The design of Fernanda Canales proposes different heights and orientations for the different pieces conforming the house, in order to accomodate the pieces to both the preexisting flora and to a topography of strong unevenness. With these variations, it also creates hierarchies in accordance with the function that each block contains.
The pieces are distributed forming a central irregular courtyard. The main rooms, excepting guest rooms, services and garage, are communicated spatially by covered passages enclosed by glass walls. As for the visual relationship, all the blocks become independent from each other, as they are blind to the central enclosure and open towards the perimeter, in search of private views of the natural environment. In this way, only the transparent passageways between pieces introduce the landscape to the shelter of the courtyard.
The materials used are black concrete for its structure, wood, stone and glass. Two blocks contain terraces on their roof, while the others are topped with green roofs.
Description of project by Fernanda Canales
This project questions the archetype of the house and organizes different spaces around a central patio. This design solution was born out of the need to respect every existing tree on the site and to provide every space with sunlight both during the morning and the afternoon. The result is an “exploded house”, where the dwelling is composed of isolated volumes that are placed according to the views, the orientations and the existing vegetation.
The program is distributed in nine blocks so each zone has a certain independence and, at the same time, a relation with the different spaces. The blocks of kitchen-dining-room-main room and children's room are linked by roofed corridors. The rest: two blocks for guest rooms, services and garage finish to form the central courtyard and allow each block to face this courtyard and open to the other end generating private but fully open views to the landscape. Two blocks have terraces on the roof, while the rest are green roofs.
Each block has a different height that corresponds both to its particular location within a topography with steep slopes and to the different hierarchies of each space. The main room is located on a second level, above the children's room and on a study that has its own terrace. A larger study is located on the dining room and from there you can access one of the terraces on the roof, which is located above the room. The other roof terrace is accessed from a staircase in the central courtyard, which highlights the independence of the blocks but also the sequences and communications that exist between them.
The house is made up of four materials: apparent black concrete, wood, stone and glass. Each block adapts to the topography and makes the volumes appear and disappear in the landscape. The color and the stony condition of the house helps to give the project a timeless character.
The access is the point where this becomes more palpable, since it is a semi-hidden route where fragments of the blocks appear that lead the user in a slow and stepped way to the patio, where the blind blocks are discovered and open to the transparent steps that connect the main areas. These steps open both to the patio and the exterior landscape and reveal a series of views that somehow penetrate the protected area of the courtyard. Thus, while the patio closes to the outside, it also anticipates what is on the other side of the different blocks.
