OMA, together with Jaspers-Eyers Architects, has won the competition for the design of the new headquarters of the National Railway Company of Belgium in Brussels. With a total area of 75,000 square meters, the project brings together all SNCB’ departments under the same roof, creating work space for 4,000 employees.

OMA / Reinier de Graaf’s design preserves the ensemble of three monumental buildings of the Brussels-South train station along the Fonsny Avenue adding a 11-story, 236-meter long new volume facing the rail tracks. The interaction between the existing buildings, inaugurated on the occasion of the 1958 Brussels World’s Fair, and the addition is an expression of Brussels’ double nature.
 
“It embraces the Belgian Brussels, with its early, and often courageous expressions of modern architecture, and the European Brussels, for which the European railway and the Brussels-South stand as symbols,” says Reinier de Graaf.
The SNCB office space is complemented by conference and training rooms, a fitness center, a restaurant, and rooftop gardens on the existing buildings.
 
At street level, a three-story entrance lobby, retail spaces and visible access points to the rail tracks improve the street’s appeal to the passer-by, in line with the municipality’s strategy to inject new life into the neighborhood. On the side of the rail tracks, the façade reveals the diversity of activities within the new building – a move to convey the openness and transparency of the organization to the public it serves.

OMA’s design is part of the preferred bid submitted by the consortium BESIX Group, BPC/BPI and Immobel. The competition was organized by SNCB.
 
The new headquarters of SNCB NMBS is OMA’s first large scale project in Belgium. The project was led by partner Reinier de Graaf together with associate and project architect Mark Veldman.
 

Project description by OMA / Reinier de Graaf
 

Contemporary Brussels is both historic and modern, national and European, regional and cosmopolitan. That is its essence – in the mediation between presumed opposites. It is this reality that our project intends to express. It is borne out of the creative tension between an expectation for the future, and a respect for futures past. It embraces the Belgian Brussels, with its early, and often courageous expressions of modern architecture, and the European Brussels, for which the European railway and the Brussels-South stand as symbols.

Reinier de Graaf


Three monumental buildings along the Fonsny Avenue have stood vacant for the past two decades. The Tri Postal sorting house and the two office buildings by which it is flanked were once part of the Brussels-South station, at a time when the postal service was more intimately connected with the rail network.

The buildings were designed by different architects, and realized as an ensemble on the occasion of the 1958 World’s Fair. Their outward coherence - an expanse of brick - belies the functional autonomy of each building. Their internal logic is agreeably askew, with mismatched floor heights and conflicting grid patterns. These cross-characterful elements are used to full effect in the proposed addition, which seeks to integrate the distinct buildings with a new volume to provide a HQ for the SNCB (National Railway Company of Belgium).

In the proposed recombination, the old and the new buildings add up to 75,000 m². The total is divided into three formal zones – from the public Front-Office through to the Back-Office, the preserve of the SNCB employees. The public Front-Office is communicated from the street through to the tracks, via a three-story entrance lobby. Retail spaces and visible access points improve the street’s appeal to the passer-by, in line with the municipality’s strategy to inject new life into the neighborhood. The Mid-Office, situated in the former Tri Postal building, includes conference and training rooms, a 200-seat auditorium, a fitness center and a restaurant. The Back-Office areas occupy the two former office buildings and the new volume. Rooftop gardens are quilted across each of the three original buildings.

At 236 by 19 meters in plan, the new volume maintains the horizontal thrust of the original in its bearing to the tracks. At once geological in scale, the building is impressionistic in its effects – the sheer, cliff-like façade is rendered particulate by the articulation of un-fritted portholes. In its openness to the tracks, the building offers a playful disclosure of its inner workings – a move to convey the transparency of the organization to the public it serves. There is no back to the building in conventional terms. In its address, it is full frontal. Two faces, two aspects. A serviceable analogy for the Janus-headed character of modern Brussels. The project aims to effect a sublime contrast between the old, and the not yet old. It proposes an expansion of the original ensemble – making of the three, a little more than the sum of each.

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Architects
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OMA / Reinier de Graaf
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Project Team
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Partner.- Reinier de Graaf. Associate-in-Charge.- Mark Veldman. Competition Team.- Yahya Abdullah, Claudio Araya, Valentin Bansac, Julian Beqiri, Jean-Baptiste Clot, Caterina Corsi,Paul Cournet, Agnieszka Dabek, Tianyi Huang, Marina Kounavi, Cyriac Levet, Nicholas Lin, Alice Loumeau, Chenhao Ma, Davide Masserini, Masumi Ogawa, Daan Ooievaar, Ana Otelea, Saskia Simon, Iason Stathatos, Xiaotang Tang, Yushang Zhang.
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Collaborators
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Local Architect.- Jaspers-Eyers & Partners. MEP/BREEAM/Fire Safety.- Boydens Engineering,CES. Structure/stability.- Bureau Greisch. NWOW: Möbius. Acoustics.- Bureau de Fonseca. Façade engineering.- BESIX. Heritage.- Callebaut Architecten, Suzanne Fischer.
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Client
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SNCB Headquarters.
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Builder
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BESIX, BPC, Immobel.
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Area
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75,000 m².
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Dates
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Competition start.- 2018. Competition result.- 2020. Competition winner.- 2020.
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Location
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Fonsny Avenue 47-49, Brussels, Belgium.
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Program
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Office (including conference rooms, training rooms, auditorium, fitness center, restaurant).
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Reinier de Graaf (1964, Schiedam) is a Dutch architect and writer. Reinier de Graaf joined OMA in 1996. He is responsible for building and masterplanning projects in Europe, Russia, and the Middle East, including Holland Green in London (completed 2016), the new Timmerhuis in Rotterdam (completed 2015), G-Star Headquarters in Amsterdam (completed 2014), De Rotterdam (completed 2013), and the Norra Tornen residential towers in Stockholm. In 2002, he became director of AMO, the think tank of OMA, and produced The Image of Europe, an exhibition illustrating the history of the European Union.

He has overseen AMO’s increasing involvement in sustainability and energy planning, including Zeekracht: a strategic masterplan for the North Sea; the publication in 2010 of Roadmap 2050: A Practical Guide to a Prosperous, Low-Carbon Europe with the European Climate Foundation; and The Energy Report, a global plan for 100 percent renewable energy by 2050, with the WWF.

De Graaf has worked extensively in Moscow, overseeing OMA’s proposal to design the masterplan for the Skolkovo Centre for Innovation, the ‘Russian Silicon Valley,’ and leading a consortium which proposed a development concept for the Moscow Agglomeration: an urban plan for Greater Moscow. He recently curated two exhibitions, On Hold at the British School in Rome in 2011 and Public Works: Architecture by Civil Servants (Venice Biennale, 2012; Berlin, 2013). He is the author of Four Walls and a Roof, The Complex Nature of a Simple Profession.
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: February 25, 2020
Cite: "OMA Wins Competition for the New Headquarters of SNCB NMBS" METALOCUS. Accessed
<http://www.metalocus.es/en/news/oma-wins-competition-new-headquarters-sncb-nmbs> ISSN 1139-6415
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