”, and “innovation” – is creating a stronger and stronger argument for consolidation. If you look in a smart city control room, like the one in Rio de Janeiro by IBM, you start to wonder about the extent of what is actually being controlled.

COMFORT, SECURITY, SUSTAINABILITY

Because the smart city movement has been apolitical in its declarations, we also have to ask about the politics behind the improvements on offer. A new trinity is at work: traditional European values of liberty, equality, and fraternity have been replaced in the 21st century by comfort, security, and sustainability. They are now the dominant values of our culture, a revolution that has barely been registered.

COURTROOM

The car is a key element in the smart city. It is now being equipped with increasingly complex monitoring devices. On the one hand, the devices improve the driver’s behaviour, but on the other hand they create a high degree of surveillance. I’m not convinced that the public will welcome this degree of monitoring. I prefer the car not to be a courtroom.

FARADAY CAGE

In the past two years we have, with the Harvard Graduate School of Design, looked at the architectural elements – like the wall, the floor, the door, the ceiling, the stair – and seen how they are evolving in the current moment. If the city is increasingly a comprehensive surveillance system, the house is turning into an automated, responsive cell, replete with devices like automated windows that you can open but only at certain times of the day; floors embedded with sensors so that the change in a person’s position from the vertical to the horizontal, for whatever reason, will be recorded; spaces which will not be warmed in their entirety, but instead will track their inhabitants with sensors and cloak them in heat shields. Soon a Faraday Cage will be a necessary component of any home – a safe room in which to retreat from digital sensing and pre-emption.

POLITICS

The rhetoric of smart cities would be more persuasive if the environment that the technology companies create was actually a compelling one that offered models for what the city can be. But if you look at Silicon Valley you see that the greatest innovators in the digital field have created a bland suburban environment that is becoming increasingly exclusive, its tech bubbles insulated from the public sphere. There is surprise that the digital movement is encountering opposition on its own doorstep. Smart cities and politics have been diverging, growing in separate worlds. It is absolutely critical that the two converge again.

By Rem Koolhaas, architect and professor.

More information

Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.

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José Juan Barba (1964) architect from ETSA Madrid in 1991. Special Mention in the National Finishing University Education Awards 1991. PhD in Architecture ETSAM, 2004. He founded his professional practice in Madrid in 1992 (www.josejuanbarba.com). He has been an architecture critic and editor-in-chief of METALOCUS magazine since 1999, and he advised different NGOs until 1997. He has been a lecturer (in Design, Theory and Criticism, and Urban planning) and guest lecturer at different national and international universities (Roma TRE, Polytechnic Milan, ETSA Madrid, ETSA Barcelona, UNAM Mexico, Univ. Iberoamericana Mexico, University of Thessaly Volos, FA de Montevideo, Washington, Medellin, IE School, U.Alicante, Univ. Europea Madrid, UCJC Madrid, ESARQ-U.I.C. Barcelona,...).

Maître de Conférences IUG-UPMF Grenoble 2013-14. Full assistant Professor, since 2003 up to now at the University of Alcalá School of Architecture, Madrid, Spain. And Jury in competitions as Quaderns editorial magazine (2011), Mies van der Rohe Awards, (2010-2024), Europan13 (2015). He has been invited to participate in the Biennale di Venezia 2016 as part "Spaces of Exception / Spazi d'Eccezione".

He has published several books, the last in 2016, "#positions" and in 2015 "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi " and collaborations on "Spaces of Exception / Spazi d'Eccezione", "La Mansana de la discordia" (2015), "Arquitectura Contemporánea de Japón: Nuevos territorios" (2015)...

Awards.-

- Award. RENOVATION OF SEGURA RIVER ENVIRONMENT, Murcia, Sapin, 2010.
- First Prize, RENOVATION GRAN VÍA, “Delirious Gran Vía”, Madrid, Spain, 2010.
- First Prize, “PANAYIOTI MIXELI Award”. SADAS-PEA, for the Spreading of Knowledge of Architecture Athens, 2005.
- First Prize, “SANTIAGO AMÓN Award," for the Spreading of Knowledge of Architecture. 2000.
- Award, “PIERRE VAGO Award." ICAC -International Committee of Art Critics. London, 2005.
- First Prize, C.O.A.M. Madrid, 2000. Shortlisted, World Architecture Festival. Centro de Investigación e Interpretación de los Ríos. Tera, Esla y Orbigo, Barcelona, 2008.
- First Prize. FAD AWARD 07 Ephemeral Interventions. “M.C.ESCHER”. Arquin-Fad. Barcelona, Sapin 2007.

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Published on: November 23, 2014
Cite: "Smart Cities. called "smart" but condemned to being stupid" METALOCUS. Accessed
<http://www.metalocus.es/en/news/smart-cities-called-smart-condemned-being-stupid> ISSN 1139-6415
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