The winner of the National Architecture Competition for the construction of Papalote Children’s Museum in Iztapalapa, in the east of Mexico City, has been announced. The jury, which comprised Miquel Adrià, Mauricio Amodio, Dolores Beistegui, Ernesto Betancourt, Fernanda Canales, Víctor Legorreta and Benjamín Romano, agreed unanimously to award first prize to the joint team of MX_SI, a Barcelona-based international practice made up of Mara Partida, Boris Bezan and Héctor Mendoza, and SPRB, Laura Sánchez Penichet and Carlos Rodríguez Bernal’s practice based in Guadalajara, Mexico.
The competition, announced in July in the framework of the project for the Constitución de 1917 Modal Transfer Centre organized by the local government and the Ministry of Urban Development, attracted 171 projects by Mexican practices, of which seven finalists went on to the second phase. These seven were TAX Taller de Arquitectura-Alberto Kalach, DCPP; CRAFT Arquitectos; FRG2 Taller de Arquitectura; the team of Jorge Ambrosi and Gabriela Etchegaray; the team of Armando Birlain, David Martínez and Ximena Pérez, and, finally, the winners, MX_SI + SPRB. The future facility is scheduled to open in 2017.
With the slogan “Let’s Make city”, the winning project is clearly intended to be an activator in the urban environment. It is a design for an integrative museum that opens up to the city and is incorporated into public space, creating physical continuity on the ground floor and visual continuity on the upper storeys, via great windows on the city.
The urban strategy of the museum sets out to recover the value of public space as a meeting place at street level and respond harmoniously to the urban junction in which it is set. The building is set back a few metres from the street to generate an urban plaza, a great public lobby that acts as an extension to the museum. Access to the centre is via a diffuse boundary, a forest of column walls that draw the plaza into the inside of the complex.
The public brief of café, gift shop, etc. is located on the ground floor, where there is no access control, and the interactive layout of the exhibition areas located on the upper floors starts on the mezzanine floor, where the multipurpose rooms and foyer of the IMAX cinema and theatre are also situated. The different levels of the museum house the various briefs, each with an outdoor space with specific characteristics, such as terraces and gardens.
The building’s floor plan is laid out in 10-metre strips that respond to the structural rhythm of the construction module, comprising exposed concrete screen walls that are joined by a V-shaped beam-roof. These walls make up the museum’s abstract forest and are designed with careful attention to texture, in a reference to the trunks of the Tree of Tule, with its stout, rugged base that branches out and becomes narrower towards the top. The grouping of modules according to a strategy of horizontal and vertical movement generates the volume of the new museum.
CREDITS. THECNICAL SHEET.-
Architects.- MX_SI: Mara Partida, Boris Bezan, Héctor Mendoza. Colaboradores.- Olga Bombac, Oscar Fabian Espinosa
SPRB arquitectos: Laura Sánchez Penichet, Carlos Rodríguez Bernal. Colaboradores: Ricardo Valdivia, Lidia Nájera, Claudia Bucio
Structural Engineer.- BEST Consultoría Estructural Barcelona. Nacho Costales, Carlos Jaen
BEST Consultoría Estructural Guadalajara. Ing. Andrés Velasco
Dates.- Competition July 2015. Construction: 2017
Site.- Iztapalapa, Ciudad de México
Area.- 17.500 m²
Budget aprox.- 275.000.000 MXN
Client.- Papalote Museo del Niño